MXR Bass Distortion Pedal

£169.99

This is a New MXR Bass Distortion Pedal from MXR, listed in Distortion Pedals on Just Pedals. Read More below.

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Designed with indie pedal phenom and Fuzzrocious Pedals founder Ryan Ratajski, this little box gives you all the big gnarly tones and low end you could ever want.

MXR took a famously nasty sounding distortion circuit and re-tooled it for the modern working bass player. Dry and Wet level controls let you set the perfect mix for your sonic needs, while the Tone control cuts the distortion signal’s top end and the Distortion control sets the distortion signal’s intensity.

Specifications

  • Co-designed with bass dirt guru/Fuzzrocious Pedals founder Ryan Ratajski
  • Based on a classic distortion circuit famous for its nasty sound
  • Separate Dry and Wet level controls
  • Select between Silicon and LED clipping diodes
  • Internal control sets the max gain level of LED mode
  • Get the sound of a split clean/dirty signal chain in a single box

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Brand

MXR

MXR is a renowned manufacturer of guitar effects pedals and audio electronics, recognized for their classic designs and high-quality sound. Established in the 1970s, MXR has played a significant role in shaping the landscape of effects pedals, producing iconic units that have become staples in countless musicians’ rigs. The company’s pedals are celebrated for their rugged construction, intuitive controls, and versatile tones, making them popular among guitarists and bassists across genres.

MXR’s product lineup encompasses a wide range of effects categories, including distortion, delay, modulation, and more. Some of their most notable pedals include the Phase 90 phaser, the Dyna Comp compressor, and the Carbon Copy analog delay, all of which have earned legendary status among players for their distinctive sound and reliability. With a legacy of innovation and a commitment to quality, MXR continues to be a respected name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.

Category

Distortion Pedals

Distortion pedals use stronger or more deliberate clipping than a typical overdrive, adding harmonics, compression and sustain. Some are voiced to imitate a pushed amplifier; others offer tight modern gain, scooped aggression or abrasive, gated texture. Gain, tone, presence, bass, clipping options and output headroom determine how the pedal interacts with pickups and the next stage. High gain is not automatically better gain: too much low end before clipping can become woolly, while too much treble after it can turn fizzy. Match the circuit to the amplifier and tuning.

Tags

Bass

Designed or voiced to retain low-frequency information and headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression or drive.