JHS Pedals Moonshine Overdrive V2

£174.99

This is a New JHS Pedals Moonshine Overdrive V2 from JHS Pedals its found in our Overdrive Pedals on the Just Pedals menu. Read More below.

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JHS are well-known pedal fanatics. They often take their designs and improve them until they are the absolute best they can be. The Moonshine V2 is a result of that ethos. With the charm of the original Moonshine intact, the V2 has been refined for increased versatility and a more powerful drive tone!

Sounds

The Moonshine is loved for its gnarly, gritty tone, essentially producing a highly modified version of the famous Tubescreamer mids push we all know and love. With many pedal manufacturers going down the “transparent” overdrive route these days, the Moonshine is an unapologetically different beast with its own character and voice.

The V2 largely retains its unique TS on steroids sound, capable of delivering low-gain breakup to searing high-gain, thanks to its “Proof” toggle switch. The down position provides a mid-boosted tone with plenty of saturation and distortion on tap. Flick the switch up for a broader, more open crunch that is great for classic rock or blues.

Typical Drive, Tone and Volume controls give you enough flexibility to dial in your ideal overdrive tone, and with a pedal that sounds this good it should be easy!

What’s New for V2

The clean dial is the biggest improvement to the Moonshine. Allowing you to blend your clean, unaffected tone and the pedal’s distorted flavour, this control can let you achieve those timeless SRV-style characteristics.

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Brand

JHS Pedals

JHS Pedals grew from Josh Scott’s pedal-modification work in 2007 into a Kansas City effects maker. Scott’s first original designs followed in 2008; the Morning Glory began as his reinvention of the Marshall Bluesbreaker. The JustPedals catalogue carries the Morning Glory V4 and Muffuletta, along with practical tools such as the Little Black Buffer, Buffered Splitter and Little Black Amp Box. JHS describes its guitar pedals as made in Kansas City, USA. The range mixes original drive and fuzz designs with utility pedals, so the current listings show more than a single “boutique overdrive” identity.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.

Tags

Vocal

Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.