Dreadbox Komorebi Analogue Chorus and Flanger Pedal

£169.99

This is the Dreadbox Komorebi Analogue Chorus and Flanger Pedal from Dreadbox, listed in Chorus Pedals on Just Pedals. Read More below.

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Komorebi is a japanese, untranslatable word, which eloquently captures the effect of sunlight streaming through the leaves of the trees. Dreadbox Komorebi is a BBD Chorus Flanger effect pedal suitable for string instruments and synthesizers, which is also eurorack compatible.

Key Features

  • Full Analog BBD Chorus-Flanger with 3 LFO Waves
  • Great for Static Comb Filters
  • BBD Time pushed from 2ms up to 40ms
  • 3 patch points for our modular fans

Specifications 

  • Circuit: Analog
  • Bypass: CMOS
  • Audio: Mono
  • Inputs / Outputs: IN/OUT : TS Unbalanced 6.4mm jack
  • Static / Rate / LFO Out : 3.5mm mini jack
  • Power Supply: 9VDC BOSS style center pin negative 2.5mm (NOT INCLUDED)
  • Dimensions (cm): 14 x 10 x 5.6
  • Current Draw: 100mA

Brand

Dreadbox

Dreadbox is a brand known for its innovative effects pedals, combining traditional guitar pedal designs with creative, synth-oriented features. Based in Athens, Greece, Dreadbox originally made its name with analogue synths and Eurorack modules, but its foray into pedals has further established it as a unique player in the music technology space. Their pedals, like the *Lethargy* phaser and *Kinematic* compressor/envelope filter, offer a mix of classic effects and experimental options, appealing to both guitarists and synth enthusiasts.

The *Lethargy* pedal features an 8-stage phaser with an LFO and a manual knob for real-time sound manipulation, while the *Kinematic* is a dual-function pedal that can toggle between a compressor and envelope filter. Both pedals integrate patchable modulation options that are compatible with Eurorack systems, allowing for greater creativity. Dreadbox’s pedals are known for their high build quality and distinct design, making them a go-to for musicians looking to expand their sonic palette.

Category

Chorus Pedals

Chorus mixes the dry signal with one or more short, continuously modulated delays. The small pitch and timing movement between the paths creates width, shimmer and the impression of several instruments playing together. Rate controls the modulation speed, depth controls its excursion, and delay or mix settings determine whether the result is subtle thickening, a liquid wobble or a broad stereo image.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Flanger

Combines the dry signal with a very short, modulated delay. Regularly spaced phase cancellations form a moving comb filter, while feedback intensifies the notches and resonance to produce anything from gentle motion to a metallic jet-like sweep.