Way Huge WM92 Smalls Attack Vector Phaser & Envelope Pedal

£229.00

This is a New Way Huge WM92 Smalls Attack Vector Phaser & Envelope Pedal from Way Huge, listed in Phaser Pedals on Just Pedals. Read More below.

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If you like to play it safe, then the Way Huge Attack Vector Phaser and Envelope is not for you! This vibrant and quirky pedal combines two different effects — phase shifter and envelope filter — into a single dangerous machine. It cranks out an array of off-kilter sounds, twisting your riffs into crazy new forms. Bee stings, perfect for funky moods. Gloopy syrup to drench your low-string twanging. Or fifty shades of rude behaviour that'll turn a pleasant cocktail party into a drunken brawl.

And by the way, the Attack Vector Phaser and Envelope's bratty attitude works great with electric bass as well as guitar. So if you're looking for a pedal that smiles politely and behaves appropriately, keep right on walking — because you won't find it here. But if you seek a kindred spirit and fellow troublemaker, the Way Huge Attack Vector Phaser and Envelope might just become your new best friend!

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Brand

Way Huge

In the current JustPedals catalogue, Way Huge is represented by Fuzz Pedals, Overdrive Pedals and Chorus Pedals. Current listings include Smalls Doom Hammer Fuzz, Smalls Geisha Drive and Smalls Stone Burner Sub Fuzz. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Phaser Pedals

A phaser splits the signal and shifts the phase of one path through a series of all-pass filter stages. When recombined, moving peaks and notches sweep across the spectrum, creating a rounded swirl rather than the evenly spaced comb filtering of a flanger. Stage count, feedback, centre frequency, rate and depth shape the width, resonance and pulse of the sweep.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.