Jim Dunlop JCT95 Justin Chancellor Signature Cry Baby Bass Wah, Fuzz & Filter Pedal

£339.00

This is the Jim Dunlop JCT95 Justin Chancellor Signature Cry Baby Bass Wah, Fuzz & Filter Pedal from Jim Dunlop, listed in Wah & Filter Pedals on Just Pedals. Read More below.

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Justin Chancellor is a sonic pioneer. The musical backbone of his Grammy award-winning band Tool, Chancellor is recognised for his percussive bass playing, but is also lauded for his creative, effects-laden melodic parts that really take you on a trip! The Jim Dunlop JCT95 Justin Chancellor Cry Baby wah pedal brings three of his favourite effects together in a single housing — the fluid expressiveness of a custom mid-range filter, the bright aggression of a custom wah circuit, and the chainsaw grind of a vintage fuzz.

In short, this incredible tool (pun intended) is perfect for bassists who want to push the musical boundaries. Whether opening up soundscapes with chords and harmonics, or syncing up with a guitarist to perform arresting single-note unison runs — this pedal gives you plenty to play with!

Key Features

  • 2 Wah Voices — 'U.K. Filter' and 'Wah' modes provide two tone-warpingly distinct variations on a theme.
  • U.K. Filter Mode — Thick and throaty, designed to emulate the unique envelope-like filtering of the tone control on Justin's bass. When combined with the built-in fuzz, the U.K. Filter voice generates incredibly smooth, synth-like sounds.
  • Wah Mode — Brilliant, aggressive and lush. If you prefer a more traditional wah tone, this mode employs the classic red Fasel inductor and the circuitry of a modified Cry Baby for a gnarlier sound with brilliant harmonics. It really cuts through with the fuzz engaged!
  • Wah Select Footswitch — Move between the two wah voices at any time, with separate Volume and Q controls giving you ultimate control.
  • Custom Circuitry — In both modes, the pedal maintains the thickness and heft of your low-end by boosting your clean signal at 400Hz and blending it with the effect signal at the beginning of the rocker’s sweep.
  • Vintage Fuzz Circuit — Based on Justin’s go-to fuzz; a ferocious device of vintage UK origin. Has a tighter focus than most fuzzes, while retaining much of the bass signal's punch. By default, you’ll only hear the fuzz when using the rocker pedal, but you can kick the switch on the side to run it independently.

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Brand

Jim Dunlop

Jim Dunlop is a prominent American brand known for its production of musical accessories, particularly guitar pedals, tuners, strings, and picks. Established in 1965, Dunlop has built a strong reputation in the music industry, becoming one of the leading manufacturers of gear for guitarists, bassists, and other musicians. The company is especially famous for its iconic Wah pedals, such as the *Cry Baby*, which has been a staple in the rock and metal genres for decades.

In addition to their legendary Wah pedals, Jim Dunlop produces a wide range of other effects pedals, including distortion, overdrive, delay, reverb, and compression pedals, all known for their durability and high-quality performance. Dunlop’s products are used by musicians across various genres and are prized for their consistency, innovative features, and ease of use. Beyond pedals, Jim Dunlop is also well-regarded for its guitar strings, picks, and other accessories, making it a trusted name in the world of musical gear.

Category

Wah & Filter Pedals

Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

Fuzz

Pushes the signal into extreme clipping, often approaching a square wave and producing dense harmonics. Transistor type, bias, input loading and filtering govern whether the texture is smooth, woolly, gated, spluttering, octave-rich or highly responsive to the instrument volume.

Vocal

Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.