Just Video – JHS Pedals, The Milkman Slap/Echo with Tim Marcus

Designed to be one of the most transparent overdrives out there Adds mid to low level grit to Your crystal clean tone and tube like touch response to a less than ideal amp Boosts a crunchy tone into thicker sustain and switches between two gain levels on the fly Delivers all the tonal and responsive nuance that Your amp is missing, and Nothing that Your tone alReady has Gain Control sweeps from Completely clean to rock ‘n’ roll Tame the high end on brighter rigs with the side mounted bright cut switch Features increased headroom and output for use as a Full frequency boost

Made in Kansas City USA This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide Runs on 9V DC negative center power and consumes 12mA

Inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb Three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike Made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail Runs on 9V DC Negative Center power and consumes 70mA

FET compressor that has three simple controls: Volume, Compression, and Blend The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash that’s perfect for country, blues, pop, and rock Use the Blend knob to dial in the right amount of clean tone along with your compressed signal With the ability to blend in compression and clean signal, you’ll be able to dial in the perfect sound that keeps everything in place

Gives you the ability to take two inputs and blend them into one output Perfect for putting effects in parallel so that they are not affected by one another When you have a quarter note delay and a dotted eighth delay and you place them in parallel then sum them back together, the effect is that both delays come through more clearly and are not “delaying the delays” Can also be used with overdrives so that they are not pushing each other as in series, but sit atop one another in parallel Another use is combining fuzz and compression in parallel so the fuzz isn’t getting choked by the compression