Old Blood Noise Endeavors Beam Splitter Automatic Triple Tracker Distortion Pedal

£199.00

This is the Old Blood Noise Endeavors Beam Splitter Automatic Triple Tracker Distortion Pedal from Old Blood Noise Endeavors, listed in Distortion Pedals on Just Pedals. Read More below.

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Old Blood Noise have created a wave of sound with the Endeavors Beam Splitter Automatic Triple Tracker Distortion pedal. Featuring three different overdrives, you can create massive soundscapes with the individual parallel drive and distortion controls. For a hard clipping distortion, simply adjust the purple coloured controls, utilising the pedals core tone. If you’re wanting a soft or a hard overdrive with articulate bright tones, you can simply adjust the green controls. And finally, for a neutral, reactive, medium gain boost, you can play around with the blue controls for a bluesy drive vibe.

The Beam Splitter takes a standard mono output and takes it to the next level to give you the ability to create a wall of sound you have never experienced before. To create an incredible wave of sound, making all three sections work in parallel, plug into the purple output and let the creative juices flow from your amp.

The Endeavors Beam Splitter isn’t just a distortion pedal, you can also create chorus, flanger, or broken vibrato impressions using the individually adjustable green and blue sections, offering you the ability to play with decay and time settings. You can even go one step further and create the feeling of doubled players. If you’re looking for an exciting, massive, and fully adjustable distortion sound, then look no further, Old Blood Noise have you covered with the Endeavors Beam Splitter Triple Tracker Distortion pedal.

Key Features

  • Three Parallel Circuits – The Purple, Green, and Blue control modes, you can alter, adjust, and experiment with a whole wall of incredible sounds giving you distortion, soft and hard overdrive, and reactive gain tones all from one stompbox.
  • Not Just a Distortion Pedal – Using the Green/Blue decay and time controls, as well as the deviate knob, you can create flanger, chorus, and broken tremolo soundscapes, unlocking the full potential of the pedal.
  • Expression Jack – To control the deviate control, you can use a TRS pedal to active and deactivate the setting for quick and easy tonal access.

Specifications

Power

  • Centre – 2.1 mm, 150 mA current draw
  • Power: 9V DC PSU (Not Included)

Input/Output

  • TRS Expression Input
  • Blue Output
  • Green Output
  • Purple Output

Controls

  • Deviate Control
  • Relay bypass switching
  • Gain Switch

Purple

  • Gain Knob
  • Volume Knob
  • Tone Knob

Green

  • Gain Knob
  • Volume Knob
  • Tone Knob
  • Time Knob
  • Decay Knob

Blue

  • Volume Knob
  • Tone Knob
  • Time Knob
  • Decay Knob

Brand

Old Blood Noise Endeavors

Old Blood Noise Endeavors is a pedal manufacturer known for its creative and unconventional effects. Their pedals are designed to push the boundaries of traditional sound, often combining distortion, delay, and modulation effects in innovative ways. One example is their *Beam Splitter* pedal, which takes a single input signal and splits it into three different versions with varying delay times and overdrive tones. This results in a larger, more textured sound, ideal for those looking to create unique sonic landscapes. Their pedals also feature expressive controls such as Deviate, which introduces natural variations to delay times for a more organic feel.

Old Blood Noise Endeavors is also recognized for its distinctive pedal designs and collaboration with various artists, showcasing their commitment to producing high-quality, experimental tools for musicians. Their pedals are popular for both live performances and studio work, offering a range of effects from fuzz to reverb, each with a creative twist. This brand stands out for its bold approach to sound manipulation, making it a favourite among experimental musicians and those seeking to expand their sonic palette.

Category

Distortion Pedals

Distortion clips the waveform more firmly than overdrive, generating dense upper harmonics, longer sustain and a more compressed response. Circuit topology and filtering decide whether the sound is tight and focused, broad and aggressive, smooth or deliberately abrasive. Gain sets the amount of clipping, while pre- and post-distortion tone controls strongly influence low-end definition, midrange presence and high-frequency texture.