Caroline Guitar Shigeharu Germanium Octave Fuzz in Green

£249.00

This is the Caroline Guitar Shigeharu Germanium Octave Fuzz in Green from Caroline Guitar Company, listed in Octave Pedals on Just Pedals. Read More below.

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Man, we are REALLY pumped about these. This year, we’re going to be making some limited run variants of some of our existing faves, and we’re excited for this to take off with SHIGEHARU. This Army Green limited, germanium infused pedal is available in a limited batch of 100. We hope people dig it as much as we did. We had a BLAST recording the clips.

Now, while it would have been easy enough for us to say “voila! We have substituted these germanium parts for the perfectly functioning silicon ones for more ‘authentic’ tones. Now give us money as we ride this trend” that just would not have been good enough for us or for you.

So in addition to the parallel octave circuit of the Shigeharu getting a bit more of a *woody* texture and sound from some new old stock Soviet parts we used, we also tweaked each of the transistor gain stages to more closely resemble one of our old bubble-font Soviet era fuzzstortions in our reference lab.

The end result is still PLENTY of gain – I mean, good lord, you should know us by now, right? – but more wooly, a bit more low end, and a bit more bark and a little less bite than our standard Shigeharu. There’s still an incredible range of overdriven, distorted, and all out fuzzy sounds here and – while we still can! – these are hand-wired at our workshop in Columbia, S.C.

Brand

Caroline Guitar Company

Category

Octave Pedals

An octave effect generates notes one or more octaves above or below the input. Analogue circuits often create raw monophonic sub-octaves, while digital pitch tracking can follow chords and provide several intervals with cleaner separation. Tracking speed, polyphonic accuracy, latency and the balance of dry, upper and lower voices determine whether the result feels tight, organ-like, synthetic or deliberately unstable.

Tags

Fuzz

Pushes the signal into extreme clipping, often approaching a square wave and producing dense harmonics. Transistor type, bias, input loading and filtering govern whether the texture is smooth, woolly, gated, spluttering, octave-rich or highly responsive to the instrument volume.