Fender Hammertone Reverb Pedal

£85.00

This is a New Fender Hammertone Reverb Pedal from Fender, listed in Reverb Pedals on Just Pedals. Read More below.

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Fender's new Hammertone range of pedals is their latest and most affordable pedal series to date. Spanning a range a classic effects, Hammertone pedals feature true-bypass switching, top-mounted jacks and witch-hat-style chrome-rimmed control knobs for an authentic Fender experience.

Fender and reverb are one of the guitar world's most iconic duos! The Hammertone Reverb captures the iconic Fender reverb sound in a compact, pedalboard-friendly package for seamless integration into your rig. Boasting Hall, Room and Mod modes, the Hammertone Reverb delivers everything from subtle shimmers to full-blown ambient soundscapes and everything in between! The powerful damping control and tone switch offer incredible flexibility and give you complete control over the effect.

Key Features

  • Fender®-designed Reverb Effect
  • Type & Tone Switches
  • Top Mount Input/Output Jacks
  • True-Bypass Switching

Specifications

  • Input Impedance: 500k ohm
  • Output Impedance: 470 ohm
  • Power Consumption: 82mA
  • Power Requirements: 9-Volt Centre Negative AC Adaptor (Not Included)

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Brand

Fender

Fender’s effects line draws on the company’s Southern California instrument-and-amplifier history. The all-original pedal range Fender introduced in the late 2010s was designed in Southern California with input from gigging and studio musicians. JustPedals listings include The Bends compressor, Marine Layer reverb, Pugilist distortion, Tre-Verb and Smolder Acoustic Overdrive. That range connects familiar Fender amplifier sounds with dedicated stompboxes, while also covering bass and acoustic applications. The brand name does not indicate where every model was manufactured; compare each pedal’s controls, routing and model-specific specifications.

Category

Reverb Pedals

Reverb creates the dense pattern of reflections heard after sound enters a physical or imagined space. Room, hall, plate and spring models differ in reflection density, frequency decay and modulation, while ambient algorithms extend or transform the tail beyond natural acoustics. Decay, pre-delay, damping, diffusion and wet/dry balance define the apparent size, surface and distance of that space.