The Walrus Audio ARP-87 is a multi-function delay pedal which offers an incredible range of delays with a plethora of controllable parameters to provide players with incredible freedom. With digital analogue lo-fi and slapback algorithms to choose from use the selection of control knobs to dial in and array of rich sounding delay effects suitable for all musical styles. Alongside its incredible tones the ARP-87 features momentary functions for quick bursts of infinite delays or enhanced repeats. The trails mode is added to allow you to choose whether the pedals repeats die-off naturally or are cut abruptly when the pedals is disengaged. Encased within a road-worthy enclosure and finished with the original artwork of Chris Castro the ARP-87 Delay is the perfect pedal for transporting you and your audience to another dimension.
Walrus Audio ARP-87 Multi-Function Delay Pedal
This is a New Walrus Audio ARP-87 Multi-Function Delay Pedal from Walrus Audio, listed in Delay Pedals on Just Pedals. Read More below.
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Brand
Walrus Audio
In the current JustPedals catalogue, Walrus Audio is represented by Reverb Pedals, Distortion Pedals and Chorus Pedals. Current listings include Canvas Power HP, Canvas Power USB and Polychrome Flanger. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Delay Pedals
Delay pedals repeat the input after a set time, from a short slapback to long ambient trails. Feedback controls how many repeats continue; filtering, modulation, saturation and mix shape their tone and prominence. Tap tempo can keep rhythmic delays aligned with a song, while presets and MIDI help when several timings are needed. Analogue, tape-style and digital designs respond differently to transients and overload. Check maximum delay time, spillover, stereo routing, trails and headroom before choosing a model for the rest of the board.
Tags
Analogue
Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.
Digital
Digital products use conversion and processing to create, store or control the effect. This can provide presets, complex routing, repeatable algorithms, USB, MIDI and firmware features, but conversion, latency, power requirements and clocking depend on the design. Check the input and output levels, sample or impulse-response support, bypass behaviour and current draw when combining a digital unit with analogue pedals or a direct recording setup.
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