MXR Bass Distortion Pedal

£169.99

This is a New MXR Bass Distortion Pedal from MXR, listed in Distortion Pedals on Just Pedals. Read More below.

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Designed with indie pedal phenom and Fuzzrocious Pedals founder Ryan Ratajski, this little box gives you all the big gnarly tones and low end you could ever want.

MXR took a famously nasty sounding distortion circuit and re-tooled it for the modern working bass player. Dry and Wet level controls let you set the perfect mix for your sonic needs, while the Tone control cuts the distortion signal’s top end and the Distortion control sets the distortion signal’s intensity.

Specifications

  • Co-designed with bass dirt guru/Fuzzrocious Pedals founder Ryan Ratajski
  • Based on a classic distortion circuit famous for its nasty sound
  • Separate Dry and Wet level controls
  • Select between Silicon and LED clipping diodes
  • Internal control sets the max gain level of LED mode
  • Get the sound of a split clean/dirty signal chain in a single box

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Brand

MXR

In the current JustPedals catalogue, MXR is represented by Overdrive Pedals, Compressor Pedals and Chorus Pedals. Current listings include Bass Synth, M300 Reverb and M307 Layers. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Distortion Pedals

Distortion clips the waveform more firmly than overdrive, generating dense upper harmonics, longer sustain and a more compressed response. Circuit topology and filtering decide whether the sound is tight and focused, broad and aggressive, smooth or deliberately abrasive. Gain sets the amount of clipping, while pre- and post-distortion tone controls strongly influence low-end definition, midrange presence and high-frequency texture.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.