Old Blood Endeavours Beam Splitter Triple Tracker Distortion Pedal – New Old Blood Noise Endeavors Guitar Effect Pedal
£229.00
The Old Blood Endeavours Beam Splitter Triple Tracker Distortion Pedal is an innovative audio tool that takes a single signal and bifurcates it into three distinct channels each with unique overdrive voices and delay times. Its main objective is to magnify a standard sound into a colossal sonic experience. This pedal allows for the output…
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The Old Blood Endeavours Beam Splitter Triple Tracker Distortion Pedal is in New condition and made by Old Blood Noise Endeavors , it is a great Pedal Distortion Tracker Triple Splitter Beam Endeavours Blood Old Guitar Effect Pedal- The Old Blood Endeavours Beam Splitter Triple Tracker Distortion Pedal is an innovative audio tool that takes a single signal and bifurcates it into three distinct channels each with unique overdrive voices and delay times. Its main objective is to magnify a standard sound into a colossal sonic experience. This pedal allows for the output to either be kept in parallel mono or to be individually split into three separate channels. Beyond its primary function the Beam Splitter is also adept at creating enchanting sound effects such as peculiar filters flangers lo-fi vibratos and trailing slap-back echoes all controlled through the delay and blending functions. The Beam Splitter comes with a variety of controls for fine-tuning your sound. The Gain Volume and Tone knobs allow you to shape the amount of distortion the overall volume and the brightness of each drive section. The Time control can introduce delays of up to 125mS on the green and blue sections. The Decay knob adds intense filtering or trailing delays depending on the Time setting. The Deviate knob randomly varies the delay time providing a more natural feel and chorus effect. The top jacks allow for summed parallel mono output or split output for each drive. An Expression jack is included to externally control the Deviate knob. Finally a soft-touch bypass footswitch ensures true bypass and minimal switch noise maintaining the integrity of your sound. . Available from Just Pedals for only £ 229 Specifications Product Name: Old Blood Endeavours Beam Splitter Triple Tracker Distortion Pedal Product Code: OBN-BEAMSP Power Supply: 9V DC Centre Negative Controls: Gain Volume Tone Time Decay Deviate Footswitch: Soft-touch Bypass Input/Output Jacks: Two 1/4″ Inputs (left and right) Three 1/4″ Outputs (summed mono out or individual split outs) One Expression Input
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Old Blood Noise Endeavors is a pedal manufacturer known for its creative and unconventional effects. Their pedals are designed to push the boundaries of traditional sound, often combining distortion, delay, and modulation effects in innovative ways. One example is their *Beam Splitter* pedal, which takes a single input signal and splits it into three different versions with varying delay times and overdrive tones. This results in a larger, more textured sound, ideal for those looking to create unique sonic landscapes. Their pedals also feature expressive controls such as Deviate, which introduces natural variations to delay times for a more organic feel.
Old Blood Noise Endeavors is also recognized for its distinctive pedal designs and collaboration with various artists, showcasing their commitment to producing high-quality, experimental tools for musicians. Their pedals are popular for both live performances and studio work, offering a range of effects from fuzz to reverb, each with a creative twist. This brand stands out for its bold approach to sound manipulation, making it a favourite among experimental musicians and those seeking to expand their sonic palette.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Pedal
A pedal is an electronic device that alters the sound of an electric guitar by applying various effects. Pedals are typically connected in a series between the guitar and amplifier, allowing guitarists to switch effects on and off with their feet while playing.
This enables musicians to quickly and easily change their sound, adding versatility and creativity to their performances.
Pedals are essential tools in many musical genres, including rock, blues, jazz, and metal, allowing artists to craft distinctive and dynamic soundscapes.
Once you buy one, you can’t stop and then you have to sell them and buy more.
Old Blood Noise Endeavors have developed a device that goes beyond doubling and offers three overdrives spaced apart in time to create three instruments out of one. Beam Splitter takes a signal and makes three copies of it, each with different overdrive voices and delay times. Features three different overdrive voices and control over the delay time, feedback and time variation of two of these voices Beam Splitter creates a trio of a solo player, parallel mono, stereo or trereo.
Dual Parallel Modulation Pedal – Contains worlds of interweaving modulation Primary modulation – switchable between tremolo, chorus, and phaser Secondary modulation – switchable between tremolo and chorus Secondary knob – simultaneously controls depth, rate, and delay offset of secondary modulation Expression In – hands-free control over Secondary knob
Tap tempo: set your tempo on the fly with two taps of a footswitch, and subdivide that tempo into quarter, eighth, or triplet notes Hidden function: hold the Tap footswitch to momentarily maximize feedback, leading to a nearly sound-on-sound effect Expression control: use an expressional pedal to control Time, Feedback, or both simultaneously Expanded delay time: all the way down to around 30ms and up to around 1s Modern, Organ, and Vintage mode give three different takes on the voice of the delay, and Fluid, Mix, Time, and Feedback knobs give control over the elements
Old Blood Noise Endeavors Sunlight Reverb Pedal Tape, Comb And Pass Modes For Applying Wobbly Vibrato, Stacked Resonance Delays Or Random Step Filters To The Reverb Expression Control Via Input, Decay, Rate And Depth Parameters Alt Foot Switch For Quickly Engaging A Specific Rotary Setting Speed And Depth Control For Each Mode
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