JHS Pedals PG-14 Paul Gilbert Signature Distortion Pedal

£179.99

This is a New JHS Pedals PG-14 Paul Gilbert Signature Distortion Pedal from JHS Pedals is in our Distortion Pedals category on Just Pedals. Read More below.

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Here’s what JHS says about the PG-14 Paul Gilbert Signature Distortion Pedal:

JHS Pedals is proud to release the Paul Gilbert signature distortion PG-14! This is a new and unique distortion pedal specifically designed to Paul’s specifications. At the heart of the circuit is a FET-based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels.

A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination.

The PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert’s talent, decades of experience, and countless years of practice – just hit the footswitch!

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Brand

JHS Pedals

JHS Pedals grew from Josh Scott’s pedal-modification work in 2007 into a Kansas City effects maker. Scott’s first original designs followed in 2008; the Morning Glory began as his reinvention of the Marshall Bluesbreaker. The JustPedals catalogue carries the Morning Glory V4 and Muffuletta, along with practical tools such as the Little Black Buffer, Buffered Splitter and Little Black Amp Box. JHS describes its guitar pedals as made in Kansas City, USA. The range mixes original drive and fuzz designs with utility pedals, so the current listings show more than a single “boutique overdrive” identity.

Category

Distortion Pedals

Distortion clips the waveform more firmly than overdrive, generating dense upper harmonics, longer sustain and a more compressed response. Circuit topology and filtering decide whether the sound is tight and focused, broad and aggressive, smooth or deliberately abrasive. Gain sets the amount of clipping, while pre- and post-distortion tone controls strongly influence low-end definition, midrange presence and high-frequency texture.