The Mooer MCH1 Ensemble King Analog Chorus Pedal is a powerful and compact addition to any guitarists collection. Designed like the classic blue chorus stompbox this pedal delivers a pure analogue chorus sound that can be used to shape your tone in various ways. It adds depth and warmth to your sound making it perfect for vintage-style goodness. And thanks to its compact size it is easy to carry and store while its full metal shell ensures durability and reliability on stage. With this pedal you can achieve a lush chorus effect that will enhance your sound and provide a unique character to your playing. Add a touch of magic to your sound while keeping your rig compact and portable.
Mooer MCH1 Ensemble King Analog Chorus Pedal
£60.00
This is a New Mooer MCH1 Ensemble King Analog Chorus Pedal from Mooer Audio, listed in Chorus Pedals on Just Pedals. Read More below.
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Brand
Mooer Audio
In the current JustPedals catalogue, Mooer Audio is represented by Multi-Effects Pedals, Looper Pedals and Wah & Filter Pedals. Current listings include Baby Bomb 30, ABY and X2 Preamp. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Chorus Pedals
Chorus pedals mix the dry signal with one or more short, modulated delays to create movement, width and gentle pitch variation. Rate controls the speed of the modulation; depth controls its excursion; blend, tone and stereo routing determine how prominent the effect becomes. Slower, shallow settings can add width without obscuring the note, while deeper settings move towards a seasick or synthetic wobble. Analogue bucket-brigade and digital designs can behave differently, so check mono compatibility, headroom and the placement of the pedal after drives or before a mixer.
Tags
Analogue
Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.
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