Walrus Audio Jupiter V2 Multi Clip Fuzz Pedal – New Walrus Audio Guitar Effect Pedal
£199.00
The Walrus Audio Jupiter V2 is a Multi Clip Pedal which enhances the original with an improved performance and expanded tonal range delivering more essential fuzz to any signal chain. The second iteration of the Jupiter Pedal features an increase in gain for even more fuzzy goodness while the tone and volume controls have been…
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The Walrus Audio Jupiter V2 Multi Clip Fuzz Pedal is in New condition and made by Walrus Audio , it is a great Pedal Fuzz Clip Multi V2 Jupiter Audio Walrus Guitar Effect Pedal- The Walrus Audio Jupiter V2 is a Multi Clip Pedal which enhances the original with an improved performance and expanded tonal range delivering more essential fuzz to any signal chain. The second iteration of the Jupiter Pedal features an increase in gain for even more fuzzy goodness while the tone and volume controls have been improved to deliver incredible tone shaping possibilities. An internal trim pot is also added allowing you to control the pedals noise gate and create a spatty dying battery effect. Achieving the perfect amount of fuzz effect is easy with the Jupiter as players can easily dial in the right amount of fuzz with the exact tonal parameters ensuring a sound suitable for any situation. The compact design means this pedal will easily fit onto any pedalboard and its roadworthy enclosure makes it ideal for any gigging musician. Finished off with stunning artwork of the planet Jupiter itself this pedal is perfect for fans of the original and players wanting to infuse their tone with a touch of fuzzy destruction. . Available from Just Pedals for only £ 199 The updated Jupiter Fuzz The updated version of the Jupiter Fuzz Pedal is designed to offer players an improved performance offering enhanced controls and expanding its tonal possibilities. The first major improvement is its increased level of available gain producing more fuzzed tones to play with. Its volume control has been enhanced to make it easier to dial in unity gain while the tone control features and improved high frequency response. The visual aspect of the fuzz pedal has also been changed replacing the Roman god Jupiter for a dead astronaut to the backdrop of the planet Jupiter. Internal trim pot Another feature added to the second version of the Jupiter Fuzz is the internal trim pot allowing players to control the pedals gate. Turing the trim pot all the way left will increase the pedals gate level to max creating a spatty dying battery effect while turning it in the other directing will decrease the noise gate and open up the pedals sound. Dial in the ideal fuzz effect The Jupiter Fuzz from Walrus Audio sports an easy-to-use layout with control options for Level Fuzz and Tone to offer incredible tone shaping capabilities. Unlike other Fuzz pedals on the market that emphasise specific frequency ranges the Jupiter allows users to dial in the perfect amount of Fuzz delivering a superb range of tones to suit a variety of musical styles. Equipped with a Mode toggle switch players can choose between three different clipping diode arrangements for more options and combinations of fuzz. In addition the bass toggle switch located on the right side allows users to increase the low end when needed providing the fuzzs prominent top end screech with an enhanced bass response. Roadworthy enclosure As well as delivering an incredible array of Fuzz effects the Jupiters components are encased within a die-cast enclosure designed to survive life on the road and ideal for the gigging musician. Its compact size means it will easily fit on any pedalboard alongside similar sized units and makes its easy to transport in gig bags. Specifications Controls: Level Fuzz Tone Switches: Mode Bass Cut Bypass Ins/Outs: 1/4 Jack Enclosure: Die-Cast Finish: Coal Sparkle Powder Coat w/Artwork Power Requirements: 9V DC Centre Negative Less Than 100mA (Not Included)* Dimensions: 4.77″ x 2.9″ x 2.3″ *The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.
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Walrus Audio is an American boutique guitar effects pedal company based in Oklahoma City, known for its high-quality, innovative designs and artistic approach to pedal-making. Founded in 2011 by Brady Smith, the company quickly gained a reputation for creating pedals that offer a unique blend of rich, expressive tones and striking visual aesthetics.
Each Walrus Audio pedal is designed with meticulous attention to detail, often incorporating complex circuitry that allows for a wide range of sonic possibilities.
The pedals feature distinctive, hand-drawn artwork on their enclosures, making them visually appealing as well. Walrus Audio’s product lineup includes a variety of effects such as reverb, delay, overdrive, modulation, and more, and their pedals are widely appreciated by musicians for their creativity, durability, and superior sound quality.
Fuzz
Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.
Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.
Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Multi
A multi-effects pedal is a versatile device used by musicians, particularly guitarists and bassists, that combines multiple effects and signal processing features into a single unit.
It allows players to access a range of effects—such as reverb, delay, distortion, chorus, and more—without needing to use multiple separate pedals.
Multi-effects units typically offer a variety of preset and programmable options, enabling musicians to create and save complex effect combinations and signal chains tailored to their specific needs.
These pedals often include features like digital amp modelling, built-in tuners, and other utilities, providing an all-in-one solution for both practice and performance.
Multi-effects pedals can streamline setups, reduce pedalboard clutter, and offer extensive flexibility in shaping sound.
They are popular among musicians for their convenience, comprehensive capabilities, and the ability to experiment with different tones and effects in a single device.
New
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Pedal
A pedal is an electronic device that alters the sound of an electric guitar by applying various effects. Pedals are typically connected in a series between the guitar and amplifier, allowing guitarists to switch effects on and off with their feet while playing.
This enables musicians to quickly and easily change their sound, adding versatility and creativity to their performances.
Pedals are essential tools in many musical genres, including rock, blues, jazz, and metal, allowing artists to craft distinctive and dynamic soundscapes.
Once you buy one, you can’t stop and then you have to sell them and buy more.
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Allows players to create lush, modulated, sleepy and ambient soundscapes Dark – add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb Rise – this is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time It takes the reverb to swell in after a note is played. Set Lower for shorter rise times and higher for longer rise times Dream – here is a lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add Vibrato over the pad. Press sustain again and pad will decrescendo according to where decay knob is set. X knob sets the depth of Vibrato applied to the reverb trail Lollipop Blue finish with light Blue and off white ink featuring original artwork by christi DU toit
True bypass, two-in-one pedal Two different styles of fuzz with the M/v switch (modern/vintage) In the modern position (M), you notice a more forgiving fuzz with longer and tighter sustain, while the Vintage position (V) feels starved with spatty breakup and grittier, shorter sustain Versatile filter with resonance, sensitivity, frequency and envelope filter controls Use the filter on its own to add a unique shape to your sound, or flip the envelope filter switch and open up funky sixties style tones
Converted to smaller enclosure Expanded capability of side jack: now supports external tempo or can function as expression control over rate, depth, shape, or tap Multiplier and is assignable on the fly Improved tremolo response across all Rates Top mounted jacks Wave shapes can be controlled via the shape knob. You can move between sine, square, Ramp, lumps and Monument Mode (random)
True bypass, all analog, multi-stage Phaser With controls like rate, width, feedback, and d-p-v blend, The Lillian is packed with a wide array of Analog Phaser goodness waiting to be dialed in The “stages” switch allows the user to select 4 or 6 stages which alters the overall voice of the effect from warm and tight phasing with 4 stages to a more complex filtered sound with 6 The d-p-v knob lets you blend between dry, phase shifted, and Vibrato sounds allowing for a wide range of control over the intensity and type of effect Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Lillian fit well on your board and ensure smooth operation for years to come
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