The Old Blood Noise Endeavors Float V2 in Cotton Candy is a dual analogue filter pedal built for players who want movement, texture and stereo interest without sacrificing clarity. With two fully independent state-variable filters, deep LFO and envelope control, flexible routing and full MIDI integration, it turns a simple guitar, synth or drum machine signal into evolving, tempo-locked soundscapes that stay musical and controllable on stage or in the studio. This updated V2 design refines the original Float concept with expanded controls, reduced unwanted noise and a more powerful modulation engine. Each side of the pedal can be shaped as a low pass, band pass or high pass filter, then animated with six LFO waveforms or responsive envelope behaviour. Add in three onboard presets, expression and auxiliary switching, and you have a compact, handmade modulation hub that can sit at the centre of a modern stereo rig. Dual Analogue Filters With Character At the heart of Float V2 are two independent 12dB per octave state-variable filters, each with its own cutoff, resonance, volume and modulation controls. This lets you create subtle tone sculpting on one side while pushing the other into dramatic sweeps, rhythmic chops or narrow band-pass focus. The two-pole design keeps low end intact as resonance rises, avoiding harsh self-oscillation so your sounds remain rich and usable across the full range. Deep Modulation With LFO and Envelope Each filter can be driven by its own LFO and envelope, with dedicated Rate, Depth and Shape controls for detailed movement. Six LFO waveforms from smooth sine and square to ramp, smooth random and stepped random give you everything from classic synth-style sweeps to unpredictable, glitchy motion. The envelope section responds to your playing dynamics with both positive and negative sensitivity, so you can make the filter open up as you dig in or clamp down for percussive, reverse-feel effects. Sync, Routing and Stereo Creativity Float V2 is designed to slot into simple mono boards or ambitious stereo setups. Parallel mono, series mono, mono-to-stereo and true stereo modes let you decide how the two filters interact, whether that is stacked for complex textures or split across left and right channels. The Sync function links the filters for coordinated modulation, mirrored envelopes and tempo-locked movement, while Hard Sync can lock both cutoff frequencies together for precise, unified filtering that still feels wide and three-dimensional. Modern Control, Vintage Soul While the signal path stays fully analogue, control is thoroughly modern. Three onboard presets store your favourite sounds, with up to 127 available via MIDI. MIDI clock, CC and programme change support let Float V2 follow your session tempo and respond to external controllers, while the expression input can be assigned to multiple parameters per preset for expressive sweeps and transitions. Soft-touch footswitches with latching or momentary modes, an assignable auxiliary footswitch input and USB-C firmware updates round out a pedal that feels as forward-thinking as it sounds, all in a compact enclosure handmade in Oklahoma. Key Features Dual Independent Analogue Filters – Two state-variable filters with 12dB per octave slopes, each with its own cutoff, resonance and volume, let you sculpt complex tones from subtle warmth to animated, synth-like textures while maintaining low-frequency response and avoiding harsh self-oscillation. Powerful LFO and Envelope Modulation – Six LFO waveforms plus positive and negative envelope sensitivity give you precise control over how the filters move, from tempo-synchronised sweeps and choppy patterns to touch-responsive wah-style effects that react to your playing dynamics. Flexible Stereo and Routing Options – Parallel mono, series mono, mono-to-stereo and true stereo modes, combined with TRS stereo input and dual outputs, allow Float V2 to handle everything from a single guitar to full stereo rig…
Old Blood Noise Endeavors Float V2 Dual Analogue Filter Pedal in Cotton Candy
This is a New Old Blood Noise Endeavors Float V2 Dual Analogue Filter Pedal in Cotton Candy from Old Blood Noise Endeavors its found in our Wah & Filter Pedals on the Just Pedals menu. Read More below.
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Brand
Old Blood Noise Endeavors
Old Blood Noise Endeavors has been based in Oklahoma City since 2014. Its catalogue is known for effects that stretch familiar categories into more textural territory, including unusual reverbs, delays, modulation, pitch effects and signal-routing tools. The JustPedals listings include Black Fountain stereo delay, Dark Star stereo reverb, Sunlight dynamic reverb, Signal Blender and Pardner fuzz. OBNE also makes utility pedals such as expression controllers and splitters, so the brand covers both sound design and pedalboard control. Read individual descriptions closely: several OBNE models are designed around evolving or interactive textures rather than one fixed effect setting.
Category
Wah & Filter Pedals
Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.
Tags
Analogue
The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.
MIDI
Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.
Presets
Stores complete groups of parameter values for later recall. The number of locations, switching time, spillover behaviour and whether presets include routing, expression and MIDI assignments determine how completely one sound can change into another.
Stereo
Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.
