The TC Electronic JIMS 45 is a preamp pedal that authentically recreates the tone of a classic British tube amp from the 1960s. Offering two independent channels with their own gain volume and EQ controls to represent the experience of using a jumper cable on the amp to stack them this amp excels at classic…
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The TC Electronic JIMS 45 Preamp is in New condition and made by TC Electronic , it is a great EQ Boost Overdrive Guitar Effect Pedal – The TC Electronic JIMS 45 is a preamp pedal that authentically recreates the tone of a classic British tube amp from the 1960s. Offering two independent channels with their own gain volume and EQ controls to represent the experience of using a jumper cable on the amp to stack them this amp excels at classic blues rock and old-school metal tones. Perfect for home recording practice and live performances this pedal gives you realistic amp tone and feel right on your pedalboard. The JIMS 45 also offers a switchable 5 dB of pre or post-amp boost adding more gain to your tone to drive the amp harder for heavier music boosting mids like using an overdrive pedal would. Its DI output features an official Celestion cabinet simulation emulating a 4 x 12 cabinet loaded with their G12M Creamback speakers for authentically vintage sound great for gigging directly into a PA system or running into an audio interface for recording. The additional headphone output ensures that this preamp pedal can be used for noiseless practice sessions. . Available from Just Pedals for only £ 99 Authentic and detailed recreation The most important element of an amp simulation pedal is how realistic it sounds and feels and the JIMS 45 delivers this in spades. Its dual-channel architecture allows you to crank up the gain for some classic metal and rock tones heard throughout the decades or you can focus on a single channel and achieve some lightly driven vintage blues tones right from the 60s. Individual volume EQ and gain controls allow you to stack amplification stages your way as well as a master presence control to get the tone and feel of the real deal on your pedalboard. An extra boost The JIM 45s built-in boost circuitry adds not only an extra 5 dB of gain but a distinctive mid-boost that accurately represents the sound and feel of stacking an overdrive pedal either before or after your amp with a switchable pre or post position. Official cabinet simulation To add that final touch of polish this preamp pedal comes with an official Celestion cabinet simulator emulating the classically massive 4 x 12 cabinets the amp that inspired this pedal always came with. This recreates the tone of Celestions G12M Creamback speakers usually used in cabinets throughout the 60s and 70s for even more authenticity. Its individual DI output makes it easy to run directly into PA systems when playing live or audio interfaces when recording at home. Features Dual-channel preamp pedal inspired by a legendary British tube amp from the 1960s Individual gain EQ and volume controls per channel for clean and high gain tones or stacking both channels Built-in 5 dB boost with mid-forward voicing to replicate adding an overdrive pedal with the amp Boost switchable between pre or post-amp for extra flexible tone Dedicated DI output with official Celestion cabinet simulation for extra authenticity Cabinet simulation recreates the sound of a 4 x 12 cabinet loaded with G12M Creamback speakers DI output ideal for connecting directly to PA systems or audio interfaces Headphone output for silent practice sessions Master presence control adds distinctive high-frequency burn to adjust for your setup and room Bypass or always on channel footswitch modes for extra flexibility TC AMPWORX modeling technology provides low latency for responsive feel while playing Works excellently with other pedals to create the exact sound you want Specifications Product Code: JIMS 45 PREAMP Controls: Normal Channel Gain High Channel Gain Level Bass Mid Treble Presence Boost Channel Switch Boost Pre/Post switch Input: 1 x 1/4″ TS Outputs: 2 x 1/4″ TRS (Main Out and DI) 1 x 3.5 mm jack (Phones) Dimensions (L x W x H): 185 x 186 x 103 mm (7.3 x 7.3 x 4.1″) Weight: 0.50 kg (1.1 lbs)
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TC Electronic is a prominent manufacturer of audio processing equipment, including guitar effects pedals, studio processors, audio interfaces, and digital signal processors. Founded in Denmark in 1976 by Kim and John Rishøj, TC Electronic has earned a reputation for its high-quality, innovative products that cater to musicians, producers, and audio engineers worldwide.
TC Electronic’s product lineup includes a wide range of guitar effects pedals known for their pristine sound quality, versatility, and cutting-edge features. From classic effects like delays, reverbs, and choruses to more experimental and unique pedals, TC Electronic offers a comprehensive selection to suit various playing styles and preferences.
In addition to effects pedals, TC Electronic produces studio-quality audio processors and interfaces designed for professional recording and production applications. Their products include rack-mounted processors, mastering tools, audio interfaces, and software plugins, known for their transparent sound quality and powerful feature sets.
With a legacy of innovation and a commitment to quality, TC Electronic continues to be a trusted name in the music and audio industry, providing musicians, producers, and engineers with cutting-edge tools and technology to unleash their creativity and achieve professional results.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.
The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.
A whopping 26 db of boost Gain knob for added grit and dirt Active eq and toggle switch for precise tonal shaping 26 dB of boost Level knob – drive amps to peak performance Mid-boost – cut through any mix Active EQ – extended low and high end Place after existing distortion/overdrive to enhance drive sounds 26 dB of boost Level knob – drive amps to peak performance Mid-boost – cut through any mix Active EQ – extended low and high end Place after existing distortion/overdrive to enhance drive sounds
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Treble filter control shapes top-end bite Classic mode produces punchy mids and tight bottom end Turbo mode engages LED clipping diodes for greater headroom and more output level International products have separate terms, are sold from abroad and may differ from local products, including fit, age ratings, and language of product, labeling or instructions.
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