JHS 3 Series Overdrive Pedal

£89.99

This is a New JHS 3 Series Overdrive Pedal from JHS Pedals is in our Overdrive Pedals category on Just Pedals. Read More below.

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JHS Pedals are renowned for tonal excellence. Their premium stompboxes are packed full of gizmos galore and options aplenty – but they’ve taken a very different approach with the 3 Series Overdrive. These affordable effects have been stripped back for pure, unadulterated JHS tone suited to both beginners and pros alike.

Raw JHS Pedals tone

Gone are the array of dials found throughout the standard JHS pedal line-up. What you’re getting here is a refined, quality sound thanks to high-end electronic components and meticulous attention to detail from the Kansas City company. This is the ultimate plug-and-play pedal.

Sound

JHS make exceptional overdrive and distortion pedals, and the 3 Series is no different. Here you can dial in a wide range of gritty tones, including a boost style heat, a low-gain breakup and a mid-gain tube amp-esque grunt. Controls are extremely simple, with the body dial acting as a one-knob EQ to set the brightness of your voicing.

Two distinct characters are on offer using the unique gain toggle. Select a compressed saturated punch or a more lively dynamic crunch. 

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Brand

JHS Pedals

JHS Pedals grew from Josh Scott’s pedal-modification work in 2007 into a Kansas City effects maker. Scott’s first original designs followed in 2008; the Morning Glory began as his reinvention of the Marshall Bluesbreaker. The JustPedals catalogue carries the Morning Glory V4 and Muffuletta, along with practical tools such as the Little Black Buffer, Buffered Splitter and Little Black Amp Box. JHS describes its guitar pedals as made in Kansas City, USA. The range mixes original drive and fuzz designs with utility pedals, so the current listings show more than a single “boutique overdrive” identity.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.