JHS Pedals Charlie Brown V4 Overdrive

£178.00

This is the JHS Pedals Charlie Brown V4 Overdrive from JHS Pedals, listed in Overdrive Pedals on Just Pedals. Read More below.

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The JHS Pedals Charlie Brown V4 Overdrive is a distortion pedal that comes equipped with volume drive bass mids and treble controls. This overdrive-distortion unit has been designed to provide you with the same feel and sound of the legendary Marshall JTM45. Replicating the full Marshall-style tone stack the Charlie Brown V4 delivers a streamlined overdrive unit with multiple controls to adjust and sculpt your tone. An incredible sound delivered by a compact model. Whats not to love?

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Brand

JHS Pedals

JHS Pedals is a prominent manufacturer of guitar effects pedals, known for their high-quality craftsmanship, innovative designs, and commitment to tone. Founded in 2007 by Josh Scott in Kansas City, Missouri, JHS Pedals has quickly gained a reputation for producing boutique-quality pedals that cater to a wide range of musical styles and preferences.

JHS offers a diverse lineup of effects pedals, including overdrive, distortion, fuzz, modulation, delay, reverb, and more. The company is known for its meticulous attention to detail and dedication to producing pedals that deliver exceptional tone and versatility. Many of their pedals are designed to capture the tones of classic vintage effects while incorporating modern features and improvements.

In addition to their standard pedal lineup, JHS Pedals also offers a range of signature pedals in collaboration with renowned artists and musicians. These pedals are designed to meet the specific needs and preferences of the artists, providing them with unique tones and features for their playing style.

With a commitment to innovation and a passion for tone, JHS Pedals continues to be a trusted name in the guitar effects industry, providing musicians with inspiring tools to shape their sound and creativity.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.