Walrus Audio Julianna Stereo Analog Chorus & Vibrato Pedal

£219.00

This is a New Walrus Audio Julianna Stereo Analog Chorus & Vibrato Pedal from Walrus Audio, listed in Chorus Pedals on Just Pedals. Read More below.

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The Walrus Audio Julianna builds on the exquisite sound of the Julia chorus and vibrato with a host of connectivity options and innovative improvements. New features include stereo sound, expression pedal compatibility and a variety of ramp, LFO shape and division functions to push your playing into untapped creative directions.

Controls

You're getting the same core sound as the Julia V2 with the Julianna – a glorious analogue effect adding movement and luscious intensity to your tone. The Julianna is flexible to your needs, sounding incredibly rich, live and warbly.

Along with the standard rate and depth dials, the Julianna includes a handful of unique parameters to set it apart from the rest. Select sine or triangle waves for a smoother or more abrupt effect. Also new to the Julianna is a random mode, which hops between the two on a whim.

Ship your tone out to sea with the lag control. This alters the centre delay time, putting the effect under more tension as it rocks back and forth. And finally, the d-c-v dry-to-wet blend determines where the Julianna sits on the chorus/vibrato scale. Positioning it towards chorus, you'll get a thicker aligned effect, while more manic tones erupt as it's pushed into vibrato.

Tap Division, tap tempo and ramp

Added to the Julianna is a note division switch to flick between the diverse sounds of quarter note, quarter note triplet or eighth note multipliers. Tap tempo gives you full control over these delay divisions, letting you align the effect to the tempo of your playing. Use the drift function to ramp up or slow down the LFO rate at a moment's notice. 

Expression pedal compatibility

The Julianna is capable of expression pedal input. Set two point in your tonal spectrum (this works best when they sound dramatically different) and hear how the parameters shift as you press on your expression pedal.

Stereo and Switching

Stereo sound is an awesome addition for a chorus/vibrato effect. It creates a sprawling, engulfing sound which works incredible in a live setting.

First introduced in the Julia V2 and carried over here are soft pedal switching capabilities – no more loud clicks as you turn the pedal on/off – and momentary activation by pressing and releasing the bypass. The fresh artwork looks killer, too!

Key Features

  • Stereo version of award winning JULIA with new expanded feature set
  • “Lag” sets the voicing of the Chorus effect (from smooth/tight modulation to warbling detune)
  • “Lag” controls center delay time that the LFO effect modulates from
  • Selectable LFO wave-shape: sine, triangle & random shape
  • “d-c-v” knob to blend between dry, chorus and vibrato sounds (dry-wet-ratio)
  • Tap Tempo control with tap switch or external tap
  • Tap division with quarter note, quarter note triplet or eighth note multiplier
  • Secondary LFO Speed (ramp up/down via momentary)
  • Drift Function gently speeds up and slows down the LFO rate
  • Expression pedal control for Depth, Rate or both
  • Soft switch relay bypassing
  • “Smart bypass switching” temporarily activates effect
  • Works well on bass guitar
  • Made in Oklahoma, USA

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Brand

Walrus Audio

In the current JustPedals catalogue, Walrus Audio is represented by Reverb Pedals, Distortion Pedals and Chorus Pedals. Current listings include Canvas Power HP, Canvas Power USB and Polychrome Flanger. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Chorus Pedals

Chorus pedals mix the dry signal with one or more short, modulated delays to create movement, width and gentle pitch variation. Rate controls the speed of the modulation; depth controls its excursion; blend, tone and stereo routing determine how prominent the effect becomes. Slower, shallow settings can add width without obscuring the note, while deeper settings move towards a seasick or synthetic wobble. Analogue bucket-brigade and digital designs can behave differently, so check mono compatibility, headroom and the placement of the pedal after drives or before a mixer.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

Stereo

Stereo products provide separate left and right audio paths, which may widen modulation, preserve independent delays or route a pedalboard into two amplifiers or a mixer. Input and output behaviour is not always symmetrical: some units sum a stereo input, while others create stereo from a mono source. Check whether the effect collapses safely to mono, how the dry signal is routed, the socket format and the destination’s panning and phase requirements.

Tap Tempo

Tap tempo lets a player set delay, modulation, tremolo or looper timing by tapping a footswitch. The implementation may be a dedicated switch, an external input, MIDI clock or a combination, and the supported timing divisions vary. Check whether the tempo is stored, whether tap is momentary or latching, how quickly the effect follows changes and which blocks respond. Tap tempo is useful only when the control connection and timing range match the workflow.

Vibrato

Vibrato varies the pitch of the signal over time, unlike tremolo which varies its level. Rate controls speed; depth, waveform, mix, phase and stereo routing determine whether the result is subtle movement or a strong seasick wobble. Check whether the design is true pitch vibrato or a chorus-like blend, how it handles chords, and whether the pedal should sit before or after drive and ambience.