Description
The Walrus Audio Lilian Analog Phaser FX Pedal is currently retailing at £199 and it is in stock. Available to be delivered to you by post direct (some charge may apply).The team at Just Pedals think that Walrus Audio nailed it with the Walrus Audio Lilian Analog Phaser FX Pedal.
Here's what Walrus Audio say about the Lilian Analog Phaser FX Pedal
Strap into the co-pilot seat and join Lillian on a sonic journey. Leaving nothing behind but clean, puffy white trails of whirling, pulsating and whooshing analog Phase effect. Viewers from below admire in a trance as it transforms the air into a unique and mesmerizing moment. The Lillian is a true bypass, all analog, multi-stage Phaser drawing inspiration from her cousin Julia. With controls like Rate, Width, Feedback, and D-P-V blend, the Lillian is packed with a wide array of analog phaser goodness waiting to be dialed in.
The “Stages” switch allows the user to select 4 or 6 stages which alters the overall voice of the effect from warm and tight phasing with 4 stages to a more complex filtered sound with 6. The D-P-V knob lets you blend between dry, phase shifted, and vibrato sounds allowing for a wide range of control over the intensity and type of effect. Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Lillian fit well on your board and ensure smooth operation for years to come.
Borrowed from the Julia, the unique blend between Dry, Chorus and Vibrato has also been provided on the Lillian. Blend between Dry, Phase Shifted, and Vibrato (labeled d-p-v on the pedal). The Dry-Phase-Vibrato blend changes the ratio of dry to wet signal sent to the output. At minimum, you will hear no effect. Set it to noon for equal parts dry and wet – the traditional Phaser setting. Set it to maximum for 100% wet resulting in pitch vibrato. Explore the ground between minimum and noon for adding slight amounts of movement to your dry signal. Explore the ground between noon and maximum for all sorts of unheard phase/vibrato combinations.
About Walrus Audio
We have new and used Walrus Audio gear available on our website for fast direct delivery direct to you from across sellers in all areas of the USA & UK.
“Walrus Audio is an American boutique guitar effects pedal company based in Oklahoma City, known for its high-quality, innovative designs and artistic approach to pedal-making. Founded in 2011 by Brady Smith, the company quickly gained a reputation for creating pedals that offer a unique blend of rich, expressive tones and striking visual aesthetics.
Each Walrus Audio pedal is designed with meticulous attention to detail, often incorporating complex circuitry that allows for a wide range of sonic possibilities.
The pedals feature distinctive, hand-drawn artwork on their enclosures, making them visually appealing as well. Walrus Audio’s product lineup includes a variety of effects such as reverb, delay, overdrive, modulation, and more, and their pedals are widely appreciated by musicians for their creativity, durability, and superior sound quality.”
Analog
“Analog” refers to a method of processing electrical signals that relies on continuous variations of voltage or current. In the context of guitar effects pedals, analogue refers to circuits that manipulate the guitar signal using analogue components such as transistors, capacitors, and resistors, without converting the signal into digital data.
Analogue effects pedals are prized for their warmth, organic sound, and responsiveness to player dynamics. They often produce subtle harmonic distortions and imperfections that contribute to their unique character and musicality. Additionally, analogue circuits typically impart a more natural and transparent tone to the guitar signal compared to digital effects.
Common types of analogue effects pedals include overdrive, distortion, fuzz, modulation (such as chorus, phaser, and tremolo), delay, and reverb pedals. Each type of pedal utilizes analogue circuitry to achieve its particular sound and effect.
Despite the rise of digital technology in recent years, analogue effects pedals remain popular among guitarists, collectors, and enthusiasts for their classic sound, vintage appeal, and tactile user experience. Many players appreciate the sonic warmth and character of analogue pedals, as well as the simplicity and reliability of their circuitry.
In summary, analogue effects pedals process the guitar signal using continuous electrical variations, resulting in a warm, organic, and responsive tone prized by many guitarists.
FX
Guitar FX
Just Pedals is a new Guitar Effect Pedals Marketplace – We feature new and used Guitar Effect pedals from different sellers, to purchase online from the UK.
Pedal
A pedal is an electronic device that alters the sound of an electric guitar by applying various effects. Pedals are typically connected in a series between the guitar and amplifier, allowing guitarists to switch effects on and off with their feet while playing.
This enables musicians to quickly and easily change their sound, adding versatility and creativity to their performances.
Pedals are essential tools in many musical genres, including rock, blues, jazz, and metal, allowing artists to craft distinctive and dynamic soundscapes.
Once you buy one, you can’t stop and then you have to sell them and buy more.
Phaser
A phaser is a type of guitar effects pedal that creates a swirling, sweeping sound by modulating the phase of the audio signal. It works by splitting the incoming signal into two paths, shifting the phase of one path, and then recombining them. This creates peaks and troughs in the frequency spectrum, resulting in a distinctive, “phasing” effect characterized by moving notches in the frequency response.
Here’s how a phaser pedal typically works and some common features:
1. **Rate**: The rate control adjusts the speed at which the phase-shifting effect oscillates. Increasing the rate produces faster modulation, creating a more pronounced swirling effect, while decreasing the rate slows down the modulation for a smoother, more subtle effect.
2. **Depth**: The depth control adjusts the intensity or depth of the phase-shifting effect. Higher depth settings result in more pronounced peaks and troughs in the frequency response, while lower settings produce a more subtle modulation.
3. **Feedback (or Regeneration)**: Some phaser pedals feature a feedback control that determines the amount of modulated signal fed back into the effect. Increasing the feedback creates more pronounced peaks and troughs in the frequency spectrum, resulting in a more intense and resonant phasing effect.
4. **Stages**: Phasers typically have multiple stages (usually four, six, or eight), each of which contributes to the overall phase-shifting effect. More stages generally result in a more complex and textured phasing sound.
5. **Sweep (or Manual)**: The sweep control adjusts the center frequency of the phase-shifting effect. This allows you to focus the phasing effect on specific frequency ranges, altering the tonal character of the modulation.
6. **Resonance (or Feedback)**: Some phaser pedals feature a resonance control that emphasizes the peaks and troughs in the frequency response, creating a more pronounced and resonant effect. This control can add richness and depth to the phasing sound.
Phaser pedals are commonly used in various music genres, including rock, funk, and psychedelic music, to add movement, depth, and texture to guitar tones. They can be used to create swirling, swirling effects on rhythm parts, add dynamics to lead lines, or create atmospheric textures for ambient music. Overall, phaser pedals offer guitarists a versatile tool for shaping their tone and adding expressive modulation effects to their playing.
Reviews
There are no reviews yet.