The Old Blood Noise Endeavors Float V2 in Ocean is a dual analogue filter pedal designed for players who want evolving, animated textures that stay firmly in the musical sweet spot. With two independent state-variable filters, deep LFO and envelope control, flexible routing and full MIDI and preset support, it moves effortlessly from subtle movement and stereo shimmer to complex, rhythm-locked modulation and experimental sound design. Handmade in Oklahoma, Float V2 refines the original Float with expanded control, reduced unwanted noise and a compact, pedalboard-friendly enclosure. Whether you are sculpting synth-like sweeps, reactive envelope filter tones or tempo-synced rhythmic pulses, Float V2 gives you precise control while remaining intuitive and performance-ready. Dual Analogue Filters for Deep Tone Shaping At the heart of Float V2 are two independent 12dB-per-octave state-variable filters, each with its own cutoff, resonance, volume and modulation controls. You can run low-pass, band-pass and high-pass modes individually or in combination, allowing you to carve out frequencies, emphasise movement and create layered textures that feel more like a modular synth than a typical guitar pedal. The two-pole design maintains low-end presence as you increase resonance, without tipping into self-oscillation, so your sounds stay usable and grounded in a mix. Expressive Modulation with LFO and Envelope Control Each filter features its own LFO with Rate, Depth and Shape controls, plus a choice of six waveforms: sine, square, rising ramp, falling ramp, smooth random and stepped random. This lets you dial in everything from gentle, liquid sweeps to choppy tremolo-like pulses and unpredictable, sample-and-hold style movement. The envelope sensitivity circuit responds to how hard you play, with positive and negative settings that can push the filter to open up as you dig in or close down for more percussive, inverse responses. The result is a highly expressive pedal that reacts to your touch as much as your settings. Sync, Routing and Stereo for Creative Setups Float V2 is built to integrate into complex rigs. A Sync function links the two filters so you can create coordinated modulation, phase offsets and mirrored envelope movements, while Hard Sync mode locks both cutoff frequencies together for tightly matched filtering. Routing options include parallel mono, series mono, mono-to-stereo and true stereo, with a TRS stereo input and stereo outputs for use with suitable breakout cables or stereo sources. Seven tempo subdivisions from ÷4 to x4 let you lock movement to the beat, making Float V2 as comfortable on a live pedalboard as it is in a studio signal chain. Presets, MIDI and Performance Control With three onboard presets and up to 127 available via MIDI, Float V2 makes it easy to store and recall your favourite sounds. Full MIDI control over all parameters, plus MIDI clock, CC and programme change support, means you can integrate it into advanced MIDI rigs and DAW-based setups. An expression input allows you to control multiple parameters per preset in real time, while an assignable auxiliary footswitch can handle tap tempo or preset switching. Soft-touch footswitches with latching and momentary modes complete a performance-focused design that encourages experimentation without sacrificing reliability. Key Features Dual Independent Analogue Filters – Two state-variable filters, each with its own cutoff, resonance, volume and modulation controls, give you detailed control over your tone. You can sculpt frequencies on each side of a stereo field, stack filters in series for complex sweeps or run them in parallel for rich, layered textures. Advanced LFO and Envelope Modulation – Six LFO waveforms and independent Rate, Depth and Shape controls per filter let you fine-tune movement from subtle to extreme. The responsive envelope sensitivity, with positive and negative options, means your playing dynamics can drive the filter behav…
Old Blood Noise Endeavors Float V2 Dual Analogue Filter Pedal in Ocean
This is a New Old Blood Noise Endeavors Float V2 Dual Analogue Filter Pedal in Ocean from Old Blood Noise Endeavors its found in our Wah & Filter Pedals on the Just Pedals menu. Read More below.
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Brand
Old Blood Noise Endeavors
Old Blood Noise Endeavors has been based in Oklahoma City since 2014. Its catalogue is known for effects that stretch familiar categories into more textural territory, including unusual reverbs, delays, modulation, pitch effects and signal-routing tools. The JustPedals listings include Black Fountain stereo delay, Dark Star stereo reverb, Sunlight dynamic reverb, Signal Blender and Pardner fuzz. OBNE also makes utility pedals such as expression controllers and splitters, so the brand covers both sound design and pedalboard control. Read individual descriptions closely: several OBNE models are designed around evolving or interactive textures rather than one fixed effect setting.
Category
Wah & Filter Pedals
Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.
Tags
Analogue
The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.
MIDI
Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.
Presets
Stores complete groups of parameter values for later recall. The number of locations, switching time, spillover behaviour and whether presets include routing, expression and MIDI assignments determine how completely one sound can change into another.
Stereo
Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.
