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Walrus Audio is an American boutique guitar effects pedal company based in Oklahoma City, known for its high-quality, innovative designs and artistic approach to pedal-making. Founded in 2011 by Brady Smith, the company quickly gained a reputation for creating pedals that offer a unique blend of rich, expressive tones and striking visual aesthetics.
Each Walrus Audio pedal is designed with meticulous attention to detail, often incorporating complex circuitry that allows for a wide range of sonic possibilities.
The pedals feature distinctive, hand-drawn artwork on their enclosures, making them visually appealing as well. Walrus Audio’s product lineup includes a variety of effects such as reverb, delay, overdrive, modulation, and more, and their pedals are widely appreciated by musicians for their creativity, durability, and superior sound quality.
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A boost pedal does one simple thing brilliantly — it makes your signal louder, stronger, and more alive. Whether you’re pushing a valve amp into natural breakup, lifting a solo above the band, or adding a touch more presence to your core tone, a clean boost gives you extra headroom without changing your character.
Use it at the front of your chain to drive other pedals harder, or after your gain stages to raise volume without adding distortion. Subtle or powerful, transparent or slightly coloured, a boost is one of the most useful tools on any pedalboard — small box, big difference.
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
MIDI pedals use the Musical Instrument Digital Interface standard to communicate with other guitar pedals, effects units, and hardware. They allow control over presets, parameters, and switching across multiple devices from a single controller. MIDI integration makes it possible to build complex, synchronised pedal setups while keeping control simple and consistent.
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A noise gate pedal keeps your rig tight and controlled by cutting unwanted hiss and hum when you’re not playing. High-gain setups, stacked pedals, and long signal chains can introduce background noise — a noise gate steps in to silence it cleanly, letting your riffs start and stop with precision.
Use it to sharpen heavy rhythm parts, tame buzzing single-coils, or clean up complex pedalboards without sacrificing sustain. Dial it subtle for transparent control or tighter for that sharp, percussive stop-start effect — either way, it keeps your sound focused and professional.
A reverb pedal is like the rich sauce that ties every flavour on the plate into one smooth experience. It adds depth, warmth, and atmosphere — the sonic equivalent of a perfectly reduced glaze that lingers on the tongue. Whether you’re after the subtle ambience of a cosy café (spring or plate reverb) or the grand echoes of a cathedral (hall or shimmer reverb), this is where your tone breathes and expands. A touch of reverb can turn a dry sound into something lush and inviting — but pour on too much, and it’s all you can taste. Used with finesse, it’s the finishing touch that transforms your tone from plain to unforgettable.
Volume pedals control the output level of a guitar signal using a foot-operated treadle. They allow smooth volume swells, dynamic control during playing, and easy muting between songs. Volume pedals can be placed at different points in the signal chain to either control overall loudness or adjust gain and drive behaviour when positioned before distortion or overdrive pedals.
