Electro Harmonix Big Muff Pi USA

£86.00

This is a New Electro Harmonix Big Muff Pi USA from Electro Harmonix is in our Fuzz Pedals category on Just Pedals. Read More below.

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The original. The Electro Harmonix Big Muff Pi USA has become a staple on countless musicians pedalboards. Why? As much as we can talk about its rich blistering-hot fuzz tones and irresistible sustain ? you only need to listen to the greats of rock music to understand its potential. Whether its Hendrix Santana or even John Lennon ? almost every guitarist has discovered the brilliance of the Big Muff. So it goes without saying that no pedalboard is complete without one. Slash through the mix with exceptional clarity. The Big Muff is renowned for its screaming high-end. So you can trust that every one of your solos will be the main event in performance with nothing standing in your way. Its never-ending sustain gives you even more sonic options for your playing. And combined with its iconic fuzzy character youll uncover new capabilities for your sound. Whether youre cranking up the gain or creating a more subtle textured guitar tone ? each note will ripple in signature Big Muff style. Are you ready to join the greats?

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Brand

Electro Harmonix

Founded by Mike Matthews in New York City in 1968, Electro-Harmonix became known for inventive effects that brought new sounds within reach of guitarists. Its first product was the LPB-1 Linear Power Booster; the company’s long-running catalogue ranges from fuzz and overdrive to delay, modulation, octave and experimental processing. JustPedals listings include the Small Clone chorus, Small Stone phaser, Memory Boy delay, POG 2 octave generator and Micro Q-Tron envelope filter. Check the exact version and power requirements when comparing EHX models, since familiar names often span different generations and formats.

Category

Fuzz Pedals

Fuzz drives the signal into extreme clipping, often flattening the waveform and generating a thick spectrum of harmonics. Transistor type, bias, input loading and tone filtering create markedly different responses, from loose and velvety to gated, spluttering or octave-rich. Some circuits interact strongly with pickup impedance and guitar volume, while others include buffers or blends for a more consistent response.