Disaster Area MIDI Box 4 MIDI to 1/4″ Converter

£69.99

On the Menu for January 2026 are the Disaster Area MIDI Guitar Pedals. These are fresh in, hand picked by the chef, & cooked to perfection. A tasty number we can deliver straight to your door, serving orders quickly and securely. For more info on Disaster Area MIDI New Guitar Pedals, please read on for full details, demos, videos, reviews & to order online


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The Disaster Area MIDI Guitar Pedals are fresh in for Jan. The Just Pedals Chef is dishing up hot gear all over the UK, served straight to your door, quickly and securely, For more info on tasty Disaster Area MIDI New Guitar Pedals, please read on for full details, ingredients, reviews and where to order in the UK.

Please Note: The MIDI Box is a MIDI signal converter only, you cannot use it to control MIDI functions.

Disaster Area's impressive MIDI Box has been updated to offer even more compatibility, introducing the MIDI Box 4! The MIDI Box 4 takes a 5-pin MIDI input and converts to 1/4-inch for up to four outputs. Disaster Area have improved the MIDI Box formula with external dip switches that allow you to configure each output for the pedal you're using.

With the MIDI Box 4 you can convert a 5-pin MIDI input into an appropriate 1/4" MIDI output for a variety of pedals from brands including Alexander Effects, Meris, Chase Bliss Audio, Boss, and more. Each output has a set of easily accessible dip switches assigned to it that alter the configuration to match how different pedals receive MIDI. The dip switch settings are as follows:

  • Tip Active: Suitable for Alexander Pedals, Meris, Empress Effects, and other devices using voltage mode on the jack tip
  • Ring Active:  Suitable for Chase Bliss Audio and other devices using voltage mode on the jack ring
  • Tip and Ring Active: Separate outputs on the top and ring of the jack which allows for two MIDI outputs using a TRS insert cable.  
  • TRS MIDI:  Active tip with the ring terminal pulled high, compatible with Boss and other pedals that use the MIDI TRS specification.

Specifications

  • Power:  Requires 9-12v DC input, 50mA maximum.
  • Status LED: Lights blue when powered, red when receiving MIDI data
  • MIDI Thru
  • Dimensions: 112 mm x 60 mm x 27 mm (excluding jacks)

Supported Devices

Chase Bliss Audio: All current pedals. Connect with TRS cable, set port to RING ACTIVE.

  • Blooper
  • Brothers
  • Condor
  • Dark World
  • Gravitas
  • MOOD
  • Spectre (all versions)
  • Thermae
  • Tonal Recall (blue and RKM)
  • Warped Vinyl Mk1 (supports MIDI clock only)
  • Warped Vinyl Mk2 and HiFi
  • Wombtone Mk1 (supports MIDI clock only)
  • Wombtone Mk2

Alexander Pedals: All Neo Series pedals. Connect with mono / TS cable. Set port to TIP ACTIVE.

  • Colour Theory
  • Defender
  • F.13 Neo
  • Marshmallow
  • Quadrant
  • Radical Delay DX
  • Sky 5000
  • Space Race
  • Super Neo-Matic
  • Superball
  • Syntax Error
  • Wavelength

Empress Effects: Connect with mono / TS cable. Set port to TIP ACTIVE.

  • Echosystem
  • Phaser
  • Tremolo 2
  • Reverb
  • ZOIA

Meris: All current pedals. Connect with mono / TS cable. Set port to TIP ACTIVE.

  • Enzo
  • Hedra
  • Mercury 7
  • Ottobit Jr
  • Polymoon

Bondi Effects: Connect with mono / TS cable. Set port to TIP ACTIVE.

  • Art Van Delay

Boss: All 200-series pedals with 1/8″ MIDI jacks. Use TRS / stereo cable. Set port to TRS MIDI.

  • DD-200
  • OD-200
  • EQ-200
  • MD-200

Jackson Audio:  All MIDI-compatible pedals. Use TRS / stereo cable. Set port to TRS MIDI.

  • Golden Boy
  • Broken Arrow v2
  • Bloom v2

Swindler Effects: All MIDI-compatible pedals.  Use TRS / stereo cable. Set port to TRS MIDI.

  • The Gulf v2
  • Red Mountain v2

Cooper FX: All MIDI-compatible pedals. Use TRS / stereo cable.  Set port to TRS MIDI.

  • Outward v2
  • Arcades

Ingredient Allergy Warning : Product may contain nuts.

Additional information

Weight 1 kg

Brand

Disaster Area

Disaster Area Designs specialise in advanced MIDI controllers and switching systems that make complex pedalboards easier to manage. Their gear lets players control multiple effects, switch presets instantly, and streamline live setups with precision and reliability. Built for modern digital rigs as well as traditional stompboxes, Disaster Area products are perfect for guitarists who want seamless control, reduced tap-dancing, and a more organised, professional workflow on stage or in the studio.

Category

Disaster Area MIDI

Tags

Delay

A delay pedal records your signal and plays it back after a set time, creating echoes that can range from tight, slapback repeats to long, atmospheric trails. It’s one of the most versatile effects, used to thicken tones, add rhythmic depth, or build spacious, ambient layers. Analogue delays offer warm, decaying repeats that blend naturally with your tone, while digital units provide pristine echoes with precise control over time, feedback, and mix levels.

From classic rockabilly and tape-style echoes to modern looping and shimmer effects, delay pedals have become essential tools for shaping sound. They can make solos soar, rhythms pulse, or transform simple chord progressions into cinematic textures. Whether used subtly to add dimension or boldly to create soundscapes, a good delay pedal can completely redefine the feel and atmosphere of your music.

EQ

While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:

1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.

2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.

3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.

4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.

Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.

Guitar Pedals

Your pedal is like a signature dish for your sound — a flavour-packed creation that transforms the bland ingredients of your guitar into something unforgettable. Each one adds its own seasoning, texture, and heat, turning a simple meal into a feast of tone.

These tasty little boxes sit in a row, like plates on a buffet, letting you mix and match flavours as you play. With one tap of your foot, you can swap sweet for spicy, subtle for smoky, and serve up something completely new. From the comfort food of warm overdrive to the fiery kick of fuzz, from smooth jazz sauce to heavy-metal spice, pedals give players a full menu of options to express their taste.  And just like with food, once you’ve tried one dish, you’ll want to sample them all.

Collecting, trading, and discovering new flavours soon becomes part of the joy of being a tone-loving gourmet geek with a guitar.

MIDI

MIDI pedals use the Musical Instrument Digital Interface standard to communicate with other guitar pedals, effects units, and hardware. They allow control over presets, parameters, and switching across multiple devices from a single controller. MIDI integration makes it possible to build complex, synchronised pedal setups while keeping control simple and consistent.

New

This is brand new, fresh in, and a UK warranty is included. New Gear always comes from trusted UK music retailers.

Overdrive

Like a golden layer of melted cheese — warm, gooey, and just put it all over. It adds just the right amount of richness and grit, turning a clean signal into something smooth and savoury. Designed to mimic the natural breakup of a tube amp pushed to its sweet spot, overdrive delivers the flavour of classic rock and blues in every bite. From creamy mid-gain warmth to crisp edge-of-breakup sparkle, it’s the comfort food of guitar tone — simple, satisfying, and endlessly versatile. Whether it’s a mild crunch or a full-bodied roar, overdrive is where good taste begins.

Phaser

A phaser is a type of guitar effects pedal that creates a swirling, sweeping sound by modulating the phase of the audio signal. It works by splitting the incoming signal into two paths, shifting the phase of one path, and then recombining them. This creates peaks and troughs in the frequency spectrum, resulting in a distinctive, “phasing” effect characterized by moving notches in the frequency response.

Here’s how a phaser pedal typically works and some common features:

1. **Rate**: The rate control adjusts the speed at which the phase-shifting effect oscillates. Increasing the rate produces faster modulation, creating a more pronounced swirling effect, while decreasing the rate slows down the modulation for a smoother, more subtle effect.

2. **Depth**: The depth control adjusts the intensity or depth of the phase-shifting effect. Higher depth settings result in more pronounced peaks and troughs in the frequency response, while lower settings produce a more subtle modulation.

3. **Feedback (or Regeneration)**: Some phaser pedals feature a feedback control that determines the amount of modulated signal fed back into the effect. Increasing the feedback creates more pronounced peaks and troughs in the frequency spectrum, resulting in a more intense and resonant phasing effect.

4. **Stages**: Phasers typically have multiple stages (usually four, six, or eight), each of which contributes to the overall phase-shifting effect. More stages generally result in a more complex and textured phasing sound.

5. **Sweep (or Manual)**: The sweep control adjusts the center frequency of the phase-shifting effect. This allows you to focus the phasing effect on specific frequency ranges, altering the tonal character of the modulation.

6. **Resonance (or Feedback)**: Some phaser pedals feature a resonance control that emphasizes the peaks and troughs in the frequency response, creating a more pronounced and resonant effect. This control can add richness and depth to the phasing sound.

Phaser pedals are commonly used in various music genres, including rock, funk, and psychedelic music, to add movement, depth, and texture to guitar tones. They can be used to create swirling, swirling effects on rhythm parts, add dynamics to lead lines, or create atmospheric textures for ambient music. Overall, phaser pedals offer guitarists a versatile tool for shaping their tone and adding expressive modulation effects to their playing.

Reverb

A reverb pedal is like the rich sauce that ties every flavour on the plate into one smooth experience. It adds depth, warmth, and atmosphere — the sonic equivalent of a perfectly reduced glaze that lingers on the tongue. Whether you’re after the subtle ambience of a cosy café (spring or plate reverb) or the grand echoes of a cathedral (hall or shimmer reverb), this is where your tone breathes and expands. A touch of reverb can turn a dry sound into something lush and inviting — but pour on too much, and it’s all you can taste. Used with finesse, it’s the finishing touch that transforms your tone from plain to unforgettable.

Tremolo

A tremolo pedal modulates the volume of your guitar signal up and down in a rhythmic pattern, creating a pulsing or wavering effect that can sound vintage and hypnotic or sharp and choppy depending on the settings. It’s one of the oldest effects in guitar history, famously used on classic amps from the 1950s and ’60s.

Most tremolo pedals let you control the speed, depth, and wave shape, allowing you to go from smooth, subtle swells to intense stuttering tones. It’s a simple but expressive effect that adds movement and character to your sound.