Electro Harmonix Nano Battalion Bass Preamp Overdrive Pedal

£119.99

This is a New Electro Harmonix Nano Battalion Bass Preamp Overdrive Pedal from Electro Harmonix, listed in Preamp & DI Pedals on Just Pedals. Read More below.

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Here's What Electro Harmonix say: 

The all-analog circuitry of the EHX Nano Battalion provides an amazing array of bass tones in a sturdy, compact package. A versatile MOSFET drive circuit that can deliver everything from subtle, light overdrive to fully saturated distortion forms the pedal’s core.

The Nano Battalion features a three-band EQ with three EQ position modes for maximum flexibility and sound shaping control. The three-band EQ includes Treble (boost/cut above 1kHz) and Bass (boost/cut below 200Hz) controls, plus a Mid switch which provides a 9dB boost or cut at 500Hz. Three signal path options determine where the EQ is applied. 

In Distortion Mode the EQ comes after the distorted signal and has a powerful effect on its timbre while the clean signal is not affected. In Input Mode the EQ comes first in the signal path affecting both the clean and distorted signals. Boosting frequencies in this mode can drive the distortion to a more saturated state. In Dry Mode the EQ affects the clean signal, but not the distorted signal.

The Nano Battalion includes a ¼” input jack and ¼” output jack. When a normal TS cable is connected to the output jack it delivers an unbalanced signal. When a TRS cable is plugged into this jack, it outputs a balanced signal that can go directly into a mixing console or recording interface.

The Nano Battalion is a powerful, versatile tool for bass players.

Features 

  • All analog circuit with MOSFET drive for great tone and variation
  • Three-band EQ and three EQ position modes for maximum sound shaping control and flexibility
  • Great for active or passive, pickup-equipped basses
  • ¼ inch output provides an unbalanced output with a TS cable or a balanced signal with a TRS cable to right into a mixing console or recording interface
  • Power adapter included

Specifications 

  • Circuit: Analog
  • Bypass: True Bypass
  • Audio: Mono
  • Power Supply: 9.6VDC-200mA power adapter included
  • Dimensions (in): 4.5 x 2.75 x 2.1
  • Current Draw: 45mA

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Brand

Electro Harmonix

Founded by Mike Matthews in New York City in 1968, Electro-Harmonix became known for inventive effects that brought new sounds within reach of guitarists. Its first product was the LPB-1 Linear Power Booster; the company’s long-running catalogue ranges from fuzz and overdrive to delay, modulation, octave and experimental processing. JustPedals listings include the Small Clone chorus, Small Stone phaser, Memory Boy delay, POG 2 octave generator and Micro Q-Tron envelope filter. Check the exact version and power requirements when comparing EHX models, since familiar names often span different generations and formats.

Category

Preamp & DI Pedals

A preamp brings an instrument signal to a controlled level and shapes its impedance, gain and frequency balance before amplification or recording. A DI converts the signal for a balanced, low-impedance connection and may include ground lift, pad and transformer isolation. Combined units can add drive, cabinet filtering, effects loops and parallel outputs while keeping the direct path stable.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

Overdrive

Uses moderate clipping and gain-dependent compression to add harmonics while retaining much of the original note contour. Bass filtering, mid emphasis, clipping symmetry and available headroom decide whether it sounds open and amplifier-like, tightly focused or heavily saturated.