JHS Pedals The Milkman Tape Delay Echo

£170.00

This is the JHS Pedals The Milkman Tape Delay Echo from JHS Pedals, listed in Delay Pedals on Just Pedals. Read More below.

View Just
more

The JHS Pedals The Milkman Tape Delay Echo is the result of a collaborative idea between Josh Scott from JHS and Tim Marcus of Milkman Sound. Its a single pedal with unique echo/slap delay and a transparent boost that can be utilized as an always-on enhancer or push lower wattage amplifiers into natural overdrive. The 2016 designed circuit found its way into this rugged and attractive small footprint enclosure that would sit perfectly in any guitarists set-up.

Related videos

Brand

JHS Pedals

JHS Pedals is a prominent manufacturer of guitar effects pedals, known for their high-quality craftsmanship, innovative designs, and commitment to tone. Founded in 2007 by Josh Scott in Kansas City, Missouri, JHS Pedals has quickly gained a reputation for producing boutique-quality pedals that cater to a wide range of musical styles and preferences.

JHS offers a diverse lineup of effects pedals, including overdrive, distortion, fuzz, modulation, delay, reverb, and more. The company is known for its meticulous attention to detail and dedication to producing pedals that deliver exceptional tone and versatility. Many of their pedals are designed to capture the tones of classic vintage effects while incorporating modern features and improvements.

In addition to their standard pedal lineup, JHS Pedals also offers a range of signature pedals in collaboration with renowned artists and musicians. These pedals are designed to meet the specific needs and preferences of the artists, providing them with unique tones and features for their playing style.

With a commitment to innovation and a passion for tone, JHS Pedals continues to be a trusted name in the guitar effects industry, providing musicians with inspiring tools to shape their sound and creativity.

Category

Delay Pedals

Delay records the incoming signal for a chosen interval and repeats it after the original note. Feedback returns repeats to the delay line, while tone, filtering, modulation and saturation determine whether echoes remain clear, darken progressively, wobble like tape or degrade like analogue bucket-brigade circuits. Delay time and rhythmic subdivisions govern the spacing and musical pattern of the repeats.