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Empress Effects Reverb – Nearly New – New Empress Effects Guitar Effect Pedal

£436.00

The Empress Effects Reverb features realistic simulations of spaces as well as surreal ambiances that are represented with stunning sound quality. Featuring stereo ins and outs a small footprint and all the controls at your finger-tips it strikes the perfect balance of control and ease of use avoiding laborious menus. Presets the versatile control port…

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Description

The Empress Effects Reverb – Nearly New is in New condition and made by Empress Effects , it is a great New Nearly – Reverb Effects Empress Guitar Effect Pedal- The Empress Effects Reverb features realistic simulations of spaces as well as surreal ambiances that are represented with stunning sound quality. Featuring stereo ins and outs a small footprint and all the controls at your finger-tips it strikes the perfect balance of control and ease of use avoiding laborious menus. Presets the versatile control port and MIDI open up a world of possibilities for live performances. In addition the SD card input allows you to save your algorithms. Whether youre looking for a classic spring realistic room or new sonic flavours to expand your creativity the Empress Effects Reverb delivers it all. It would make an ideal addition to any pedalboard. . Available from Just Pedals for only £ 436 A range of reverbs The Empress Effects Reverb contains 24 algorithm reverbs in high quality stereo. This versatile unit is full of features and can be adapted to most musical genres. It is compatible with MIDI and also features an SD card input for saving your unique tones. Housed in a die cast aluminium shell with three footswitches it is a worthwhile investment. Hall reverb Hall reverb usually refers to the Reverb in a concert hall and is modelled from a large and fairly reflective space. Its typically used at longer decay times in the two or more seconds range. Hall reverbs generally have more muted high frequency compared to other reverbs which leads to a smooth warm sound. Because the room size is large the early reflections are slower to arrive and are very pronounced before the tail becomes diffuse. Plate reverb Plate reverbs were originally created from an electro-mechanical device that vibrates a large sheet of metal to create reverb sounds. At one end is a driver that vibrates the metal and at the other end a transducer that captures the vibration of the plate and turns it back into an electrical audio signal. The decay times could be controlled by applying damping to the different sections of the plate. The sound quality of this feature is superb. Spring reverb Spring Reverb units are little tanks that suspend springs between a driver and a transducer. They typically sit in the base of your amplifier. A driver circuit uses a coil and magnet to vibrate the springs which creates reverberation. Like the plate reverb previously mentioned a receiver circuit at the other end of the springs converts the mechanical vibration back to an electrical audio signal. The sound varies depending on the amount of springs the spring tension and how much the signal is being driven. The electronics at the driver and receiving end can play a huge part in the tone of the sound. The decay can last up to 3 or 4 seconds. Spring reverb is a classic sound for guitar players due to its discrete delay-like reflections which are prominent in the response. Room reverb Like with other reverbs the Room reverb is based on a physical space. It usually has a shorter decay which depends on the size of the room and the amount of absorptive materials on the walls. Because we spend most of our lives in small or medium sized rooms its a very natural sounding reverb. The key to a realistic sound are the dense early reflections. These are the first reflections from the floor walls or ceiling that arrive to the ears after the direct sound. Theyre instrumental in creating the sense of size and space. It is an ideal choice for subtle applications and at shorter times. Sparkle reverb The sparkle reverb is created by an octave effect thats fed into a large sounding tail. The octave is a little bit slow to build and it goes higher and higher in pitch as time goes by. This creates a very airy and open sound. This mode adds a lushness and surreal element to the sound and is perfect with slower legato playing. Modulation In the modulated reverb tail there is modulation applied to each of the delay lines so you get a similar sound but you dont hear the distinct chorus pulse because theres so many going on at once which leads to a sound thats warm and smooth. This mode will work on a variety of playing styles and parts. Ambient swell The ambient swell mode detects either breaks in your playing or use trigger detection to detect note starts then they apply a smooth adjustable fade-in. This mode works well at 100 percent wet and at long decay times. Delay and reverb This classic combo is a must-have for any guitarist. These tones are renowned for featuring on 80s recordings and add a versatile feature to the pedal. Reverse & ghost Reverse is a great tool for fading into songs or solos as it gives it a dramatic approach. The ghost mode adds a really smooth and spooky layer behind your dry playing. The tail is made up of a lot of resonant and modulated elements that meld together to create a really unique sound. The hi and low filters sound really great when you have them on the move with the resonance up. The resonance control and decay work together to shape the tone and length of the decay. Lo-fi Whilst using the Lo-fi mode the dry signal gets effected with some raunchy filtering and distortion along with the wet giving you a complete lo-fi signal. The reverb tails arent meant to be smooth. Youll hear some grainy discrete delays rattling around in there which make it ideal for intros or bridges where you want to switch things up. Specifications Input Impedance: 1Mohm Output Impedance: 100ohms Output Impedance (transformer): 600ohms Frequency Response (-3dB dry) : 10Hz – 50kHz Frequency Response (-3dB wet) : 10Hz – 23.4kHz Total Harmonic Distortion (dry): 0.09 Total Harmonic Distortion (wet): 0.22 Dynamic Range (dry): 106.9 dBA Dynamic Range (wet): 105.5 dBA Input Headroom (dry): +10.0 dBu Input Headroom (wet no pad): +0.5 dBu Input Headroom (wet 6dB pad): +5.7 dBu Input Headroom (wet 12dB pad): +10.8 dBu Output Headroom: +16.2dBu Power Input Connector: 2.1mm Barrel Connector Required Current: 300mA Height (enclosure only): 1.75” Height (including controls): 2.25” Length: 5.7” Width: 3.75” Weight: 1.5lbs

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About Empress Effects

We have one of the largest online selection of new and used Empress Effects music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.

Effects

An effect is a modification applied to the instrument’s sound to alter its tonal characteristics, dynamics, or spatial properties. Effects can be achieved through electronic devices such as pedals, processors, or built-in effects units, and they offer a wide range of sonic possibilities.

Musicians use effects to enhance their sound, create unique textures, and expand the expressive capabilities of their instruments across various musical genres.

Guitar Effect Pedal

A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.

New

Just New products for sale, unused, and in their original packaging. They come with a protected seller guarantee and include manufacturer warranties. Read more for additional details.

Reverb

Reverb, short for reverberation, is a fundamental audio effect that simulates the sound reflections and decay that occur in physical spaces, such as rooms, halls, or chambers. It adds depth, dimension, and ambiance to audio signals, creating a sense of space and realism. In the context of guitar effects, a reverb pedal is a device that generates and applies reverb effects to the guitar signal. Here’s how reverb pedals work and some common features:

1. **Reverb Types**: Reverb pedals typically offer different types of reverb effects, including spring reverb, plate reverb, hall reverb, room reverb, and ambient or modulated reverb. Each type emulates the characteristics of different physical spaces and has its own unique sound and character.

2. **Controls**: Reverb pedals feature various controls for adjusting parameters such as decay time, pre-delay, damping, tone, and mix. Decay time controls the length of the reverb tail or decay, while pre-delay adjusts the time between the original signal and the onset of the reverb. Damping controls the high-frequency content of the reverb, simulating absorption in the virtual space. Tone controls the overall tonal character of the reverb, and mix adjusts the balance between the dry (original) and wet (affected) signals.

3. **Modulation**: Some reverb pedals include modulation effects such as chorus or tremolo that modulate the reverb tail, adding movement and depth to the sound. Modulation can create lush, swirling textures and enhance the overall ambiance of the reverb effect.

4. **Trail Function**: Many reverb pedals offer a trail function, which allows the reverb tail to continue decaying naturally when the effect is bypassed. This prevents abrupt cutoffs and ensures smooth transitions between affected and unaffected signal states.

5. **Spring Tank vs. Digital Reverb**: Reverb pedals can use either spring tanks or digital processing to generate reverb effects. Spring reverb pedals emulate the sound of vintage spring reverb units found in amplifiers, while digital reverb pedals use algorithms to simulate a wide range of reverb types and settings.

6. **Size and Form Factor**: Reverb pedals come in various sizes and form factors, from compact mini pedals to larger, feature-rich units. Choose a pedal size and form factor that fits your pedalboard layout and offers the desired features and controls for your needs.

Reverb pedals are widely used in various music genres, including rock, blues, jazz, ambient, and experimental music. They can add depth, warmth, and atmosphere to guitar tones, enhance the spatial imaging of recordings, and create immersive soundscapes for performances. Whether used subtly to add a touch of room ambiance or dialed in for dramatic, expansive effects, reverb pedals are essential tools for shaping guitar tones and creating captivating sounds.

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