Description
here at Just Pedals we love this JHS Pedals Milkman Tape Delay Echo w/ Onboard Booster Enhancer.
Here’s what JHS pedals say about the Milkman pedal
The Milkman is a collaborative idea between Josh Scott of JHS Pedals and Tim Marcus of Milkman Sound. The concept is simple; a single pedal that offers up an echo/slap delay and a boost that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. Josh designed the circuit in late 2016 and here we are, a small footprint, easy to use boost/echo 2-in-1 that fits into any style players rig with ease. Let’s look at the controls.
The right side of the pedal is the boost side. This boost is a discreet amplifier based circuit with tons of power and character. Simply set it low at unity gain for an always-on enhancer that fattens up and clarifies your tone, or turn more clockwise to push your tube amplifier into sweet natural overdrive. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to be a hybrid of tape echo and analog BBD delay.
The controls are simple and it sounds good in every setting. The “Slap” knob is the amount of delay time. As you turn the knob up, you will get longer delay times. Keep in mind, this pedal is designed for shorter vintage slap-back delay times. The “Mix” knob is the effect level. Full counter clockwise is all dry and full clockwise is full wet/effect. The “Repeat” knob controls how many echoes or repeats you get.
The minimum is one and maximum is around 4.5 repeats. “Repeat” knob lets you fine tune how many delays you will get. Lastly is the “EQ” knob. This control only affects the repeat delay signal so that you can perfectly adjust the brightness or darkness of your echo. When fully counter clockwise the repeats are at their darkest much like an old BBD analog delay. When fully clockwise the repeats are the brightest they will be with more grit, this is much like a classic tape delay machine.
The footswitching is our typical 2 in 1 arrangement where either effect can be used separately or together. The foot switch on the left, the switch will turn the delay on/off and the footswitch on the right will turn the boost on/off.
The Milkman uses standard 9v DC Negative power only.
About JHS Pedals
We have new and used JHS Pedals gear available on our website for fast direct delivery direct to you from across sellers in all areas of the USA & UK.
JHS Pedals is a prominent manufacturer of guitar effects pedals, known for their high-quality craftsmanship, innovative designs, and commitment to tone. Founded in 2007 by Josh Scott in Kansas City, Missouri, JHS Pedals has quickly gained a reputation for producing boutique-quality pedals that cater to a wide range of musical styles and preferences.
JHS offers a diverse lineup of effects pedals, including overdrive, distortion, fuzz, modulation, delay, reverb, and more. The company is known for its meticulous attention to detail and dedication to producing pedals that deliver exceptional tone and versatility. Many of their pedals are designed to capture the tones of classic vintage effects while incorporating modern features and improvements.
In addition to their standard pedal lineup, JHS Pedals also offers a range of signature pedals in collaboration with renowned artists and musicians. These pedals are designed to meet the specific needs and preferences of the artists, providing them with unique tones and features for their playing style.
With a commitment to innovation and a passion for tone, JHS Pedals continues to be a trusted name in the guitar effects industry, providing musicians with inspiring tools to shape their sound and creativity.
Booster
A booster is an effects pedal used by guitarists to increase the overall level or volume of their signal, often to enhance certain aspects of their tone or to push an amplifier into overdrive.
By amplifying the guitar’s signal, a booster can make solos stand out more prominently in a mix, or drive an amp harder for a more aggressive sound.
Boosters come in various forms, including clean boosters, which simply raise the volume without altering the tone, and overdrive or distortion boosters, which add some level of grit and warmth.
Some booster pedals also feature tone controls to adjust the EQ, allowing players to shape the frequency response and fine-tune their sound.
They are a versatile tool for achieving greater dynamic range and tonal flexibility in both live performances and studio recordings.
Delay
A delay pedal is used to create an echo effect by repeating the original sound after a short time. It works by capturing the input signal and then replaying it with adjustable delay time and feedback. The longer the delay time and the more feedback, the more pronounced the repeating echo becomes, adding depth and space to the sound.
There are different types of delay pedals, including analogue, digital, and tape delay. Analog delay provides a warmer, more natural echo, while digital delay offers clear, precise repeats and additional features like tap tempo. Tape delay mimics the sound of vintage tape machines, adding a distinctive, slightly warbled effect. Delay pedals are widely used across genres to create atmosphere, enhance solos, or add complexity to rhythms.
Echo
Echo is a type of delay effect that creates a repeating reflection of the original sound, mimicking the natural phenomenon of sound bouncing back from a surface. In music, an echo effect repeats the sound at a set time interval, creating a sense of space and depth in the mix. The repeats gradually fade away, depending on the settings of the feedback control, allowing musicians to add texture and dimension to their performance.
Echo effects can range from subtle, short delays that add warmth to more pronounced, long repeats that create a pronounced “slapback” or “spacey” feel. Many echo pedals allow users to control parameters such as delay time, feedback, and mix, giving players the ability to fine-tune their sound. Well-known echo pedals like the Electro-Harmonix Holy Grail, Boss RE-20 Space Echo, and MXR Carbon Copy are highly regarded for their ability to produce rich, clear echoes with a vintage feel.
Guitar FX
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Pedals
Guitar pedals, also known as stompboxes, are external effects units that modify a guitar’s signal when activated. They come in various types, including distortion, overdrive, delay, reverb, modulation, EQ, compression, and synth effects, each shaping the tone in different ways. Pedals are typically placed on a pedalboard and powered by batteries or an external power supply. They can be connected in series for a custom signal chain, allowing guitarists to create unique sounds. Popular pedal brands include Boss, Electro-Harmonix, Strymon, MXR, and EarthQuaker Devices, offering effects for every genre, from blues and rock to ambient and experimental music.
Tape
A tape pedal simulates the sound and characteristics of vintage tape delay machines, adding a warm, organic, and sometimes slightly warbled echo effect to a musician’s signal. Tape delay pedals recreate the tonal qualities of early analog delay systems, which used magnetic tape to record and repeat the audio signal. The result is often a rich, natural delay with a distinct, vintage character that adds a sense of movement and imperfection to the sound.
Tape delay pedals typically offer controls for delay time, feedback, and modulation, allowing musicians to dial in everything from subtle echoes to rhythmic repeats with tape-like saturation. Popular brands like Strymon and Electro-Harmonix produce tape delay pedals that capture the essence of classic tape machines while offering modern features, making them ideal for players seeking that retro, nostalgic delay tone in their setup.
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