Old Blood Noise Endeavors Bathing liminal Delay Pedal in Ink

£299.00

On the Menu for January 2026 are the Old Blood Noise Guitar Pedals. These are fresh in, hand picked by the chef, & cooked to perfection. A tasty number we can deliver straight to your door, serving orders quickly and securely. For more info on Old Blood Noise New Guitar Pedals, please read on for full details, demos, videos, reviews & to order online


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Description

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The Old Blood Noise Guitar Pedals are fresh in for Jan. The Just Pedals Chef is dishing up hot gear all over the UK, served straight to your door, quickly and securely, For more info on tasty Old Blood Noise New Guitar Pedals, please read on for full details, ingredients, reviews and where to order in the UK.

Taking inspiration from OBNE’s “phase repetition” in their Dweller pedal, Bathing takes this difficult-to-describe effect and highlights all its magical features through a wide control set, low noise floor and an expansive stereo field.

With features like MIDI, expression control and presets, to store and recall your favourite Liminal Delay sounds, Bathing allows you embark on a sonic adventure, only to then find it to be your new home.

Key Features

  • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing
  • Dedicated knobs to control Central Delay Time, Tone and Feedback
  • Additional controls for the number of Stages the delay passes through, including the Rate, Depth and Shape of the modulating character of those stages
  • Independent controls for dry and wet volume
  • Separate subtle Stereo Chorus control
  • Analog Dry-Through
  • Expression and MIDI control over all parameters
  • MIDI clock I/O for external temp syncing
  • Onboard Presets, plus control via MIDI
  • Selectable Buffered Trails or True Bypass modes
  • Top-mounted Jacks and Soft-Touch Switching
  • Hand-made in Oklahoma, USA
  • Available in 3 Colourways – Algae (standard), Orchid and Ink
  • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included)

The Bathing Sound

The core sound of Bathing is determined by a central delay line, divided into many stages called “all-pass filters”. The Time control sets the central delay time.   Use the Stages control to set the number of all-pass stages that the delay runs through, from anything between two to twelve stages. At shorter time settings, this increases the intensity of the phase/flange effect.

At medium or longer time settings, more repeats are created both before and after the central delay time.

Adaptive Trails & Increased Resonance

Feedback sets the feedback of the delay, taking the output and feeding it back into the input. This can create longer trails and increased resonance. The Filter applies a combination of low pass and high pass filtering to the output of the delay, as well as the delay feedback loop, with the darkest sound to the left and the brightest sound to the right.

Creative LFO Settings

The LFO affects the character of the delay repeats. When Time is very short, it acts like a modulation effect (think phaser or flanger). When Time is set longer, it moves anywhere from a single repeat at the central delay time out to a scattering of many diffused repeats around that time. In Mono-in, Stereo-out or full Stereo modes, the LFO is offset on the left and right to create a variety of stereo effects. 

Ingredient Allergy Warning : Product may contain nuts.

Additional information

Weight0.5 kg

Tasty Pedals made by Old Blood Noise

Old Blood Noise Endeavors is a pedal manufacturer known for their experimental and innovative designs that cater to musicians looking to explore unique sound textures. Their pedals, such as the Sunlight Dynamic Reverb and Beam Splitter Triple Distortion, are built to offer more than just standard effects. The Sunlight, for example, allows users to manipulate reverb trails with dynamic sensitivity, and its three modes offer tape modulation, delay stacking, and bandpass filtering to create evolving soundscapes. Meanwhile, the Beam Splitter offers a creative approach by duplicating a signal into three, each with different overdrive voices and delay times, perfect for creating complex, multi-layered effects.Old Blood Noise’s pedals are designed to push boundaries in terms of sound exploration, often blending delay, reverb, distortion, and modulation in unconventional ways. Their commitment to creating atmospheres and textures makes them a go-to for musicians who are not just seeking effects, but a way to shape their music with unique, evolving tones. The pedals are also designed with hands-on control in mind, offering external expression jack options and flexible output configurations.

Just Pedal Ingredients.

Delay — A delay pedal records your signal and plays it back after a set time, creating echoes that can range from tight, slapback repeats to long, atmospheric trails. It’s one of the most versatile effects, used to thicken tones, add rhythmic depth, or build spacious, ambient layers. Analogue delays offer warm, decaying repeats that blend naturally with your tone, while digital units provide pristine echoes with precise control over time, feedback, and mix levels.From classic rockabilly and tape-style echoes to modern looping and shimmer effects, delay pedals have become essential tools for shaping sound. They can make solos soar, rhythms pulse, or transform simple chord progressions into cinematic textures. Whether used subtly to add dimension or boldly to create soundscapes, a good delay pedal can completely redefine the feel and atmosphere of your music.. Expression — Expression pedals allow real-time control over specific parameters on compatible guitar pedals, such as volume, delay time, modulation depth, or filter sweep. Used with an expression input, they let players shape effects dynamically with their foot, adding movement and performance control that cannot be achieved with fixed knob settings.. Filter. Flanger — A flanger is a type of guitar effects pedal used to create a swirling, whooshing sound by modulating the phase of an audio signal. It works by combining the original signal with a slightly delayed and modulated version of itself. As the two signals interact, they create peaks and troughs in the frequency spectrum, resulting in the characteristic “jet plane” or “swooshing” sound associated with flanging.Key features of a flanger pedal include:1. **Rate**: Controls the speed at which the delayed signal is modulated. Higher rates produce faster modulation, while lower rates create slower, more subtle effects.2. **Depth**: Adjusts the intensity of the modulation effect. Higher depth settings result in more pronounced sweeps, while lower settings produce a gentler effect.3. **Manual (or Range)**: Sets the center frequency of the modulation. This control allows you to focus the effect on specific frequency ranges, altering the tonal character of the flanging.4. **Feedback (or Regeneration)**: Determines the amount of modulated signal that is fed back into the effect. Increasing feedback can create more pronounced peaks and troughs, resulting in a more intense effect.Flanger pedals are commonly used in various music genres, including rock, metal, and psychedelic music, to add movement, depth, and texture to guitar tones. They can be used subtly to add a touch of modulation and dimension to a guitar sound, or more prominently to create dramatic swirling effects. Overall, flanger pedals offer guitarists a versatile tool for shaping and enhancing their tone, adding a dynamic and expressive element to their playing.. Guitar Pedals — Your pedal is like a signature dish for your sound — a flavour-packed creation that transforms the bland ingredients of your guitar into something unforgettable. Each one adds its own seasoning, texture, and heat, turning a simple meal into a feast of tone.These tasty little boxes sit in a row, like plates on a buffet, letting you mix and match flavours as you play. With one tap of your foot, you can swap sweet for spicy, subtle for smoky, and serve up something completely new. From the comfort food of warm overdrive to the fiery kick of fuzz, from smooth jazz sauce to heavy-metal spice, pedals give players a full menu of options to express their taste.  And just like with food, once you’ve tried one dish, you’ll want to sample them all.Collecting, trading, and discovering new flavours soon becomes part of the joy of being a tone-loving gourmet geek with a guitar.. MIDI — MIDI pedals use the Musical Instrument Digital Interface standard to communicate with other guitar pedals, effects units, and hardware. They allow control over presets, parameters, and switching across multiple devices from a single controller. MIDI integration makes it possible to build complex, synchronised pedal setups while keeping control simple and consistent.. New — This is brand new, fresh in, and a UK warranty is included. New Gear always comes from trusted UK music retailers.. Phaser — A phaser is a type of guitar effects pedal that creates a swirling, sweeping sound by modulating the phase of the audio signal. It works by splitting the incoming signal into two paths, shifting the phase of one path, and then recombining them. This creates peaks and troughs in the frequency spectrum, resulting in a distinctive, “phasing” effect characterized by moving notches in the frequency response.Here’s how a phaser pedal typically works and some common features:1. **Rate**: The rate control adjusts the speed at which the phase-shifting effect oscillates. Increasing the rate produces faster modulation, creating a more pronounced swirling effect, while decreasing the rate slows down the modulation for a smoother, more subtle effect.2. **Depth**: The depth control adjusts the intensity or depth of the phase-shifting effect. Higher depth settings result in more pronounced peaks and troughs in the frequency response, while lower settings produce a more subtle modulation.3. **Feedback (or Regeneration)**: Some phaser pedals feature a feedback control that determines the amount of modulated signal fed back into the effect. Increasing the feedback creates more pronounced peaks and troughs in the frequency spectrum, resulting in a more intense and resonant phasing effect.4. **Stages**: Phasers typically have multiple stages (usually four, six, or eight), each of which contributes to the overall phase-shifting effect. More stages generally result in a more complex and textured phasing sound.5. **Sweep (or Manual)**: The sweep control adjusts the center frequency of the phase-shifting effect. This allows you to focus the phasing effect on specific frequency ranges, altering the tonal character of the modulation.6. **Resonance (or Feedback)**: Some phaser pedals feature a resonance control that emphasizes the peaks and troughs in the frequency response, creating a more pronounced and resonant effect. This control can add richness and depth to the phasing sound.Phaser pedals are commonly used in various music genres, including rock, funk, and psychedelic music, to add movement, depth, and texture to guitar tones. They can be used to create swirling, swirling effects on rhythm parts, add dynamics to lead lines, or create atmospheric textures for ambient music. Overall, phaser pedals offer guitarists a versatile tool for shaping their tone and adding expressive modulation effects to their playing.. power supply. Volume — Volume pedals control the output level of a guitar signal using a foot-operated treadle. They allow smooth volume swells, dynamic control during playing, and easy muting between songs. Volume pedals can be placed at different points in the signal chain to either control overall loudness or adjust gain and drive behaviour when positioned before distortion or overdrive pedals..

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