Revv Amplification G4 V2 Preamp Overdrive & Distortion Pedal in Red

£219.00

This is the Revv Amplification G4 V2 Preamp Overdrive & Distortion Pedal in Red from Revv, listed in Preamp & DI Pedals on Just Pedals. Read More below.

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The REVV G4 delivers an organic & unique voice of Canadian distortion. With a fat low-mid focus, this new V2 circuit revision adds additional versatility in lower gain ranges as well as a more clear & cutting midrange, without sacrificing the liquid sustain REVV’s Red channel is known for.

Key features

  • Organic ‘amp-in-a-box’ pedal based on the G120 – Red channel
  • Fat – Chewy Distortion – High Gain tones with clarity & sustain
  • 3-position aggression switch for different voicing and saturation
  • Sounds great in front of an amp, or in the FX Loop as a pre-amp
  • Top-mounted jacks for convenience & saving space on your board
  • Built to tour-ready quality standards

Specifications

  • Pedal: Distortion
  • Analog/Digital: Analog – True Bypass
  • EQ: 3-band EQ
  • Inputs: 1 x 1/4″
  • Outputs: 1 x 1/4″
  • Power: 9V DC power, 14mA
  • Height: 25″
  • Width: 75″
  • Depth: 7″
  • Weight: 0.8 lbs.
  • Warranty: 2 Year limited with registration

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Brand

Revv

Revv is known for precision-built high-gain tone, delivering tight, articulate distortion with clarity and control. Born from modern metal and progressive rock roots, the brand’s amps and pedals focus on punchy low end, focused mids, and smooth but aggressive saturation that stays defined even under heavy gain.

Choose Revv when you want crushing drive without losing detail. Whether it’s tight rhythm chugs, soaring lead sustain, or a modern amp-style distortion in pedal form, their gear delivers power, consistency, and studio-ready aggression straight to your board.

Category

Preamp & DI Pedals

A preamp brings an instrument signal to a controlled level and shapes its impedance, gain and frequency balance before amplification or recording. A DI converts the signal for a balanced, low-impedance connection and may include ground lift, pad and transformer isolation. Combined units can add drive, cabinet filtering, effects loops and parallel outputs while keeping the direct path stable.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Digital

Converts the signal or control process into numerical data for algorithmic processing. Digital designs can provide precise timing, long memory, complex routing and repeatable presets; sample rate, conversion, internal resolution and latency influence fidelity and response.

Overdrive

Uses moderate clipping and gain-dependent compression to add harmonics while retaining much of the original note contour. Bass filtering, mid emphasis, clipping symmetry and available headroom decide whether it sounds open and amplifier-like, tightly focused or heavily saturated.

True Bypass

Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.

Vocal

Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.