Asheville Music Tools ACV-1 Analog Chorus / Vibrato Pedal

£399.00

On the Menu for January 2026 are the Asheville Music Tools Guitar Pedals. These are fresh in, hand picked by the chef, & cooked to perfection. A tasty number we can deliver straight to your door, serving orders quickly and securely. For more info on Asheville Music Tools New Guitar Pedals, please read on for full details, demos, videos, reviews & to order online


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The Asheville Music Tools Guitar Pedals are fresh in for Jan. The Just Pedals Chef is dishing up hot gear all over the UK, served straight to your door, quickly and securely, For more info on tasty Asheville Music Tools New Guitar Pedals, please read on for full details, ingredients, reviews and where to order in the UK.

The Analoger™ Series ACV-1 is our latest creation in 100% analogue flexible chorus/vibrato/slap back modulation effects. The ACV-1 consists of a modulated BBD delay line with a flexible supporting cast of synthesiser-inspired controls. On the surface, the ACV-1 is simply a highly tweakable classic chorus. In reality, it is a veritable powerhouse of time warping modulation effects: shimmering comb filter swirls, luscious true pitch vibrato, glitchy textures, ringing metallic pipe tones, and even a faux reverb.

This astounding analogue modulator was engineered by Hawker to deliver the ultimate time warping experience. With a bit of a mind flip, you’ll be into the time slip—and nothing will ever be the same!

At the heart of every chorus is a short delay whose time is modulated by a low-frequency oscillator (LFO). The ACV-1 uses a 1024-stage X-Vive™ high-voltage MN3007 BBD chip for its delay line. Mixing that delay back in with the original signal produces the familiar, lush sound of chorused voices in unison.

Many choruses keep the delay time fixed, but our Time knob lets you warp through the decades of chorus. Start in the middle for a tight ’70s-style chorus. Go longer for a drippy 80’s chorus and a warm slap delay, or go shorter for flanging tones.

Another uncommon addition is our Feedback knob with phase options. This lets you deepen the chorus effect and explore more exotic metallic or vocal sounds. At high feedback settings you can use the Time knob to dial in peaks and notches for resonant sounds, like a pipe or a bell. The Tone control changes the frequency response of the feedback loop to make your chorus more shimmery, or more dark and haunting. Utilizing the phase switch you can produce hollow, deep vocal sounds akin to a talk box.

Our LFO includes multiple waveforms: triangle for classic chorus sounds, sine for gooey vibrato, and square wave for rhythmic glitches and pitch jumps. The Rate and Amount controls have a huge range from subtle dimension to complete time warping madness. Or you can zero out the LFO to explore double-tracking effects, static comb filtering, and short delay.

The Mix control has a range from fully off to 100% wet, which lets you dial in subtle sounds or go all-in for true analogue pitch vibrato. These settings are great for Leslie organ sounds or tape-like warble. The Tone control is even more useful here as a way to sculpt the overall tone of your wet signal.

Finally, the CV jack rewards more intrepid sonic explorers with an even wider range of control. Increase the feedback into self-oscillation, push the LFO beyond its limit to audio rates, or drop the delay time into a lo-fi, ring-modulated soundscape. With its thoroughly engineered set of features, the ACV-1 synthesises decades of time warping modulation effects to inspire a whole new dimension of sounds.

Specifications

Electrical Specifications

  • Type: 100% Analogue signal and control path.
  • Bypass Footswitch: effect on/off user selectable True Bypass or JFET Buffered (Accessible by removing ACV-1 Cover)
  • Power: 9VDC @ <150ma. 70-90ma=”” typical=”” up=”” to=”” 250ma=”” start-up=”” standard=”” pedal=”” centre=”” negative=”” 2=”” 1mm=”” x=”” 5=”” 5mm=”” barrel=”” li=””>
  • Delay Time: 3.1ms – 59ms. 1.9ms – 95ms with LFO and to 155ms with external CV
  • Feedback: 0 to near infinite. Capable of self-oscillation using tone or EXP/CV input coupled with knob position.
  • Rate: LFO RATE, from 0.1Hz to 14Hz (28Hz with CV control)
  • Amount: LFO depth control from OFF to 60% of TIME sweep
  • Mix: Centre 50%. Adjust from full wet to full dry
  • Tone: ~740Hz centre tilt filter. Centre = Flat to 0.3dB, High +5dB to -10dB, Low +4dB to -7dB.
  • Phase Switch: 180° phase shift of wet signal and feedback signal.
  • LFO: Selectable Triangle, Sine or slewed Square wave
  • Expression Switch: 4 position rotary selects Time, Feedback, Rate or Amount external control. All controls are additive to the front panel knob adding extended range. TRS jack usable with CV or Expression pedal, (CV range is 0-5V). Ring supplied current limited 5V output. Control input on Tip.
  • Input impedance: >1MΩ
  • Output impedance: 1KΩ Max (5k max for buffered bypass)
  • Max input level: +14.25dBµ (4.0V RMS)
  • Max output level: +14dBµ (3.9V RMS)
  • Noise Reduction: 2:1 broadband with 10dB high frequency emphasis

Physical Specifications

  • Genuine Hammond™ die-cast aluminium enclosure.
  • Dimensions: D=4.95” (12.5 cm), W=3.75” (9.4 cm), H=2.25” (5.8 cm)
  • Weight: 15oz (425g)

Ingredient Allergy Warning : Product may contain nuts.

Additional information

Weight 0.5 kg

Brand

Asheville Music Tools

Category

Asheville Music Tools

Tags

Delay

A delay pedal records your signal and plays it back after a set time, creating echoes that can range from tight, slapback repeats to long, atmospheric trails. It’s one of the most versatile effects, used to thicken tones, add rhythmic depth, or build spacious, ambient layers. Analogue delays offer warm, decaying repeats that blend naturally with your tone, while digital units provide pristine echoes with precise control over time, feedback, and mix levels.

From classic rockabilly and tape-style echoes to modern looping and shimmer effects, delay pedals have become essential tools for shaping sound. They can make solos soar, rhythms pulse, or transform simple chord progressions into cinematic textures. Whether used subtly to add dimension or boldly to create soundscapes, a good delay pedal can completely redefine the feel and atmosphere of your music.

Expression

Expression pedals allow real-time control over specific parameters on compatible guitar pedals, such as volume, delay time, modulation depth, or filter sweep. Used with an expression input, they let players shape effects dynamically with their foot, adding movement and performance control that cannot be achieved with fixed knob settings.

Filter

Guitar Pedals

Your pedal is like a signature dish for your sound — a flavour-packed creation that transforms the bland ingredients of your guitar into something unforgettable. Each one adds its own seasoning, texture, and heat, turning a simple meal into a feast of tone.

These tasty little boxes sit in a row, like plates on a buffet, letting you mix and match flavours as you play. With one tap of your foot, you can swap sweet for spicy, subtle for smoky, and serve up something completely new. From the comfort food of warm overdrive to the fiery kick of fuzz, from smooth jazz sauce to heavy-metal spice, pedals give players a full menu of options to express their taste.  And just like with food, once you’ve tried one dish, you’ll want to sample them all.

Collecting, trading, and discovering new flavours soon becomes part of the joy of being a tone-loving gourmet geek with a guitar.

New

This is brand new, fresh in, and a UK warranty is included. New Gear always comes from trusted UK music retailers.

Pitch

Pitch pedals alter the frequency of your guitar signal, changing the perceived note or adding harmony. They can shift notes up or down by fixed intervals, create harmonies, or produce dive-bomb and whammy-style effects without a tremolo arm. Pitch shifters and harmonisers are great for thickening solos, simulating multiple guitars, or experimenting with creative, otherworldly sounds that expand your tonal range.

Reverb

A reverb pedal is like the rich sauce that ties every flavour on the plate into one smooth experience. It adds depth, warmth, and atmosphere — the sonic equivalent of a perfectly reduced glaze that lingers on the tongue. Whether you’re after the subtle ambience of a cosy café (spring or plate reverb) or the grand echoes of a cathedral (hall or shimmer reverb), this is where your tone breathes and expands. A touch of reverb can turn a dry sound into something lush and inviting — but pour on too much, and it’s all you can taste. Used with finesse, it’s the finishing touch that transforms your tone from plain to unforgettable.

Rotary

Rotary pedals recreate the swirling, moving sound of a rotating speaker cabinet, adding rich modulation and a sense of motion to guitar tones. They typically simulate the changing pitch and volume caused by spinning speakers, producing anything from subtle shimmer to deep, pulsating swirl. Rotary effects are often used for clean and lightly driven sounds to add depth, movement, and a classic, organ-inspired character.

Synth

A synth pedal transforms your guitar signal into rich, layered tones that mimic the sounds of a synthesiser. Using pitch tracking and waveform generation, it can produce everything from deep bass lines to shimmering pads and futuristic leads. Synth pedals open up a wide creative range, blending the expressiveness of guitar playing with electronic textures, making them ideal for experimental sounds, ambient music, or adding a modern edge to classic riffs.

Vibrato

Vibrato refers to a guitar pedal effect that modulates pitch slightly up and down, creating movement and a sense of wobble in the sound. Unlike tremolo, which changes volume, vibrato affects pitch only, producing anything from subtle shimmer to pronounced, warbling textures. It is often used to add character, depth, and vintage-style modulation to guitar tones.

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