Alexander Pedals Now We Are Ghosts Lofi Reverb Pedal

£399.00

This is the Alexander Pedals Now We Are Ghosts Lofi Reverb Pedal from Alexander Pedals, listed in Reverb Pedals on Just Pedals. Read More below.

View Just
more
and , , , ,

The city remained, its familiar corners etched in shadow, its streets whispering with memories no living souls carried. Our laughter had vanished into cracks in the pavement, leaving only silence where voices once lingered. Moving through the empty avenues, belonging nowhere.

Key Features

  • Digital Reverberation Unit with dynamic control
  • Adjustable stereo spread
  • Resonant filter with low pass, high pass, band pass options
  • Versatile envelope sensor with swell, gate, ducking, filter options
  • LFO tap tempo and MIDI sync
  • Buffered bypass with fading or forever trails
  • No menus or secondary controls – everything is accessible from the face of the pedal
  • Mono or stereo input via TRS, supports input summing
  • MultiJack allows expression pedal, tap tempo, or MIDI input via TRS
  • Full MIDI support – every control is accessible via MIDI over TRS or USB Four instant presets, WYSIWYG / live mode, and 32 total presets via MIDI

Now we are ghosts

The device is a small metal box, humming faintly, remembering songs it can’t quite play. when activated, it releases long uneven tones that pass between distortion and clarity. Its voice floats on air, hollow and fragile. Exhaling into the void, its heartbeat replaced by an echo.

Now We Are Ghosts started as an attempt to create a synthesizer out of a reverb. Start with the familiar filter, envelope generators, low-frequency oscillators, and voltage-controlled amplifiers. Then replace the voltage-controlled oscillators with the reverb voice. The result is Now We Are Ghosts. It’s a complex exploration of sonic space with lots of unique opportunities for creative mayhem.

From the designer: I have been working on this pedal for more than a year, including some early prototypes that I showed off back in early 2025. It’s been through three name changes and three different graphic designs, but now we’ve finally arrived at something that is really special. The art is by the incredibly talented Conrad Keely, and I couldn’t be happier with the way the whole package turned out. I’ve leveraged the form factor of Forget-Me-Not with lots of knobs and switches to facilitate real-time control, which helps this pedal feel really immediate and fun. My only rule for this design was that every control had to do something cool. I hope you enjoy this.— Matthew Farrow

Specification

  • Mono or stereo input (TRS)
  • Mono or stereo output (use either TRS or dual TS)
  • Input Impedance: 1M ohms
  • Output Impedance: 560 ohms
  • DC 9V only, 250mA or greater
  • Requires isolated DC power supply
  • 5.72” x 4.7” x 1.6” H x W x D not including knobs (145 x 120 x 42mm)

Related videos

Brand

Alexander Pedals

Alexander Pedals is a renowned manufacturer of guitar effects pedals, known for its innovative and high-quality products. Founded by Matthew Farrow in North Carolina, the company has gained a reputation for blending cutting-edge digital technology with classic analogue tones. Alexander Pedals offers a wide range of effects, including delays, reverbs, overdrives, and modulation effects, catering to musicians seeking versatile and creative sound options. Each pedal is crafted with attention to detail, featuring intuitive controls and sturdy construction, making them a popular choice among professional and amateur musicians alike. The company’s pedals are often praised for their unique soundscapes and user-friendly interfaces, allowing musicians to experiment with a wide variety of tones and effects.

One of the standout features of Alexander Pedals is the inclusion of the Neo Series, which incorporates digital control over analogue signal paths, allowing for presets, MIDI functionality, and expression control. This innovation enables musicians to easily switch between different settings and integrate the pedals seamlessly into complex setups. Alexander Pedals is also known for its commitment to continuous improvement and customer feedback, regularly updating firmware and introducing new models to meet the evolving needs of guitarists. The company has built a loyal community around its products, with musicians appreciating the blend of creativity, quality, and versatility that Alexander Pedals consistently delivers.

Category

Reverb Pedals

Reverb creates the dense pattern of reflections heard after sound enters a physical or imagined space. Room, hall, plate and spring models differ in reflection density, frequency decay and modulation, while ambient algorithms extend or transform the tail beyond natural acoustics. Decay, pre-delay, damping, diffusion and wet/dry balance define the apparent size, surface and distance of that space.

Tags

Buffered Bypass

Keeps an active buffer in the signal path when the effect is bypassed. The buffer converts a high-impedance input to a lower-impedance output, helping long cables and multiple pedals retain level and high frequencies, although its headroom and noise remain part of the path.

Digital

Converts the signal or control process into numerical data for algorithmic processing. Digital designs can provide precise timing, long memory, complex routing and repeatable presets; sample rate, conversion, internal resolution and latency influence fidelity and response.

MIDI

Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.

Stereo

Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.

Vocal

Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.