This is a New SONICAKE Sonic Wood Acoustic Guitar Pedal Preamp DI Box Multi Effects Chorus Delay Reverb Pedal with XLR Output QCE-50 from Sonicake its found in our Multi-Effects Pedals on the Just Pedals menu. Read More below.
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The Sonicake is a multi-effects pedal. It combines several effects or processing functions in a single unit.
Key identified features include acoustic-guitar use, chorus, delay, and reverb.
Sonicake is a Changsha, Hunan gear maker with a catalogue spanning compact effects, multi-effects processors, bass and acoustic preamps, headphone tools and accessories. Its official FAQ says its products are manufactured and packaged in Changsha. The JustPedals selection reflects that mix: the QEP-10 FlipWah combines wah and volume functions, the QME-20 Smart Box is a multi-effects processor, and listings also include adapters and headphone amplifiers. Check whether a Sonicake listing is a pedal, processor or supporting accessory before comparing it with a conventional single-effect stompbox.
A multi-effects processor combines several effect algorithms and signal-routing stages in one unit. Its sound depends not only on the individual models but on their order, parallel or serial routing, processing resolution and available control. Preset structure, switching gaps, foot control, expression assignment, amp or cabinet modelling, USB audio and MIDI determine how completely the processor can replace separate pedals.
Voiced for the wider dynamics, strong transient detail and pickup characteristics of acoustic instruments. High input impedance, phase reversal, notch filtering and restrained processing help preserve body resonance while controlling piezo harshness and feedback. Balanced outputs may also carry the corrected signal directly to a mixer or interface.
Adds one or more slightly delayed voices whose delay time is continuously modulated. Their small pitch and timing differences thicken the source and create shimmer or stereo width; modulation rate, depth, base delay and mix determine how subtle or liquid the movement becomes.
Creates one or more time-separated copies of the signal. Delay time sets their spacing, feedback determines how many repeats continue, and filtering, modulation or saturation decides whether successive echoes remain clean, darken, wobble or break apart.
Builds a dense tail of reflections around the original sound. Early reflections establish apparent distance and size, while decay, diffusion, damping and modulation shape the density, brightness and movement of the later field. Pre-delay separates the dry attack from the ambience, and mix controls their relative level.
