Mooer Ensemble Queen Analog Chorus Pedal

£49.00

This is a New Mooer Ensemble Queen Analog Chorus Pedal from Mooer, listed in Chorus Pedals on Just Pedals. Read More below.

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Here's what Mooer have to say about the Mooer Ensemble Queen:

We always keep it in mind –  the needs of Bass players. From FOG, Thunderball of Fuzz to Filter of Sweeper, nowadays, there is a new choice for your Pedal Board— Ensemble Queen, the Bass Chorus pedal.

Features:

Designed with high quality components, Ensemble Queen acts pretty well at the bass part. Push down the nail, you will get the rich and stereo Chorus sound, which makes your performance more vivid with the excellent atmosphere. Adjusting the knobs could change the effect sound, warm and soft or psychedelic gorgeous. The best part is that it could keep the strength of the original sound while get the beautiful effect sound.

TONE Knob adjusts different tones of effect; LEVEL Knob adjusts the volume of the Chorus effect; DEPTH Knob controls the depth of the Chorus effect; RATE Knob chooses the rate of the effect sound.

Ensure to keep the original sound with the True Bypass status

Follow the mini dimensions of Mooer Micro Series to save more room of your pedal board for more pedals.

Specifications:

  • Input: 1/4”monaural jack (impedance: 470K Ohms)
  • Output: 1/4”monaural jack (impedance: 100 Ohms)
  • True Bypass
  • Power Requirements: AC adapter 9V DC (center minus plug), MOOER MICRO POWER is recommended.
  • Current Draw: 110mA
  • Dimensions: 93.5mm (D) ×42mm (W) ×52mm (H)
  • Weight: 145g

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Brand

Mooer

In the current JustPedals catalogue, Mooer is represented by Multi-Effects Pedals, Distortion Pedals and Multi Effects. Current listings include Baby Bomb 30, ABY and X2 Preamp. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Chorus Pedals

Chorus pedals mix the dry signal with one or more short, modulated delays to create movement, width and gentle pitch variation. Rate controls the speed of the modulation; depth controls its excursion; blend, tone and stereo routing determine how prominent the effect becomes. Slower, shallow settings can add width without obscuring the note, while deeper settings move towards a seasick or synthetic wobble. Analogue bucket-brigade and digital designs can behave differently, so check mono compatibility, headroom and the placement of the pedal after drives or before a mixer.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

Bass

Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.

Stereo

Stereo products provide separate left and right audio paths, which may widen modulation, preserve independent delays or route a pedalboard into two amplifiers or a mixer. Input and output behaviour is not always symmetrical: some units sum a stereo input, while others create stereo from a mono source. Check whether the effect collapses safely to mono, how the dry signal is routed, the socket format and the destination’s panning and phase requirements.

True Bypass

True bypass removes the effect circuit from the audio path when bypassed, usually by mechanical, relay or switching circuitry. This can preserve the direct signal but does not automatically solve long-cable loading, and it may create a pop or leave no buffer for the rest of the board. Check the actual switching method, trails or spillover, input and output loading and the number of other true-bypass pedals in the chain.