The Old Blood Noise Endeavors Float V2 is a dual analogue filter and modulation workstation, designed to turn simple riffs, synth lines or drum machines into evolving, stereo soundscapes. With two independent state-variable filters, deep LFO and envelope control, MIDI, presets and expression support, it is a powerful tone-shaping tool for players who want movement, texture and rhythmic interest at their feet. Handmade in Oklahoma and presented here in the Mint finish, Float V2 refines the original design with expanded control, quieter operation and far more flexible routing. Whether you are sculpting subtle, musical sweeps or building complex, tempo-synced filter patterns in stereo, Float V2 keeps everything accessible on the top panel and ready to recall via presets or MIDI. Dual Analogue Filters for Deep Tone Shaping At the heart of Float V2 are two independent 12dB per octave state-variable filters, each with its own cutoff, resonance, volume and modulation controls. You can run them as low pass, band pass or high pass, or combine modes for more intricate responses. The two-pole design keeps low end intact even as you increase resonance, avoiding harsh self-oscillation and keeping the pedal musical across guitars, basses, synths and beyond. Rich Modulation with LFO and Envelope Control Each filter can be animated by its own LFO and envelope follower, letting you blend classic auto-wah style responses with more experimental motion. Six LFO waveforms, from smooth sine and ramps to stepped and smooth random, give you everything from gentle pulses to glitchy, sample-and-hold textures. Independent Rate, Depth and Shape controls per filter make it easy to dial in subtle movement or extreme, choppy modulation that locks to your playing dynamics. Sync, Routing and Stereo Creativity Float V2 is built for complex, yet controllable, interaction between its two filters. The Sync function lets you link their behaviour, offset their phases or mirror their envelope responses, while Hard Sync can lock both cutoff frequencies together for unified sweeps. Routing options include parallel mono, series mono, mono-in to stereo-out and full stereo operation via TRS input and dual outputs, so you can place each filter in its own space or stack them for cascading filter effects. Performance Control, Presets and MIDI For live use, Float V2 offers three onboard presets plus up to 127 via MIDI, so your favourite patches are always ready. A soft-touch auxiliary footswitch can be assigned to tap tempo or preset switching, while the main switches support both latching and momentary operation. The expression input allows you to control multiple parameters per preset in real time, and MIDI over 3.5mm TRS Type A gives you access to clock sync, full parameter control and program changes. USB-C keeps the pedal future-ready with easy firmware updates. Key Features Dual Independent Analogue Filters – Two state-variable filters, each with its own cutoff, resonance, volume and modulation controls, let you sculpt complex, layered tones that range from subtle movement to radical sound design, all while maintaining musical low-frequency response. Extensive LFO and Envelope Modulation – Six LFO waveforms and adjustable Rate, Depth and Shape for each filter, combined with positive or negative envelope sensitivity, provide a huge palette of rhythmic pulses, evolving sweeps and touch-responsive filter effects that react to your playing. Flexible Sync and Stereo Routing – Sync and Hard Sync modes coordinate the behaviour of both filters, while routing options including parallel, series, mono-to-stereo and true stereo operation allow you to place filters in different parts of the signal path or across left and right channels for immersive soundscapes. Presets, MIDI and Expression Control – Three onboard presets, up to 127 MIDI-accessible presets, full MIDI parameter control, an assignable auxiliary footswitch and an expression input that can address multiple paramet…
Old Blood Noise Endeavors Float V2 Dual Analogue Filter Pedal in Mint
This is a New Old Blood Noise Endeavors Float V2 Dual Analogue Filter Pedal in Mint from Old Blood Noise Endeavors its found in our Wah & Filter Pedals on the Just Pedals menu. Read More below.
As an affiliate partner, we may earn a small commission when you buy through our links — at no extra cost to you.
Brand
Old Blood Noise Endeavors
Old Blood Noise Endeavors has been based in Oklahoma City since 2014. Its catalogue is known for effects that stretch familiar categories into more textural territory, including unusual reverbs, delays, modulation, pitch effects and signal-routing tools. The JustPedals listings include Black Fountain stereo delay, Dark Star stereo reverb, Sunlight dynamic reverb, Signal Blender and Pardner fuzz. OBNE also makes utility pedals such as expression controllers and splitters, so the brand covers both sound design and pedalboard control. Read individual descriptions closely: several OBNE models are designed around evolving or interactive textures rather than one fixed effect setting.
Category
Wah & Filter Pedals
Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.
Tags
Analogue
The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.
MIDI
Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.
Presets
Stores complete groups of parameter values for later recall. The number of locations, switching time, spillover behaviour and whether presets include routing, expression and MIDI assignments determine how completely one sound can change into another.
Stereo
Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.
