MXR Blue Box Fuzz Octave Effects Pedal – New MXR Octave EQ Fuzz Guitar Effect Pedal
£99.00
Iconic sub octave fuzzy goodness. The MXR Blue Box Fuzz Octave Effects Pedal takes your guitar signal adds fuzz and duplicates it two octaves down for a huge subterranean tone thats been wielded by Jimmy Page Slash The Edge and Sonic Youth. Equipped with a basic two-knob layout including Output and Blend. The Blend knob…
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The MXR Blue Box Fuzz Octave Effects Pedal is in New condition and made by MXR , it is a great Octave EQ Fuzz Guitar Effect Pedal – Iconic sub octave fuzzy goodness. The MXR Blue Box Fuzz Octave Effects Pedal takes your guitar signal adds fuzz and duplicates it two octaves down for a huge subterranean tone thats been wielded by Jimmy Page Slash The Edge and Sonic Youth. Equipped with a basic two-knob layout including Output and Blend. The Blend knob lets you control how much of the fuzz tone is mixed with the two octaves down signal. An ideal accessory for those seeking truly unique tones. . Available from Just Pedals for only £ 99 Legendary pedal unique tone Slash Jimmy Page The Edge Jeff Buckley Paul Weller along with Sonic Youth Deftones Parquet Courts and Thee Oh Sees have all brandished this pedal with superb results- now its your turn. The MXR Blue Box Fuzz Octave Effects Pedal provides its iconic tone by adding fuzz to your signal and then duplicating it two octaves down. You can easily mix the fuzz signal with the two octaves down fuzz signal with blend and output controls to obtain your own legendarily mammoth fuzz sounds. Features Adds fuzz to your signal and then duplicates it two octaves down Control the mix of the fuzz signal with the two octaves down fuzz signal with blend and output controls Used by Jimmy Page for the solo in Led Zeppelins “Fool in the Rain” Output controls overall volume of effect Blend Controls mix or wet and dry signals Red LED Indicator Durable metal housing in a vibrant blue Powered by AC Adapter or Single 9 volt battery (Sold Separately)Specifications Input Impedance: 1 MΩ Output Impedance: less than 20 kΩ Input Sensitivity Level: -56 dBV Nominal Input Level: -22 dBV Max Output Level: -5 dBV Noise Floor*: More than 100 dBV Bypass: Hardwire Current Draw: Effect On: 4 mA Effect Off: 1.5 mAPower Supply: 9 volts DC
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MXR is a renowned manufacturer of guitar effects pedals and audio electronics, recognized for their classic designs and high-quality sound. Established in the 1970s, MXR has played a significant role in shaping the landscape of effects pedals, producing iconic units that have become staples in countless musicians’ rigs. The company’s pedals are celebrated for their rugged construction, intuitive controls, and versatile tones, making them popular among guitarists and bassists across genres.
MXR’s product lineup encompasses a wide range of effects categories, including distortion, delay, modulation, and more. Some of their most notable pedals include the Phase 90 phaser, the Dyna Comp compressor, and the Carbon Copy analog delay, all of which have earned legendary status among players for their distinctive sound and reliability. With a legacy of innovation and a commitment to quality, MXR continues to be a respected name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Fuzz
Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.
Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.
Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Octave
An octave pedal is a type of guitar effects pedal that generates tones one or two octaves above or below the original signal. This effect can create a wide range of sonic textures, from thickening the sound to adding harmonies and creating synthetic basslines. Here’s how octave pedals work and some common features:
1. **Octave Up/Down**: Octave pedals typically offer the option to generate tones one octave above (octave up) or below (octave down) the original signal. Some advanced pedals may even offer both octave up and down simultaneously for more versatility.
2. **Blend Control**: Many octave pedals include a blend control, allowing you to adjust the mix between the original signal and the octave-generated signal. This feature enables you to dial in the perfect balance between the two for your desired effect.
3. **Tracking**: Tracking refers to how accurately the pedal follows the input signal and generates the octave. Higher-quality octave pedals have better tracking, meaning they accurately reproduce the pitch of the original note without latency or glitching.
4. **Polyphonic vs. Monophonic**: Some octave pedals are polyphonic, meaning they can accurately track multiple notes and chords played simultaneously. Monophonic pedals, on the other hand, work best with single notes and may struggle with chords.
5. **Sub-Octave**: In addition to octave up and down, some octave pedals offer a sub-octave effect, generating tones two octaves below the original signal. This can create deep, bass-like tones and add richness to your sound.
6. **Effects Loop**: Some octave pedals include an effects loop, allowing you to place other effects before or after the octave effect in the signal chain. This can open up creative possibilities for combining octave effects with other modulation or time-based effects.
7. **Expression Pedal Compatibility**: Certain octave pedals are compatible with expression pedals, which allow you to control parameters such as octave blend, pitch bend, or even the interval of the generated octave in real-time using your foot.
Octave pedals are widely used in various music genres, including rock, funk, jazz, and experimental music. Guitarists use them to create unique sounds, emulate basslines, and add depth and dimension to their playing. Whether you’re looking to thicken your tone, create harmonies, or explore new sonic territories, an octave pedal can be a valuable addition to your pedalboard.
Shovels out enough low frequencies to scare a blue whale Takes your guitar signal, fuzzes it up, then duplicates it two octaves down Known for having a chaotic personality that can make each session a totally unique experience Powered by a single 9 volt battery or Dunlop's ECB-003 AC adapter (sold separately)
Combines two switchable fuzz flavors with a growling sub octave signal Separate dry volume control ensures clean low end Retention Bass and Treble controls allow you to fine-tune your fuzz signal Mid level control allows you to boost your clean midrange to cut through the mix
Fuzz tone with a separate sub octave voice & an octave up fuzz Internal gain & tone pots shape the octave up fuzz effect All analog circuitry, true bypass Heavy duty housing with durable jacks and switches Model Number: SF01
Combines La Machine Fuzz with old school Sub-Octave signal Separate volume levels for Fuzz and Sub-Octave signals Toggle between Series/Parallel modes Octave switch kicks Fuzz signal into searing Octave Up mode True bypass switching
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