Looking for spine-tingling razor-sharp tone? The JHS Pedals Haunting Mids EQ is the answer to your prayers. Give your lead lines an electrifying edge with this Sweepable-Mids EQ pedal that allows you to boost your guitars midrange. A 10dB volume boost means your solos will cut through any mix and sound sharp and defined as they do giving you the power to exhilarate audiences at the loudest of gigs. JHS are world renowned for their hand-built FX pedals and their wide ranging models have become favourites of everyone from Noel Gallagher to Matt Bellamy and Elvis Costello to The Edge. Its time to experience why theyre so popular.
JHS Pedals Haunting Mids EQ
This is a New JHS Pedals Haunting Mids EQ from JHS Pedals is in our Specialist Effects Pedals category on Just Pedals. Read More below.
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Brand
JHS Pedals
JHS Pedals grew from Josh Scott’s pedal-modification work in 2007 into a Kansas City effects maker. Scott’s first original designs followed in 2008; the Morning Glory began as his reinvention of the Marshall Bluesbreaker. The JustPedals catalogue carries the Morning Glory V4 and Muffuletta, along with practical tools such as the Little Black Buffer, Buffered Splitter and Little Black Amp Box. JHS describes its guitar pedals as made in Kansas City, USA. The range mixes original drive and fuzz designs with utility pedals, so the current listings show more than a single “boutique overdrive” identity.
Category
Specialist Effects Pedals
Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.
Tags
EQ
Raises or lowers defined frequency regions. Fixed-band graphic controls provide direct visual shaping, while parametric controls vary centre frequency and bandwidth; the available range and filter width determine whether the change is broad tonal balance or narrow corrective filtering.
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