Behringer BM-14M Analog Delay Pedal

£109.99

This is a New Behringer BM-14M Analog Delay Pedal from Behringer, listed in Delay Pedals on Just Pedals. Read More below.

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Based on one of the most unique and creative Delay pedals of the early 2000s, the Behringer BM-14 is the ultimate tool for shaping your ultimate delay from subtle echo right through to ambient delay from another dimension. Its classic analogue sound in combination with its unique delay LFO control easily makes this one of the most versatile delays ever created. With 6 LFO shapes on tap, the modulated delay sounds can easily go from everything from chorus to vibrato and even pitch shifting. With its thought-out I/O, tap-tempo, switchable normal and spillover bypass, drive and output control and timeless aesthetic, the Behringer BM-14 is perfect for guitars, synths and everything in-between and is built ready for the road.

Key Features

  • Analogue Circuitry – The Behringer BM-14 Analogue Delay is as close to an authentic recreation as possible, featuring analogue circuitry for a truly vintage voiced sound design workstation, built for the modern world.
  • Classic Aesthetics – Constructed in a tried and tested roadworthy solid metal enclosure and beautifully finished with wooden side panels, the BM-14 is built to withstand life on the road.
  • Modular Style I/O – This delay’s versatile I/O allows you to push your creativity to the limits by controlling each of its parameters via an external expression pedal. Furthermore, the BM-14 can be combined with other CV pedals and devices or used with MIDI for nearly endless amounts of Delay possibilities. Its Mix and Delay outputs make any rig possible from straight in to complex wet/dry setups.

Specifications

Audio in

Audio Connections

  • Connector: 1 x 1/4″ TS, unbalanced
  • Impedance: 1 MΩ

Mix out

  • Connector: 1 x 1/4″ TS, unbalanced
  • Output impedance: 600 Ω

Delay out

  • Connector: 1 x 1/4″ TS, unbalanced
  • Output impedance: 600 Ω

FB insert (send/return)

  • Connector: 1 x 1/4″ TRS, unbalanced
  • Impedance: 440 Ω
  • Input impedance: 140 kΩ

Control Connections

Feedback

  • Connector: 1 x 1/4″ TRS
  • Impedance: 180 kΩ, unbalanced
  • CV input range: 0 V to +5 V

Time

  • Connector: 1 x 1/4″ TRS
  • Impedance: 34 kΩ, unbalanced
  • CV input range: 0 V to +5 V

LFO rate

  • Connector: 1 x 1/4″ TRS
  • Impedance: 34 kΩ, unbalanced
  • CV input range: 0 V to +5 V

LFO amt

  • Connector: 1 x 1/4″ TRS
  • Impedance: 34 kΩ, unbalanced
  • CV input range: 0 V to +5 V

Mix

  • Connector: 1 x 1/4″ TRS
  • Impedance: 180 kΩ, unbalanced
  • CV input range: 0 V to +5 V
  • MIDI in: 2 x 5-pin DIN, 16 channels

Controls

  • Drive: 1 x rotary knob
  • Output level: 1 x rotary knob
  • Mix: 1 x rotary knob
  • LFO: 1 x rotary knob
  • Rate: 1 x rotary knob
  • Amount: 1 x rotary knob
  • Delay time: 1 x rotary knob
  • Short/long: 1 x rocker switch
  • Feedback: 1 x rotary knob
  • Tap tempo: 1 x footswitch
  • Bypass: 1 x footswitch

System

  • Frequency response: 20 Hz to 20 kHz (+0 / -2 dB)
  • Dynamic range: > 83 dB
  • Signal-to-noise ratio: > 73 dB
  • Overall gain: +33 Db

Power Supply / Voltage

  • Power input: Standard 9 V DC, centre negative, > 400 mA (power supply not included)
  • Power consumption: 1.8 W

Dimensions / Weight

  • Dimensions (H x W x D): 85.9 x 147.6 x 196.9 mm (3.38 x 5.81 x 7.75″)
  • Weight: 1,100 g (38.8 oz)

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Brand

Behringer

Behringer was founded in 1989 by musician and sound engineer Uli Behringer, who began building equipment because he could not afford the studio gear he needed. The company has since grown into a broad audio supplier, and its JustPedals listings cover guitar, bass and utility units rather than effects alone. Examples include the DR600 digital reverb, EQ700 graphic equalizer, UT300 tremolo, BDI21 bass preamp, acoustic preamp and TU300 tuner. This spread makes model-level detail useful: check the instrument, circuit type and intended signal-chain role instead of assuming every Behringer listing is a guitar effect.

Category

Delay Pedals

Delay records the incoming signal for a chosen interval and repeats it after the original note. Feedback returns repeats to the delay line, while tone, filtering, modulation and saturation determine whether echoes remain clear, darken progressively, wobble like tape or degrade like analogue bucket-brigade circuits. Delay time and rhythmic subdivisions govern the spacing and musical pattern of the repeats.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.