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Keeley Electronics is a prominent American manufacturer of guitar effects pedals, founded in 2001 by Robert Keeley. The company has established a strong reputation in the boutique pedal industry through its focus on precision engineering and high-quality audio performance.
Keeley is renowned for its active and passive pedal designs, including iconic models like the Katana Blues Driver, the Compressor Plus, and the Delay Workstation. Keeley’s pedals are distinguished by their meticulous craftsmanship, innovative circuit designs, and reliability.
The company’s products often incorporate advanced features such as flexible EQ controls, analogue and digital hybrid processing, and extensive tone-shaping capabilities, making them favoured by both professional and amateur guitarists seeking exceptional sound quality and versatile performance.
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Expression pedals allow real-time control over specific parameters on compatible guitar pedals, such as volume, delay time, modulation depth, or filter sweep. Used with an expression input, they let players shape effects dynamically with their foot, adding movement and performance control that cannot be achieved with fixed knob settings.
A flanger is a type of guitar effects pedal used to create a swirling, whooshing sound by modulating the phase of an audio signal. It works by combining the original signal with a slightly delayed and modulated version of itself. As the two signals interact, they create peaks and troughs in the frequency spectrum, resulting in the characteristic “jet plane” or “swooshing” sound associated with flanging.
Key features of a flanger pedal include:
1. **Rate**: Controls the speed at which the delayed signal is modulated. Higher rates produce faster modulation, while lower rates create slower, more subtle effects.
2. **Depth**: Adjusts the intensity of the modulation effect. Higher depth settings result in more pronounced sweeps, while lower settings produce a gentler effect.
3. **Manual (or Range)**: Sets the center frequency of the modulation. This control allows you to focus the effect on specific frequency ranges, altering the tonal character of the flanging.
4. **Feedback (or Regeneration)**: Determines the amount of modulated signal that is fed back into the effect. Increasing feedback can create more pronounced peaks and troughs, resulting in a more intense effect.
Flanger pedals are commonly used in various music genres, including rock, metal, and psychedelic music, to add movement, depth, and texture to guitar tones. They can be used subtly to add a touch of modulation and dimension to a guitar sound, or more prominently to create dramatic swirling effects. Overall, flanger pedals offer guitarists a versatile tool for shaping and enhancing their tone, adding a dynamic and expressive element to their playing.
A fuzz pedal is one of the earliest and most aggressive forms of distortion, turning your clean guitar signal into a thick, saturated wall of sound. It works by clipping the waveform almost flat, creating a compressed, gritty tone full of harmonic overtones. The result is raw, unruly, and unmistakable — from the sputtering breakup of vintage germanium circuits to the searing sustain of modern silicon designs. Fuzz pedals react strongly to your guitar’s volume and pickup choice, making them dynamic tools for expressive players.
Whether you’re chasing the classic tones of Hendrix and the Smashing Pumpkins or exploring heavy, experimental textures, fuzz remains a favourite for its personality and unpredictability. It can sound smooth and sustaining, or wild and velcro-like, depending on how it’s set up. A good fuzz pedal cuts through the mix while adding thickness and attitude, turning any riff or lead line into something bold and unmistakably alive.
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Like a golden layer of melted cheese — warm, gooey, and just put it all over. It adds just the right amount of richness and grit, turning a clean signal into something smooth and savoury. Designed to mimic the natural breakup of a tube amp pushed to its sweet spot, overdrive delivers the flavour of classic rock and blues in every bite. From creamy mid-gain warmth to crisp edge-of-breakup sparkle, it’s the comfort food of guitar tone — simple, satisfying, and endlessly versatile. Whether it’s a mild crunch or a full-bodied roar, overdrive is where good taste begins.
A phaser is a type of guitar effects pedal that creates a swirling, sweeping sound by modulating the phase of the audio signal. It works by splitting the incoming signal into two paths, shifting the phase of one path, and then recombining them. This creates peaks and troughs in the frequency spectrum, resulting in a distinctive, “phasing” effect characterized by moving notches in the frequency response.
Here’s how a phaser pedal typically works and some common features:
1. **Rate**: The rate control adjusts the speed at which the phase-shifting effect oscillates. Increasing the rate produces faster modulation, creating a more pronounced swirling effect, while decreasing the rate slows down the modulation for a smoother, more subtle effect.
2. **Depth**: The depth control adjusts the intensity or depth of the phase-shifting effect. Higher depth settings result in more pronounced peaks and troughs in the frequency response, while lower settings produce a more subtle modulation.
3. **Feedback (or Regeneration)**: Some phaser pedals feature a feedback control that determines the amount of modulated signal fed back into the effect. Increasing the feedback creates more pronounced peaks and troughs in the frequency spectrum, resulting in a more intense and resonant phasing effect.
4. **Stages**: Phasers typically have multiple stages (usually four, six, or eight), each of which contributes to the overall phase-shifting effect. More stages generally result in a more complex and textured phasing sound.
5. **Sweep (or Manual)**: The sweep control adjusts the center frequency of the phase-shifting effect. This allows you to focus the phasing effect on specific frequency ranges, altering the tonal character of the modulation.
6. **Resonance (or Feedback)**: Some phaser pedals feature a resonance control that emphasizes the peaks and troughs in the frequency response, creating a more pronounced and resonant effect. This control can add richness and depth to the phasing sound.
Phaser pedals are commonly used in various music genres, including rock, funk, and psychedelic music, to add movement, depth, and texture to guitar tones. They can be used to create swirling, swirling effects on rhythm parts, add dynamics to lead lines, or create atmospheric textures for ambient music. Overall, phaser pedals offer guitarists a versatile tool for shaping their tone and adding expressive modulation effects to their playing.
Rotary pedals recreate the swirling, moving sound of a rotating speaker cabinet, adding rich modulation and a sense of motion to guitar tones. They typically simulate the changing pitch and volume caused by spinning speakers, producing anything from subtle shimmer to deep, pulsating swirl. Rotary effects are often used for clean and lightly driven sounds to add depth, movement, and a classic, organ-inspired character.
A tremolo pedal modulates the volume of your guitar signal up and down in a rhythmic pattern, creating a pulsing or wavering effect that can sound vintage and hypnotic or sharp and choppy depending on the settings. It’s one of the oldest effects in guitar history, famously used on classic amps from the 1950s and ’60s.
Most tremolo pedals let you control the speed, depth, and wave shape, allowing you to go from smooth, subtle swells to intense stuttering tones. It’s a simple but expressive effect that adds movement and character to your sound.
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