Walrus Audio Lore Reverse Soundscape Generator FX Pedal in Black

Retailing in the region of £299.00

On the menu for January 2026 are the Walrus Audio Guitar Pedals, freshly added and carefully selected. These New units are available to order online with fast, secure delivery from trusted UK retailers. Read on for full details, specifications, demos, videos, reviews, and the best places to buy the Walrus Audio Guitar Pedals today.


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Description

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On the menu for January 2026 are the Walrus Audio Guitar Pedals, freshly added and carefully selected. These New units are available to order online with fast, secure delivery from trusted UK retailers. Read on for full details, specifications, demos, videos, reviews, and the best places to buy the Walrus Audio Guitar Pedals today.

Create the soundtrack to your storybook adventure with the Lore Reverse Soundscape Generator. Made up of five different programs, the Lore is an ambient creation machine built around reverse delay and reverbs. Featuring two DSP chips running in series, each with its own analogue feedback path, the Lore takes you on an adventurous journey rich with themes of reversing, time-stretching, pitch-shifting, and vast ambience.

Key Features

  • Reverse Delay into Reverse Reverb – Program 1 combines reverse delay with reverse reverb with a focus on organically interacting feedback paths. Space and ambience build as the signal is reversed, re-reversed, reverberated, and reversed again within the feedback network. Experiment with the X knob to control how reversed your delay trails are with the left being least reversed and the right being fully reversed. Lots of fun with big, eerie minor chords!
  • Reverse Delay into Octave-Up Reverb – Program 2 is a “light reverb” that combines octave-up harmonic feedback with an expansive, airy reverb tank, to create a breathy, spacious ambience. Use the Regen knob to introduce a playful shimmer into the reverb decay. Increase the X knob to control the decay of the reverb. Sounds especially great with delicate fingerpicking parts.
  • Reverse Delay into Octave Down Reverb – Program 3 is a “dark reverb” that combines octave-down harmonic feedback with heavy filtering and harmonic distortion, to create a sound that is thick, rich, and murky. Use the Regen knob to bring in a lower octave in the reverb decay. Increase the X knob to control the decay of the reverb. Add in some high gain or fuzz to alter the time-space continuum.
  • Reverse Reverb into Forward Reverb – Program 4 is a dual reverb program, featuring reverse reverb into forward reverb, Dual harmonic feedback paths allow the user to dial in octave up and octave down, and time stretching allows for control of the size and character of the space. Perfect for instantly transforming guitar into rich ambient pads. Use the Feedback knob to add a lower octave to the reverse reverb. Conversely, use the Regen knob to add an octave up to the reverse reverb decay. Control the decay of the reverb with the X knob. To channel all things ambient, experiment with dynamic picking and strumming techniques with the mix fully wet for ethereal drones and pads.
  • Pitch Delay into Pitch Delay – Program 5 features two “duelling” pitch delays, which shift the input signal up and down in complementary or opposing directions, allowing the user to create intricate harmonic patterns in the feedback network. Behaves like a sequencer at higher delay times and like a harmonizer at lower delay times. Use Feedback and Regen knobs to control various amounts of pitched delay repeats. Use the X knob to change the order of the 4th, 5th, and octave intervals that the pitch delay steps through. Experiment with short staccato notes to create some very interesting rhythmic parts!

Specifications

  • Reverse soundscape generator
  • Create ethereal ambient sounds full of reversing, time-stretching and pitch-shifting
  • 5 programs, each using different combinations of reverse delay and reverb engines
  • 2 DSP chips running in series, each with their own analogue feedback path
  • Both analogue feedback paths interact and build off each other
  • Individual gain control of each feedback-path
  • Add modulation to any program
  • Tap tempo to control delay or reverb time
  • Hold down tap tempo for momentary dive- or rise-effect
  • Reverb / feedback die off naturally after pedal is switched off
  • Top-mounted Input and Output
  • Muted green enclosure with cream, orange, brown and dark green ink
  • 9-volt DC, Centre Negative, 300mA minimum

Additional information

Weight 1.76 kg

Brand

Walrus Audio

Walrus Audio is an American boutique guitar effects pedal company based in Oklahoma City, known for its high-quality, innovative designs and artistic approach to pedal-making. Founded in 2011 by Brady Smith, the company quickly gained a reputation for creating pedals that offer a unique blend of rich, expressive tones and striking visual aesthetics.

Each Walrus Audio pedal is designed with meticulous attention to detail, often incorporating complex circuitry that allows for a wide range of sonic possibilities.

The pedals feature distinctive, hand-drawn artwork on their enclosures, making them visually appealing as well. Walrus Audio’s product lineup includes a variety of effects such as reverb, delay, overdrive, modulation, and more, and their pedals are widely appreciated by musicians for their creativity, durability, and superior sound quality.

Category

Guitar Pedals

Tags

Delay

A delay pedal records your signal and plays it back after a set time, creating echoes that can range from tight, slapback repeats to long, atmospheric trails. It’s one of the most versatile effects, used to thicken tones, add rhythmic depth, or build spacious, ambient layers. Analogue delays offer warm, decaying repeats that blend naturally with your tone, while digital units provide pristine echoes with precise control over time, feedback, and mix levels.

From classic rockabilly and tape-style echoes to modern looping and shimmer effects, delay pedals have become essential tools for shaping sound. They can make solos soar, rhythms pulse, or transform simple chord progressions into cinematic textures. Whether used subtly to add dimension or boldly to create soundscapes, a good delay pedal can completely redefine the feel and atmosphere of your music.

Distortion

Distortion pedals take your clean guitar signal and transform it into something bigger, bolder, and full of attitude. By clipping the waveform, they add sustain, bite, and aggression, creating that thick, compressed tone that’s powered rock music for decades. From the growling crunch of classic hard rock to the tight, saturated roar of modern metal, distortion is all about energy and presence. It gives every note weight and authority, pushing your amp to its limits and beyond.

There are countless flavours of distortion, each with its own texture and edge. Some sound smooth and creamy, others raw and gnarly like tearing fabric. It’s the sonic equivalent of turning up the heat until the sound cooks — rich, sizzling, and perfectly seasoned to taste. Whether used for rhythm muscle or soaring leads, a good distortion pedal doesn’t just add volume; it adds personality, grit, and that unmistakable sense of power under your fingers.

Fuzz

A fuzz pedal is one of the earliest and most aggressive forms of distortion, turning your clean guitar signal into a thick, saturated wall of sound. It works by clipping the waveform almost flat, creating a compressed, gritty tone full of harmonic overtones. The result is raw, unruly, and unmistakable — from the sputtering breakup of vintage germanium circuits to the searing sustain of modern silicon designs. Fuzz pedals react strongly to your guitar’s volume and pickup choice, making them dynamic tools for expressive players.

Whether you’re chasing the classic tones of Hendrix and the Smashing Pumpkins or exploring heavy, experimental textures, fuzz remains a favourite for its personality and unpredictability. It can sound smooth and sustaining, or wild and velcro-like, depending on how it’s set up. A good fuzz pedal cuts through the mix while adding thickness and attitude, turning any riff or lead line into something bold and unmistakably alive.

New

This is brand new, fresh in, and a UK warranty is included. New Gear always comes from trusted UK music retailers.

Octave

An octave pedal shifts your guitar signal up or down by one or more octaves, blending the altered pitch with your original sound to create a fuller, more complex tone. It can add a deep, bass-like layer underneath your playing or a shimmering high octave on top for lead lines and solos. Classic analogue octave pedals often produce slightly gritty, organic sounds, while modern digital versions track more precisely and can offer multiple octave ranges.

Octave pedals are great for thickening single-note riffs, creating synth-style textures, or even mimicking bass parts when playing alone. They pair well with fuzz or overdrive pedals for massive, harmonically rich tones. Whether you’re after vintage Hendrix-style octave fuzz or a modern polyphonic sound that tracks chords cleanly, an octave pedal opens up a world of creative possibilities and adds real weight and character to your tone.

Pitch

Pitch pedals alter the frequency of your guitar signal, changing the perceived note or adding harmony. They can shift notes up or down by fixed intervals, create harmonies, or produce dive-bomb and whammy-style effects without a tremolo arm. Pitch shifters and harmonisers are great for thickening solos, simulating multiple guitars, or experimenting with creative, otherworldly sounds that expand your tonal range.

Reverb

A reverb pedal is like the rich sauce that ties every flavour on the plate into one smooth experience. It adds depth, warmth, and atmosphere — the sonic equivalent of a perfectly reduced glaze that lingers on the tongue. Whether you’re after the subtle ambience of a cosy café (spring or plate reverb) or the grand echoes of a cathedral (hall or shimmer reverb), this is where your tone breathes and expands. A touch of reverb can turn a dry sound into something lush and inviting — but pour on too much, and it’s all you can taste. Used with finesse, it’s the finishing touch that transforms your tone from plain to unforgettable.