The Electro Harmonix Metal Muff Distortion w/ Top Boost is any metalheads dream offering complete versatility to ensure you have a full arsenal of rocking ability at the kick of a footswitch. Maximising your sound the pedal comes with a three band EQ which allows you to fully personalise your sound to get that unique metal destruction. Dynamic with incredibly high-gain distortion this pedal perfectly suits all your destructive needs whether thats chugging through palm-muted destruction or adding a lift to properly perfect your solos. This is the perfect pedal for obtaining that truly heavy metal sound.
Electro Harmonix Metal Muff Distortion w/ Top Boost
£95.00
This is a New Electro Harmonix Metal Muff Distortion w/ Top Boost from Electro Harmonix, listed in Distortion Pedals on Just Pedals. Read More below.
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Brand
Electro Harmonix
In the current JustPedals catalogue, Electro Harmonix is represented by Fuzz Pedals, Overdrive Pedals and Octave Pedals. Current listings include Q-Tron+, Nano Clone and V256 Vocoder. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Distortion Pedals
Distortion pedals use stronger or more deliberate clipping than a typical overdrive, adding harmonics, compression and sustain. Some are voiced for amp-like crunch, others for high-gain rhythm or a deliberately abrasive texture. Gain, tone, presence, resonance and output controls determine how the pedal interacts with the amplifier and pickups; a blend or noise gate can preserve clarity in heavier settings. Placement changes the result, so check whether the design is intended to push an amp, run into a clean platform or feed a direct cabinet simulation.
Tags
Boost
Boost pedals raise level, add gain or do both. A clean boost mostly preserves the source voice and pushes the next gain stage harder; a coloured boost changes the frequency balance as it lifts the level, while treble or mid boosts narrow the emphasis deliberately. Gain, output, tone, presence and headroom shape the result. Place the boost before overdrive for more clipping, after gain for more level, or into a clean amp when a louder signal is the aim.
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