Electro Harmonix Metal Muff with Top Boost

£94.99

This is a New Electro Harmonix Metal Muff with Top Boost from Electro Harmonix, listed in Boost Pedals on Just Pedals. Read More below.

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Electro Harmonix Metal Muff with Top Boost

The Electro-Harmonix Metal Muff with Top Boost features 3 powerful EQ bands that are ideal for sculpting mids and a total of 6 controls for shaping sound precisely your way. Top Boost adds serious bite with its own control knob and footswitch button.

  • Battery included, Power Supply available

Video Demo

Check out how the Metal Muff fared in our Metal Pedal Shootout!

Electro-Harmonix spent many months creating what we believe to be the best heavy metal pedal ever built. The Metal Muff utilizes three powerful EQ bands, including a midrange control designed for perfect contouring.

Along with beautifully sculpted mids, the Metal Muff offers commanding bass and defined top end–coupled with user-controlled distortion from pinched-edge to totally crushing–making it a heavy metal gold mine.

Specifications

DISTORTION CONTROL adjusts the amount of input gain.

Features

  • Volume
  • Top Boost
  • Treble
  • Mid
  • Bass
  • Distortion knobs
  • Boost and bypass footswitches

Related videos

Brand

Electro Harmonix

Founded by Mike Matthews in New York City in 1968, Electro-Harmonix became known for inventive effects that brought new sounds within reach of guitarists. Its first product was the LPB-1 Linear Power Booster; the company’s long-running catalogue ranges from fuzz and overdrive to delay, modulation, octave and experimental processing. JustPedals listings include the Small Clone chorus, Small Stone phaser, Memory Boy delay, POG 2 octave generator and Micro Q-Tron envelope filter. Check the exact version and power requirements when comparing EHX models, since familiar names often span different generations and formats.

Category

Boost Pedals

A boost raises signal level without deliberately creating a new effect waveform. Clean boosts emphasise level and headroom, while coloured boosts reshape bass, midrange or treble and may add mild clipping at higher settings. Placed before a gain stage, the extra level changes how that stage distorts; placed later, it can provide a volume lift if sufficient headroom remains.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.