JHS Pedals Violet Lari Basilio Signature Overdrive Distortion Pedal in Purple - Image 1
JHS Pedals Violet Lari Basilio Signature Overdrive Distortion Pedal in Purple - Image 2
JHS Pedals Violet Lari Basilio Signature Overdrive Distortion Pedal in Purple - Image 3
JHS Pedals Violet Lari Basilio Signature Overdrive Distortion Pedal in Purple - Image 4
  • JHS Pedals Violet Lari Basilio Signature Overdrive Distortion Pedal in Purple
  • JHS Pedals Violet Lari Basilio Signature Overdrive Distortion Pedal in Purple
  • JHS Pedals Violet Lari Basilio Signature Overdrive Distortion Pedal in Purple
  • JHS Pedals Violet Lari Basilio Signature Overdrive Distortion Pedal in Purple
JHS Pedals Violet Lari Basilio Signature Overdrive Distortion Pedal in Purple - Image 1 JHS Pedals Violet Lari Basilio Signature Overdrive Distortion Pedal in Purple - Image 2 JHS Pedals Violet Lari Basilio Signature Overdrive Distortion Pedal in Purple - Image 3 JHS Pedals Violet Lari Basilio Signature Overdrive Distortion Pedal in Purple - Image 4

JHS Pedals Violet Lari Basilio Signature Overdrive Distortion Pedal in Purple

£169.99

This is a New JHS Pedals Violet Lari Basilio Signature Overdrive Distortion Pedal in Purple from JHS Pedals is in our Overdrive Pedals category on Just Pedals. Read More below.

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Here’s what JHS Pedals say about the JHS Pedals Violet Lari Basilio Signature Overdrive Distortion Pedal:

The Violet Distortion is a new take on distortion/overdrive brought to you from the collaborative minds of Josh Scott and highly influential Brazilian guitarist Lari Basilio! Using this pedal is like adding a new and ultra-flexible distortion channel to your favorite clean amplifier. The unique three-band EQ sets the Violet apart from our other popular distortion pedals. We placed the Midrange control before the distortion circuit as a powerful pre-amp distortion shaping tool. This single design choice allows the Violet to achieve hundreds of tones, from overdrive to full-on modern distortion. Treble and Bass controls are located in a more traditional position after the distortion circuit, offering familiar but extremely flexible post-distortion shaping you’re accustomed to.

The Violet also excels at stacking with other overdrives, distortions, and fuzzes, allowing it to fit perfectly into any rig as a second or new primary dirt device.

This pedal is for anyone looking to give their guitar a new voice. As Lari put it, “Why would I need words when my guitar can speak for me?”

Controls

  • Volume – Controls the overall volume of the unit. Left is less, right is more.
  • Mid Sweep – Controls which mid frequencies are boosted or scooped by the Mid control.
  • Drive – Controls the amount of drive. Left is less, right is more.
  • Low – Controls level of bass frequencies. Noon is flat, left is cut, right is boosted.
  • Mid – Controls level of mid frequencies. Noon is flat, left is scooped, right is boosted. The frequency range is set by the Mid Sweep control.
  • High – Controls level of treble frequencies. Noon is flat, left is cut, right is boosted.

Jacks

  • Input – ¼” jack on the top right side of the pedal.
  • Output – ¼” jack on the top left side of the pedal.
  • Power – Uses 9V DC Negative Center. Do not use more than 9V DC. Damage may occur and your warranty will be voided. Silent, soft touch switching with a buffered bypass.

Specifications

This Pedal Measures 4.7” X 3.5” X 1.5” And Consumes 55mA.

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Brand

JHS Pedals

JHS Pedals grew from Josh Scott’s pedal-modification work in 2007 into a Kansas City effects maker. Scott’s first original designs followed in 2008; the Morning Glory began as his reinvention of the Marshall Bluesbreaker. The JustPedals catalogue carries the Morning Glory V4 and Muffuletta, along with practical tools such as the Little Black Buffer, Buffered Splitter and Little Black Amp Box. JHS describes its guitar pedals as made in Kansas City, USA. The range mixes original drive and fuzz designs with utility pedals, so the current listings show more than a single “boutique overdrive” identity.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

Distortion

Clips the waveform firmly and adds a dense series of harmonics with compression and sustain. The clipping devices, gain stages and tone filters determine whether the result is tight, smooth, mid-focused, scooped, grainy or deliberately abrasive.

Vocal

Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.

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