Disaster Area MIDI Box One MIDI to 1/4″ Converter

Retailing in the region of £39.99

On the menu for January 2026 are the Disaster Area Guitar Pedals, freshly added and carefully selected. These New units are available to order online with fast, secure delivery from trusted UK retailers. Read on for full details, specifications, demos, videos, reviews, and the best places to buy the Disaster Area Guitar Pedals today.


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Description

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On the menu for January 2026 are the Disaster Area Guitar Pedals, freshly added and carefully selected. These New units are available to order online with fast, secure delivery from trusted UK retailers. Read on for full details, specifications, demos, videos, reviews, and the best places to buy the Disaster Area Guitar Pedals today.

Please Note: The MIDI Box is a MIDI signal converter only, you cannot use it to control MIDI functions.

For players with only one MIDI pedal in their rig, the MIDI Box One is a handy way to convert a 5-pin MIDI input into a 1/4" output. The MIDI Box One features external dip switches to expand its compatibility to suit a range of MIDI-enabled pedals.

The MIDI Box One allows you to hook up a controller via a 5-pin connection and convert it to a 1/4" output for connecting to a MIDI-enabled pedal. On the underside is a set of dip switch which can be used to alter the configuration to match how different pedals receive MIDI. The dip switch settings are as follows:

  • Tip Active: Suitable for Alexander Pedals, Meris, Empress Effects, and other devices using voltage mode on the jack tip.
  • Ring Active: Suitable for Chase Bliss Audio and other devices using voltage mode on the jack ring.
  • Tip and Ring Active: Separate outputs on the top and ring of the jack which allows for two MIDI outputs using a TRS insert cable.

Specifications

  • Power:  Requires 9-12v DC input, 50mA maximum.
  • Status LED: Lights blue when powered, red when receiving MIDI data
  • Dimensions: 51 mm x 51 mm x 27 mm (excluding jack nut)

Supported Devices

Chase Bliss Audio: All current pedals. Connect with TRS cable, set port to RING ACTIVE.

  • Blooper
  • Brothers
  • Condor
  • Dark World
  • Gravitas
  • MOOD
  • Spectre (all versions)
  • Thermae
  • Tonal Recall (blue and RKM)
  • Warped Vinyl Mk1 (supports MIDI clock only)
  • Warped Vinyl Mk2 and HiFi
  • Wombtone Mk1 (supports MIDI clock only)
  • Wombtone Mk2

Alexander Pedals: All Neo Series pedals. Connect with mono / TS cable. Set port to TIP ACTIVE.

  • Colour Theory
  • Defender
  • F.13 Neo
  • Marshmallow
  • Quadrant
  • Radical Delay DX
  • Sky 5000
  • Space Race
  • Super Neo-Matic
  • Superball
  • Syntax Error
  • Wavelength

Empress Effects: Connect with mono / TS cable. Set port to TIP ACTIVE.

  • Echosystem
  • Phaser
  • Tremolo 2
  • Reverb
  • ZOIA

Meris: All current pedals. Connect with mono / TS cable. Set port to TIP ACTIVE.

  • Enzo
  • Hedra
  • Mercury 7
  • Ottobit Jr
  • Polymoon

Bondi Effects: Connect with mono / TS cable. Set port to TIP ACTIVE.

  • Art Van Delay

Additional information

Weight 1 kg

Brand

Disaster Area

Disaster Area Designs specialise in advanced MIDI controllers and switching systems that make complex pedalboards easier to manage. Their gear lets players control multiple effects, switch presets instantly, and streamline live setups with precision and reliability. Built for modern digital rigs as well as traditional stompboxes, Disaster Area products are perfect for guitarists who want seamless control, reduced tap-dancing, and a more organised, professional workflow on stage or in the studio.

Category

Guitar Pedals

Tags

Delay

A delay pedal records your signal and plays it back after a set time, creating echoes that can range from tight, slapback repeats to long, atmospheric trails. It’s one of the most versatile effects, used to thicken tones, add rhythmic depth, or build spacious, ambient layers. Analogue delays offer warm, decaying repeats that blend naturally with your tone, while digital units provide pristine echoes with precise control over time, feedback, and mix levels.

From classic rockabilly and tape-style echoes to modern looping and shimmer effects, delay pedals have become essential tools for shaping sound. They can make solos soar, rhythms pulse, or transform simple chord progressions into cinematic textures. Whether used subtly to add dimension or boldly to create soundscapes, a good delay pedal can completely redefine the feel and atmosphere of your music.

MIDI

MIDI pedals use the Musical Instrument Digital Interface standard to communicate with other guitar pedals, effects units, and hardware. They allow control over presets, parameters, and switching across multiple devices from a single controller. MIDI integration makes it possible to build complex, synchronised pedal setups while keeping control simple and consistent.

New

This is brand new, fresh in, and a UK warranty is included. New Gear always comes from trusted UK music retailers.

Phaser

A phaser is a type of guitar effects pedal that creates a swirling, sweeping sound by modulating the phase of the audio signal. It works by splitting the incoming signal into two paths, shifting the phase of one path, and then recombining them. This creates peaks and troughs in the frequency spectrum, resulting in a distinctive, “phasing” effect characterized by moving notches in the frequency response.

Here’s how a phaser pedal typically works and some common features:

1. **Rate**: The rate control adjusts the speed at which the phase-shifting effect oscillates. Increasing the rate produces faster modulation, creating a more pronounced swirling effect, while decreasing the rate slows down the modulation for a smoother, more subtle effect.

2. **Depth**: The depth control adjusts the intensity or depth of the phase-shifting effect. Higher depth settings result in more pronounced peaks and troughs in the frequency response, while lower settings produce a more subtle modulation.

3. **Feedback (or Regeneration)**: Some phaser pedals feature a feedback control that determines the amount of modulated signal fed back into the effect. Increasing the feedback creates more pronounced peaks and troughs in the frequency spectrum, resulting in a more intense and resonant phasing effect.

4. **Stages**: Phasers typically have multiple stages (usually four, six, or eight), each of which contributes to the overall phase-shifting effect. More stages generally result in a more complex and textured phasing sound.

5. **Sweep (or Manual)**: The sweep control adjusts the center frequency of the phase-shifting effect. This allows you to focus the phasing effect on specific frequency ranges, altering the tonal character of the modulation.

6. **Resonance (or Feedback)**: Some phaser pedals feature a resonance control that emphasizes the peaks and troughs in the frequency response, creating a more pronounced and resonant effect. This control can add richness and depth to the phasing sound.

Phaser pedals are commonly used in various music genres, including rock, funk, and psychedelic music, to add movement, depth, and texture to guitar tones. They can be used to create swirling, swirling effects on rhythm parts, add dynamics to lead lines, or create atmospheric textures for ambient music. Overall, phaser pedals offer guitarists a versatile tool for shaping their tone and adding expressive modulation effects to their playing.

Reverb

A reverb pedal is like the rich sauce that ties every flavour on the plate into one smooth experience. It adds depth, warmth, and atmosphere — the sonic equivalent of a perfectly reduced glaze that lingers on the tongue. Whether you’re after the subtle ambience of a cosy café (spring or plate reverb) or the grand echoes of a cathedral (hall or shimmer reverb), this is where your tone breathes and expands. A touch of reverb can turn a dry sound into something lush and inviting — but pour on too much, and it’s all you can taste. Used with finesse, it’s the finishing touch that transforms your tone from plain to unforgettable.

Tremolo

A tremolo pedal modulates the volume of your guitar signal up and down in a rhythmic pattern, creating a pulsing or wavering effect that can sound vintage and hypnotic or sharp and choppy depending on the settings. It’s one of the oldest effects in guitar history, famously used on classic amps from the 1950s and ’60s.

Most tremolo pedals let you control the speed, depth, and wave shape, allowing you to go from smooth, subtle swells to intense stuttering tones. It’s a simple but expressive effect that adds movement and character to your sound.

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