JHS Pedals The AT+ Andy Timmons Signature Drive Pedal

£189.99

This is a New JHS Pedals The AT+ Andy Timmons Signature Drive Pedal from JHS Pedals, listed in Specialist Effects Pedals on Just Pedals. Read More below.

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In 2016 JHS releases one of the most popular drive pedals over the last few years the AT Andy Timmons Angry Charlie style overdrive pedal. Now they are cranking it up a notch with the AT+, the same amazing overdrive pedal with an added boost section. 

New Boost Section

The new boost section in the AT+ is a completely independent single control boost that you can kick in at any moment with the dedicated footswitch. On it’s own it provides a little bit of grit, pushing your clean sound a bit up to a light crunch on some amps. Combine it with the AT drive inside though and you can take that amazing overdriven sound into a sweet sustaining lead that pops out of a mix. 

Classic Andy Timmons Drive

If you loved the original AT @ Andy Timmons drive then you will love this as the main section of the pedal is exactly the same, unchanged from the winning formula they had before. Same controls, same feel, same tone just now with an added boost section. 

If you have never heard the original AT what can you expect? This is an amp transformer, it works great with any clean or crunch tone and turns it up to 11 with a great american style drive.

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Brand

JHS Pedals

JHS Pedals grew from Josh Scott’s pedal-modification work in 2007 into a Kansas City effects maker. Scott’s first original designs followed in 2008; the Morning Glory began as his reinvention of the Marshall Bluesbreaker. The JustPedals catalogue carries the Morning Glory V4 and Muffuletta, along with practical tools such as the Little Black Buffer, Buffered Splitter and Little Black Amp Box. JHS describes its guitar pedals as made in Kansas City, USA. The range mixes original drive and fuzz designs with utility pedals, so the current listings show more than a single “boutique overdrive” identity.

Category

Specialist Effects Pedals

Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.