Old Blood Noise Endeavors Black Fountain Stereo Delay Pedal in Cream - Image 1
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  • Old Blood Noise Endeavors Black Fountain Stereo Delay Pedal in Cream
  • Old Blood Noise Endeavors Black Fountain Stereo Delay Pedal in Cream
  • Old Blood Noise Endeavors Black Fountain Stereo Delay Pedal in Cream
  • Old Blood Noise Endeavors Black Fountain Stereo Delay Pedal in Cream
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Old Blood Noise Endeavors Black Fountain Stereo Delay Pedal in Cream

£349.00

This is a New Old Blood Noise Endeavors Black Fountain Stereo Delay Pedal in Cream from Old Blood Noise Endeavors, listed in Delay Pedals on Just Pedals. Read More below.

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Building on the inimitable Black Fountain, a pedal that put OBNE on the map and for many a favourite always-on device, Black Fountain Stereo is much more than just turning things from mono into stereo. It truly expands Old Blood Noise Endeavors’ highly regarded ‘oil-can delay’ pedal right into a multi-tool.

With a wider control set that’s complete with added sonic options, a lower noise floor, dual delay lines that play together in a multitude of ways, presets, MIDI and expression control over everything, Black Fountain Stereo combines a sonic powerhouse of creative delay tones and into a pedalboard-friendly package.

Key Features

  • Characterful ‘oil-can delay’ pedal
  • Stereo input and output, with the option for Mono or Mono-in-Stereo-out routing
  • Analog dry through
  • Onboard Presets, plus control via MIDI
  • Selectable Buffered Trails or True Bypass modes

Oil-Can Delay

Black Fountain Stereo emulates the sound of a spinning oil-can delay. This is a warm, modulated and a little gritty type of tone that’s perfect for chorusing, doubling, slap back and long rhythmic delays alike. You choose the amount and rate of modulation, the tone and grit of the core voice, the two delay times and their feedback. Plus, to top it off the mono/stereo voicing of it all can be set exactly as you like and everything can be saved into presets, for easy recall.

Controls

The Rate and Depth controls set the amount of modulation and speed, Tone shapes the warmth of the repeats, while Grit sets the amount of drive in the repeats. To help maintain the clarity of your tone or for more special effects, you can set the mix of volume of either the Dry and/or Wet levels. Space defines the mono delay mode or stereo width and adds diffusion past the noon position.

Separate controls are available for setting the Left and Right Delay Time as well as being able to choose between six subdivisions for each side when holding the Tap footswitch. That little Tap switch (surprise) helps you set the delay repeats in time with your tempo, while holding it down will give for infinite feedback. Optionally, it can also be used as a preset switcher.

Specifications

  • Stereo input and output, with the option for Mono or Mono-in-Stereo-out routing
  • Dedicated knobs to control Rate and Depth of modulation plus Tone and Grit of delay voicing
  • Time and Subdivision controls for each delay line
  • Additional controls for feedback, Wet/Dry Volume and Stereo Space
  • Analog dry through
  • Expression and MIDI control over all parameters
  • MIDI clock I/O for external temp syncing
  • Onboard Presets, plus control via MIDI
  • Selectable Buffered Trails or True Bypass modes
  • Top-mounted jacks and Soft-Touch Switching
  • Hand-made in Oklahoma, USA
  • Available in 3 Colourways – Cream (standard), Terracotta and Slate
  • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 350 mA current draw, not included)

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    Brand

    Old Blood Noise Endeavors

    Old Blood Noise Endeavors has been based in Oklahoma City since 2014. Its catalogue is known for effects that stretch familiar categories into more textural territory, including unusual reverbs, delays, modulation, pitch effects and signal-routing tools. The JustPedals listings include Black Fountain stereo delay, Dark Star stereo reverb, Sunlight dynamic reverb, Signal Blender and Pardner fuzz. OBNE also makes utility pedals such as expression controllers and splitters, so the brand covers both sound design and pedalboard control. Read individual descriptions closely: several OBNE models are designed around evolving or interactive textures rather than one fixed effect setting.

    Category

    Delay Pedals

    Delay records the incoming signal for a chosen interval and repeats it after the original note. Feedback returns repeats to the delay line, while tone, filtering, modulation and saturation determine whether echoes remain clear, darken progressively, wobble like tape or degrade like analogue bucket-brigade circuits. Delay time and rhythmic subdivisions govern the spacing and musical pattern of the repeats.

    Tags

    Analogue

    The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

    MIDI

    Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.

    Stereo

    Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.

    True Bypass

    Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.

    Vocal

    Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.

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