Behringer BM-13 Phaser Pedal

£89.99

This is a New Behringer BM-13 Phaser Pedal from Behringer its found in our Phaser Pedals on the Just Pedals menu. Read More below.

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Based on one of the most unique and creative Phaser pedals of the ‘90s, the Behringer BM-13 is the ultimate tool for taking your sound to the next level with added depth, movement and dimension. Its switchable 6 or 12-stage design in combination with its versatile LFO controls ensures that this Phaser has everything covered from classic Phasers to Rotary-style sounds and even Ring-Mod-esque effects. With its thought-out I/O, drive and output control and timeless aesthetic, the Behringer BM-13 is perfect for guitars, synths and everything in-between and is built ready for the road.

Key Features

  • Analogue Circuitry – Like the original, the Behringer BM-13 Phaser is an authentic recreation featuring analogue circuitry for a truly vintage voiced sound design workstation, built for the modern world.
  • Classic Aesthetics – Constructed in a tried and tested roadworthy solid metal enclosure and beautifully finished with wooden side panels, the BM-13 is built to withstand life on the road.
  • Modular Style I/O – This Phaser’s versatile I/O allows you to push your creativity to the limits by controlling each of its parameters via an external expression pedal, furthermore the BM-13 can be combined with other CV pedals and devices thanks to its Sweep in and LFO Out inputs.

Specifications

Audio Connections

  • Audio in: Connector, 1 x 1/4″ TS, unbalanced
  • Impedance: 1 MΩ

Audio out

  • Connector: 1 x 1/4″ TS, unbalanced
  • Output impedance: 6.8 kΩ

Aux out

  • Connector: 1 x 1/4″ TS, unbalanced
  • Output impedance: 6.8 kΩ
  • Control Connections

Sweep

  • Connector: 1 x 1/4″ TRS
  • Impedance: 40 kΩ, unbalanced
  • CV input range: 0 V to +10 V

Reso

  • Connector: 1 x 1/4″ TRS
  • Impedance: 50 kΩ, unbalanced
  • CV input range: 0 V to +5 V

Rate

  • Connector: 1 x 1/4″ TRS
  • Impedance: 34 kΩ, unbalanced
  • CV input range: 0 V to +5 V

Amount

  • Connector: 1 x 1/4″ TRS
  • Impedance: 40 kΩ, unbalanced
  • CV input range: 0 V to +5 V

Sweep in

  • Connector: 1 x 1/4″ TRS
  • Impedance: 47 kΩ, unbalanced
  • CV input range: ±2.5 V

FLO out

  • Connector: 1 x 1/4″ TRS
  • Output impedance: 2.2 kΩ, unbalanced
  • CV input range: ±2.8 V

Controls

  • Drive: 1 x rotary knob
  • Output level: 1 x rotary knob
  • Sweep: 1 x rotary knob
  • 6-stage / 12-stage: 1 x rocker switch
  • Resonance: 1 x rotary knob
  • Amount: 1 x rotary knob
  • Hi / lo: 1 x rocker switch
  • Rate: 1 x rotary knob
  • Bypass: 1 x footswitch

System

  • Frequency response: 20 Hz to 20 kHz (+0 / -0.3 dB)
  • Dynamic range: > 73 dB, 20 Hz to 20 kHz
  • Signal-to-noise ratio: > 63 dB
  • Overall gain: 22 dBu

Power Supply / Voltage

  • Power input: Standard 9 V DC, centre negative, > 400 mA (power supply not included)
  • Power consumption: 0.75 W

Dimensions / Weight

  • Dimensions (H x W x D): 85.9 x 147.6 x 196.9 mm (3.38 x 5.81 x 7.75″)
  • Weight: 1,047 g (36.9 oz)

Related videos

Brand

Behringer

Behringer was founded in 1989 by musician and sound engineer Uli Behringer, who began building equipment because he could not afford the studio gear he needed. The company has since grown into a broad audio supplier, and its JustPedals listings cover guitar, bass and utility units rather than effects alone. Examples include the DR600 digital reverb, EQ700 graphic equalizer, UT300 tremolo, BDI21 bass preamp, acoustic preamp and TU300 tuner. This spread makes model-level detail useful: check the instrument, circuit type and intended signal-chain role instead of assuming every Behringer listing is a guitar effect.

Category

Phaser Pedals

A phaser splits the signal and shifts the phase of one path through a series of all-pass filter stages. When recombined, moving peaks and notches sweep across the spectrum, creating a rounded swirl rather than the evenly spaced comb filtering of a flanger. Stage count, feedback, centre frequency, rate and depth shape the width, resonance and pulse of the sweep.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.