Tasty Pedals made by JHS
JHS Pedals is a prominent manufacturer of guitar effects pedals, known for their high-quality craftsmanship, innovative designs, and commitment to tone. Founded in 2007 by Josh Scott in Kansas City, Missouri, JHS Pedals has quickly gained a reputation for producing boutique-quality pedals that cater to a wide range of musical styles and preferences.JHS offers a diverse lineup of effects pedals, including overdrive, distortion, fuzz, modulation, delay, reverb, and more. The company is known for its meticulous attention to detail and dedication to producing pedals that deliver exceptional tone and versatility. Many of their pedals are designed to capture the tones of classic vintage effects while incorporating modern features and improvements.In addition to their standard pedal lineup, JHS Pedals also offers a range of signature pedals in collaboration with renowned artists and musicians. These pedals are designed to meet the specific needs and preferences of the artists, providing them with unique tones and features for their playing style.With a commitment to innovation and a passion for tone, JHS Pedals continues to be a trusted name in the guitar effects industry, providing musicians with inspiring tools to shape their sound and creativity.
Tasty Pedals made by JHS Pedals
JHS Pedals is an American boutique guitar effects pedal company founded by Josh Scott in 2007.Known for its innovative designs and high-quality craftsmanship, JHS Pedals has become a prominent name in the pedal industry, offering various effects including overdrives, distortions, fuzzes, delays, and modulation. The company is particularly celebrated for its ability to blend classic tones with modern features, often incorporating unique twists on traditional effects. JHS Pedals are also recognized for their reliable performance and distinctive visual designs, making them a favourite among musicians of all levels.Josh is known for his educational and entertaining content on the history and design of guitar pedals, further contributing to the brand’s influence and appeal in the guitar community.
JHS Series 3 is a stripped-back range from JHS Pedals, built around simple circuits, minimal controls, and accessible pricing. Each pedal focuses on a single idea and executes it without distraction, keeping the layout intuitive and the sound honest. The designs favour usability and musical results over complexity.Series 3 serves up straightforward flavours made from familiar ingredients. These pedals work well as building blocks on a board, stacking easily and responding predictably to different guitars and amps. They suit players who appreciate clarity of purpose and understand that good results often come from keeping things simple rather than adding more controls.
Just Pedal Ingredients.
EQ — While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.. Guitar Pedals — Your pedal is like a signature dish for your sound — a flavour-packed creation that transforms the bland ingredients of your guitar into something unforgettable. Each one adds its own seasoning, texture, and heat, turning a simple meal into a feast of tone.These tasty little boxes sit in a row, like plates on a buffet, letting you mix and match flavours as you play. With one tap of your foot, you can swap sweet for spicy, subtle for smoky, and serve up something completely new. From the comfort food of warm overdrive to the fiery kick of fuzz, from smooth jazz sauce to heavy-metal spice, pedals give players a full menu of options to express their taste. And just like with food, once you’ve tried one dish, you’ll want to sample them all.Collecting, trading, and discovering new flavours soon becomes part of the joy of being a tone-loving gourmet geek with a guitar.. New — This is brand new, fresh in, and a UK warranty is included. New Gear always comes from trusted UK music retailers.. Volume — Volume pedals control the output level of a guitar signal using a foot-operated treadle. They allow smooth volume swells, dynamic control during playing, and easy muting between songs. Volume pedals can be placed at different points in the signal chain to either control overall loudness or adjust gain and drive behaviour when positioned before distortion or overdrive pedals..
