Boss PX-1 Plugout FX Multi-FX Pedal

£215.00

On the Menu for January 2026 are the Boss Guitar Pedals. These are fresh in, hand picked by the chef, & cooked to perfection. A tasty number we can deliver straight to your door, serving orders quickly and securely. For more info on Boss New Guitar Pedals, please read on for full details, demos, videos, reviews & to order online


Spread the love

Description

Spread the love

The Boss Guitar Pedals are fresh in for Jan. The Just Pedals Chef is dishing up hot gear all over the UK, served straight to your door, quickly and securely, For more info on tasty Boss New Guitar Pedals, please read on for full details, ingredients, reviews and where to order in the UK.

The PX-1 Plugout FX is an innovative hardware platform that captures the timeless BOSS compact pedal experience in one versatile pedal. This convertible stomp holds multiple authentic effect recreations from the historic BOSS lineup, providing endless fuel for every creative journey. With the PX-1 in your setup, exploring the vast and influential world of BOSS compact pedals has never been easier.

Key Features

  • A Universe of Musical Colours – Since 1977, BOSS compact pedals have inspired generations of musicians around the world. Over 140 unique models have been produced, over 19 million units have been sold, and many have remained in non-stop production for decades. From vintage classics and go-to workhorses to rare and speciality effects, the PX-1 puts the diverse BOSS compact pedal range at your command.
  • Authentic Recreations – Backed by newly developed BOSS algorithms, each effect in the PX-1 delivers the authentic sound and response of the pedal it’s based on. Every detail is modelled with stunning accuracy, thanks to a powerful DSP engine dedicated to recreating the sound of a single effect at a time. Dial in tones fast with the familiar knob interface you’re used to with BOSS compacts, supported by an onboard display for current parameters and internal settings.
  • Modern Flexibility – The PX-1 supports external control with one or two footswitches or an expression pedal. Use the Swap function to switch between two effects. Or assign nearly any parameter for real-time expressive control while performing. Stereo I/O provides flexible connectivity and enhanced sound for models that support stereo operation, while tap tempo and MIDI clock sync help you get the most out of time-based effects.

Core Effects

The PX-1’s permanent library features eight famous BOSS pedals, including the three models from the 1977 debut and iconic drive pedals like the DS-1 and SD-1. Every model has a “1” designation, indicating that it’s the first of its type within the BOSS timeline.

  • OD-1 Over Drive – The OD-1 invented the now ubiquitous “overdrive” category in stompbox effects. Designed with an asymmetrical clipping circuit that reproduces the pleasing sound of a driven tube amp, this yellow classic dishes up warm, fat tones rich with even-order harmonics.
  • SP-1 Spectrum – This unique and rare BOSS effect boosts a single frequency band determined by the Spectrum control. It’s great for many tone-shaping applications, such as adding presence to solo lines, boosting the character of overdrive and distortion pedals, and creating nasal “cocked wah” lead tones.
  • PH-1 Phaser – The PH-1 produces a mild phaser sound with a full low-end response. Skilful engineering allows you to dial in a range of musical tones with a simple two-knob interface.
  • SG-1 Slow Gear – This well-loved BOSS original reshapes the note attack to create violin-like swell tones. The SG-1 is particularly effective when crafting ambient sounds with delays and reverbs.
  • CS-1 Compression Sustainer – The first BOSS compressor pedal has a distinctly different circuit than the later CS-2 and CS-3 models. It features an optical design with a photocoupler, which offers a slower attack with a unique character.
  • TW-1 T Wah – The TW-1 provides a classic wah effect that’s controlled by the input signal level. Two controls adjust the sensitivity and depth of the input filter.
  • SD-1 SUPER OverDrive – The workhorse SD-1 has been the core gain pedal for generations of players across every musical genre. Expanding on the OD-1 design with enhanced voicing and a tone control, this essential stomp is packed with highly musical overdrive colours.
  • DS-1 Distortion – The DS-1 is the top-selling BOSS compact pedal ever. Its original, unchanged design delivers a hard-edged attack and smooth sustain, making it a player’s staple for nearly four decades.

Eight Additional Effects

The following eight effects are also included with the PX-1, and you can load them into the pedal’s eight user locations. After registering your pedal with a free Roland Account, download the effects into the PX-1 using the BOSS Effect Loader app.

  • CE-2 Chorus – The CE-2 distilled the sound of the CE-1 Chorus Ensemble—the first BOSS pedal and the world’s first chorus effect—into the smaller compact pedal format. Tuned for mono operation and a lighter modulation sound than the CE-1, this signature BOSS original has defined the guitar tones on countless hits from the 1980s to the present day.
  • BF-2 Flanger – In production for over 20 years, the original BF-2 hardware featured a unique analogue design based around a single BBD chip. This versatile effect produces an array of warm modulated tones, from metallic and phase-shifted textures to soft chorus and wavering vibrato.
  • PN-2 Tremolo/Pan – The PN-2 combines tremolo and panning effects in one design. Tremolo mode produces a tighter amplitude modulation effect than traditional circuits, while Pan mode moves the audio signal across the stereo field. Triangle and square wave shapes are available for different sound characteristics.
  • OC-2 Octave – The original OC-2 hardware was a pioneer in octave pedals, producing touch-responsive tones with an all-analogue circuit and a unique method of phase inversion. The OC-2 works great for adding mono octave sounds to any instrument, and it’s legendary among bassists for its ability to create synth-like sub-bass tones.
  • PS-2 Digital Pitch Shifter/Delay – The PS-2 brought continuous pitch shifting to the compact pedal format in 1987, and the effect remains popular for its retro 8-bit processing and vintage digital character. Three pitch modes include a manual option for fine-tuning the pitch over two octaves and presets for one octave up and one octave down. The PS-2 also includes three delay modes with time ranges from 30 ms to two full seconds.
  • VB-2 Vibrato – This underground BOSS classic produces warm, characterful tones with mild pitch fluctuations and dynamic control of the modulation onset with the Rise Time function. In addition to standard toggle operation for the pedal switch, a special Unlatch mode adds the effect only when holding the switch.
  • DD-2 Digital Delay – Released in 1983, the DD-2 hardware was the world’s first digital delay in stompbox form. Created in the early days of digital music technology, the DD-2 is still loved for its warm 12-bit tones that sit perfectly in the mix.
  • DF-2 SUPER Feedbacker & Distortion – Compared with the DS-1 Distortion, the DF-2 offers higher gain and a smoother attack character. Its secret weapon is the feedbacker function, which lets you enjoy the sustained harmonic feedback of a cranked amp at any volume, including practice sessions with headphones. Hold the pedal switch or an external footswitch to punctuate performances with this expressive tone as you play.

An Ever-Expanding Universe

Many more PX-1 effects will be added over time, and each new effect will be available with a low-cost Model Pass within the BOSS Effect Loader app.

Timeless BOSS Effects for Your DAW

The same PX-1 effects are also available for computer music production with the BOSS Effects Pedals plug-in on Roland Cloud, and six months of Roland Cloud Ultimate membership comes with the pedal. This gives you complete access to the full BOSS Effects Pedals library, JC-120 Jazz Chorus and RE-201 Space Echo plug-ins, and many other powerful creative tools.

Specifications

  • Sampling Frequency: 48 kHz
  • AD Conversion- 24 bits + AF method (AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.)
  • DA Conversion: 32 bits
  • Nominal Input Level: INPUT A (MONO), INPUT B: -20 dBu
  • Maximum Input Level: INPUT A (MONO), INPUT B: +7 dBu
  • Input Impedance: INPUT A (MONO), INPUT B: 1 MΩ
  • Nominal Output Level: OUTPUT A (MONO), OUTPUT B: -20 dBu
  • Maximum Output Level: OUTPUT A (MONO), OUTPUT B: +7 dBu
  • Output Impedance: OUTPUT A (MONO), OUTPUT B: 1 kΩ
  • Recommended Load Impedance: OUTPUT A (MONO), OUTPUT B: 10 kΩ or greater
  • Bypass: Buffered bypass
  • Controls: LEFT knob, CENTER knob, RIGHT knob, Pedal switch
  • Display: Graphic LCD 128 x 48 dots
  • Connectors: INPUT A (MONO) jack, INPUT B jack, OUTPUT A (MONO) jack, OUTPUT B jack: 1/4-inch phone type; CTL1,2/EXP jack: 1/4-inch TRS phone type; DC IN jack; MIDI IN jack: Stereo miniature phone type; USB COMPUTER port: USB Type-C(R)
  • Bluetooth: Profile Support: GATT (MIDI over Bluetooth Low Energy)
  • Power Supply: AC adaptor or Supplied from the USB port
  • Current Draw: 260 mA (AC adaptor); 420 mA (USB)
  • Dimensions: 73 (W) x 125 (D) x 56 (H) mm
  • Weight (excluding AC adaptor): 400 g
  • Included Accessories: AC adaptor, Roland Cloud Activation Card
  • Options (sold separately): Footswitch: FS-5U; Dual footswitch: FS-6, FS-7; Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5; TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Ingredient Allergy Warning : Product may contain nuts.

Additional information

Weight 2 kg

Brand

Boss

Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.

Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.

Category

Boss

Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.

Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.

Tags

Delay

A delay pedal records your signal and plays it back after a set time, creating echoes that can range from tight, slapback repeats to long, atmospheric trails. It’s one of the most versatile effects, used to thicken tones, add rhythmic depth, or build spacious, ambient layers. Analogue delays offer warm, decaying repeats that blend naturally with your tone, while digital units provide pristine echoes with precise control over time, feedback, and mix levels.

From classic rockabilly and tape-style echoes to modern looping and shimmer effects, delay pedals have become essential tools for shaping sound. They can make solos soar, rhythms pulse, or transform simple chord progressions into cinematic textures. Whether used subtly to add dimension or boldly to create soundscapes, a good delay pedal can completely redefine the feel and atmosphere of your music.

Distortion

Distortion pedals take your clean guitar signal and transform it into something bigger, bolder, and full of attitude. By clipping the waveform, they add sustain, bite, and aggression, creating that thick, compressed tone that’s powered rock music for decades. From the growling crunch of classic hard rock to the tight, saturated roar of modern metal, distortion is all about energy and presence. It gives every note weight and authority, pushing your amp to its limits and beyond.

There are countless flavours of distortion, each with its own texture and edge. Some sound smooth and creamy, others raw and gnarly like tearing fabric. It’s the sonic equivalent of turning up the heat until the sound cooks — rich, sizzling, and perfectly seasoned to taste. Whether used for rhythm muscle or soaring leads, a good distortion pedal doesn’t just add volume; it adds personality, grit, and that unmistakable sense of power under your fingers.

Expression

Expression pedals allow real-time control over specific parameters on compatible guitar pedals, such as volume, delay time, modulation depth, or filter sweep. Used with an expression input, they let players shape effects dynamically with their foot, adding movement and performance control that cannot be achieved with fixed knob settings.

Guitar Pedals

Your pedal is like a signature dish for your sound — a flavour-packed creation that transforms the bland ingredients of your guitar into something unforgettable. Each one adds its own seasoning, texture, and heat, turning a simple meal into a feast of tone.

These tasty little boxes sit in a row, like plates on a buffet, letting you mix and match flavours as you play. With one tap of your foot, you can swap sweet for spicy, subtle for smoky, and serve up something completely new. From the comfort food of warm overdrive to the fiery kick of fuzz, from smooth jazz sauce to heavy-metal spice, pedals give players a full menu of options to express their taste.  And just like with food, once you’ve tried one dish, you’ll want to sample them all.

Collecting, trading, and discovering new flavours soon becomes part of the joy of being a tone-loving gourmet geek with a guitar.

MIDI

MIDI pedals use the Musical Instrument Digital Interface standard to communicate with other guitar pedals, effects units, and hardware. They allow control over presets, parameters, and switching across multiple devices from a single controller. MIDI integration makes it possible to build complex, synchronised pedal setups while keeping control simple and consistent.

New

This is brand new, fresh in, and a UK warranty is included. New Gear always comes from trusted UK music retailers.

Overdrive

Like a golden layer of melted cheese — warm, gooey, and just put it all over. It adds just the right amount of richness and grit, turning a clean signal into something smooth and savoury. Designed to mimic the natural breakup of a tube amp pushed to its sweet spot, overdrive delivers the flavour of classic rock and blues in every bite. From creamy mid-gain warmth to crisp edge-of-breakup sparkle, it’s the comfort food of guitar tone — simple, satisfying, and endlessly versatile. Whether it’s a mild crunch or a full-bodied roar, overdrive is where good taste begins.

used

Volume

Volume pedals control the output level of a guitar signal using a foot-operated treadle. They allow smooth volume swells, dynamic control during playing, and easy muting between songs. Volume pedals can be placed at different points in the signal chain to either control overall loudness or adjust gain and drive behaviour when positioned before distortion or overdrive pedals.

Wah

Wah refers to an expressive filter effect that sweeps through a range of frequencies, creating a vocal-like “wah” sound. Controlled in real time with a foot-operated treadle, it allows players to emphasise different parts of the frequency spectrum as they play. Wah pedals are commonly used for lead guitar, funk rhythm work, and expressive solos, responding closely to picking dynamics and foot movement.

Available for Amazon Prime