The Old Blood Noise Endeavors Black Fountain Stereo Delay is a richly textured delay pedal that captures the swirling lo-fi charm of vintage oil can echo units. With stereo inputs and outputs dual delay times and extensive modulation controls it offers everything from tight slapback to expansive ambient washes all with a distinctive gritty edge. Expression and full MIDI control let you take command of every parameter while onboard presets and subdivisions per delay channel make it a flexible tool for both studio and stage. Its soft-touch switching analog dry-through and stereo diffusion ensure it fits cleanly into any rig.
Old Blood Noise Endeavors Black Fountain Stereo Delay
£299.00
This is a New Old Blood Noise Endeavors Black Fountain Stereo Delay from Old Blood Noise Endeavors, listed in Delay Pedals on Just Pedals. Read More below.
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Brand
Old Blood Noise Endeavors
Old Blood Noise Endeavors has been based in Oklahoma City since 2014. Its catalogue is known for effects that stretch familiar categories into more textural territory, including unusual reverbs, delays, modulation, pitch effects and signal-routing tools. The JustPedals listings include Black Fountain stereo delay, Dark Star stereo reverb, Sunlight dynamic reverb, Signal Blender and Pardner fuzz. OBNE also makes utility pedals such as expression controllers and splitters, so the brand covers both sound design and pedalboard control. Read individual descriptions closely: several OBNE models are designed around evolving or interactive textures rather than one fixed effect setting.
Category
Delay Pedals
Delay records the incoming signal for a chosen interval and repeats it after the original note. Feedback returns repeats to the delay line, while tone, filtering, modulation and saturation determine whether echoes remain clear, darken progressively, wobble like tape or degrade like analogue bucket-brigade circuits. Delay time and rhythmic subdivisions govern the spacing and musical pattern of the repeats.
Tags
Analogue
The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.
MIDI
Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.
Presets
Stores complete groups of parameter values for later recall. The number of locations, switching time, spillover behaviour and whether presets include routing, expression and MIDI assignments determine how completely one sound can change into another.
Stereo
Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.
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